Watercolours of Moreno dalla Vecchia

I love admiring paintings and sculptures. Among the different styles of paintings, my favourite is watercolours. This post is about a watercolour artist from Schio (VI), Moreno dalla Vecchia, who is also the president of the Schio's association of artists.

Recently I talked to Moreno during an exhibition of local artists held at Toaldi-Capra palace in the city centre.

Moreno's Artistic Evolution

Moreno loved art ever since he can remember. Seeing his artistic skills, his teachers suggested that he should study art. Thus, after completing middle school, in late 1960s he decided to join the art school in Padova. He studied there for five years.

He followed it for another 2-years' course for teaching art. However he decided to not to work as a teacher, instead he chose to work in public administration. Moreno retired four years ago from his public administration job. During his working life, being an artist was a parallel life for him. He feels that having a separate job allowed him to be more independent in his artistic evolution because he didn't need to earn from his art.

He has continued to learn and practice art ever since. For example, after completing art school, for about 10 years, he joined an art group in Vicenza called La Soffitta, created by Otello de Maria. Here, artists can meet, talk, and learn from each other. In this period, he experimented with oils, design and water-colours. He said, "Initially I was afraid of water-colours, I can't explain why but I was hesitant to try it. However, once I started to work with water-colours, I never stopped, I have continued to work with this medium." 

Moreno had started with oil paintings, and experimented with other techniques including acrylic, tempera, graffite and frescoes, before coming to water-colours. He has even taught oil painting and likes oil paintings.

Regarding his approach to water-colour painting, he said, "Now I am trying to get away from using photographs, to a slightly more real depiction of my subjects. I am thinking of this new approach but it is not yet very clear. Usually, when we paint we follow our mental images and not the reality of things as they are."

Artists' Association of Schio

Scledense Artists' group is about 50 years old. It did not even have a room and used to
meet in a bar. It is a space for meeting, talking and supporting each other. In June each year, the city and Scledense artists traditionally organise an open-air art exhibition called Sareo Art Festival. At the same time, they organise a thematic art competition for the primary and middle schools of Schio.

About the activities of their association, Moreno explained, "With time, other initiatives were added to Sareo festival, such as organisation of exhibitions in different city-spaces such as the Toaldi-Capra Palace. When Schio had the orchids and flowers exhibition, we also participated by having an exhibition on art about flowers. For example, the present exhibition has 5 artists from the city. Then, we have another initiative planned for Christmas and the end of year, which will focus on still-life."

There was a time when this group had 80 members, but now they are much less, around 30 persons and Moreno dalla Vecchia is its president. For him, it was important to be a part of this group since it kept alive his interest in art by getting new ideas, learning from others. He said, "We organised initiatives, we displayed our art, I also took part in some art competitions."

Art Courses in Schio

After completing his studies, Moreno came back to Schio, and he joined the Artists' group. One of his first initiative was to organise art courses. Together with another artist, Moreno organised an evening course for design and painting.

He said, "Around 15 persons came to the first course, sometimes they had no idea about art. The course lasted five evenings. Later on, I became the president of our association and started organising solo courses on water-colours. Some of my students have grown to become good artists. For example, Mari Baldissarotto, who is also a part of this exhibition, was one of my students, who has become a wonderful artist."

In Conclusion

Every time I meet persons like Moreno, who have cultivated a passion for all their lives alongside a 9-to-5 daily job, I feel a great admiration for them. There are so many others who say that they did not get time to do what they really wanted in their lives, because they had a full-time job.

I am sure that persons like Moreno, need to make sacrifices for keeping alive their passion. At the same time, their dedication to their passion means that their families get lesser time and attention. It would have been an interesting theme to discuss with him, however, I did not talk about it to Moreno. 

*****

Visiting Schio: Sacred Sites

The tiny town of Schio in the north-east of Italy, about 30 km from the provincial capital Vicenza, is full of sacred sites that bring here pilgrims from all over the world. At the same time, many of these sites are also wonderful places for nature walks and hikes.

The town is located in the foothills of Pasubio mountain, part of the Little Dolomites, and thus, be ready to go up and down the hilly paths during your walks (above: a view of Pasubio and Leogra river in Schio).

This post provides an overview and brief information about the different sites. Over the next few months, I hope to write more detailed posts about each site. Except for a pre-historic site, all the other places in this post are related to the Catholic church.

Pre-historic Prayer Sites on Mount Summano

Mount Summano towards the east of Schio is around 1300 m. high. Some believe that the its name indicates Pluto, the ancient God of the underworld; others think that it indicates the God of lightening and rain.

Ancient archaeological remains have also been found in a cave known as Bocca Lorenza, on the eastern side of Summano, which can be a great walk from the nearby Sant'Orso town.

Near the summit of Monte Summano, you can visit the church dedicated to St. Mary (above), as well as see the ancient site where prehistoric folks use to make sacred fire for worship (image below).

If you are used to mountain hikes, you can try the hike from Tretto or from Sant'Orso to the top of the mountain. It has plenty of places for panoramic views of the Schio valley below. Many years ago I tried this hike once, starting from Tretto, but it was too tough for me, I had to give it up half way (below, a view from the top).

St. Martin church in Schio

St Martin hill in Schio hosts one of the oldest churches in this area, which was built at the site of an older temple dedicated to a female deity. The first church was built here around 7th century CE. The first written document about this church is from 1185 CE.

In late 1985, a person from Schio called Renato Baron claimed to have a vision of Madonna on the hill, around 250 metres above the St Martin church. Over the following years, hundreds of his followers started collecting here for prayers. Some persons from the Catholic church, spoke against Baron and his cult.

For the pilgrims coming here from different parts of Europe, a proper walking path has been created leading to the site where Baron had his vision, and then to the top of the hill. You may or may not believe in Baron and his vision, but it is a wonderful place for a hike to the top of the hill. Come prepared with proper walking shoes, a cap and a bottle of water. You can see two views of this path here (above and below).

San Zeno Church in Magre, Schio

Magre is the part of the Schio located across the Leogra river bridge. Magre hill is located in the centre of this area, while the much higher, Magre mountain separates Leogra valley from the Agno valley on the west. Archaeological excavations on the Magre hill have shown objects from prehistoric to more recent times.

San Zeno area is located on the western slope of Raga mountain in Magre. To reach here, you need to walk till the end of Via Siberia road. It is a protected area and vehicles (including bicycles) are not allowed beyond a point. The tiny San Zeno church is from 14th century, and has been recently renovated.

It is located next to a waterfall, which looks beautiful after the rains.

The final 150-200 metres of the path require a steeper climb and some effort. So go there with proper walking shoes, a cap and a water bottle.

St. Mary Mother church in Pieve

This church goes back at least a thousand years. The legends say that it was built at the site of an older pagan temple. During medieval period, it was considered as the mother church for all the surrounding mountains areas. It was also the seat for a bishop, till the Duomo church was built in Schio in 1473.

Over the past centuries, this church (above) has been renovated many times, the last being in 1989, so it does not look so old. It still has some old frescoes and an old baptismal fountain. Next to the church, you can also see the old water canal, Roggia Maestra, from the 12th century.

This church is located in Pieve Bel Vicino, a few kilometres north of Schio. From the city centre, it takes a 45 minutes walk to reach there.

St. Francis church of Schio

This church and monastery were inaugurated in 1436. Built on the eastern edge of the medieval town on the hill of Olives, it is one of the most beautiful churches in the city. The church has a famous painting (below) by the well-known renaissance-period artist Francesco Verla (1470-1521) and a 14th century stone statue of Madonna.

The asymmetrical looking church (below) with a central nave and one sided aisle is open to public only on special occasions (at present, it is on the afternoons of the first Sundays of the month but that keeps on changing).

Duomo of Schio

Duomo was built in the city centre in 1473. It is placed on the Gorzone hill, right in front of the castle hill. An older Longobard tower and then a church had existed here before the construction of Duomo. It is dedicated to St. Peters. With stairs on the two sides for going up to the church, it has a majestic look. The external sculptures of the four evangelists are by Valetino Zajec. It dominates the central plaza, Piazza Rossi.

One of the paintings (Gesu Maestro, 1943) in Duomo has an indirect link with my wife's family. That painting is by Alfredo Ortelli, who lived in Magre. His sister Ita, was my mother-in-law's friend and after the death of her brother in 1963, lived with my wife's family for many years (in the house where I am writing this post).

FYI, Duomo is a cathedral level church, without a bishop - it can only be called Cathedral, if it has a bishop.

St. Jakob Church

Located on the road behind Duomo is the 15th century St Jakob's church. It has some nice paintings from 19th century. The most beautiful part of this church, in my opinion, is its 16th century bell-tower, in the image below (to see it, enter the portico next door, going to the back of the church).

St. Mary Chapel in Valletta

It is charming little chapel located in the valley between the Castle hill and the hill with St Francis church. A water canal passes underneath it and an old city gate can be seen next to it. The first documents about this chapel are from early 16th century but probably the church goes back to older times.

St. Bakhita's Canossian Church

The congregation of Daughters of Charity, also known as Canossian nuns, have an old history in Schio. One of their nuns, mother Bakhita, was declared a saint in 2000 by Pope John Paul II. Mother Bakhita (or St. Bakhita, if you prefer) had a very unusual story.

Born in Darfur region (Sudan) in 1869, she was taken from her village and sold as a slave when she was 7 years old. Her name Bakhita (fortunate) was given by the Arab slave-sellers. She ended up in the house of the Italian consul in Khartoum, who brought her to Venice, where she joined the nuns. She spent many years in Schio, and died here in 1947.

Pilgrims come to visit her tomb from all over the world. Her church (image above) and tomb are located in the city centre. A monument near the St Francis church (image below) remembers her and the millions of persons taken away from Africa as slaves.

In Conclusion

As you can see, even if Schio is only a tiny mountain town, it has many sacred places to visit, which are open to people of all religions. Many of these places, also provide opportunities for nature-walks along beautiful  and serene mountain paths. To conclude this post, here is a view of the city centre seen from the terrace of the Duomo of Schio.

*****

The Longilineal Women Sculptures of Arcisa Stefani

Arcisa Stefani is a sculptor and artist from Schio, who is known for her women's sculptures with thin, tall and elongated bodies. This post is about her, her art and her artistic journey.

Her sculptures make me think of the Mannerism style of art which had developed in Italy during late renaissance in 17th century. Some time ago, I had already written a post about some of the contemporary artists who show elongated bodies inspired from the Mannerism style in their art.

Let me start with a brief introduction about Mannerism, before presenting Arcisa and her sculptures.

Mannerism style of art in late renaissance period

In the 14th century, the beginning of the renaissance period in Italy saw important innovations in the works of artists. For example, the Lombard school saw a move towards realism, while in Tuscany, the artists, starting with Brunelleschi, developed the use of perspective in art. These refinements reached their peak in the works of masters like Leonardo da Vinci, Michaelangelo and Raphael during the 1500s.

This period was followed by an art movement known as "Mannerism", characterised by a compression of space, along with an elongated proportions of some body parts, specially necks, arms and legs. Different modern artists have been inspired by this style, especially for making tall thin women-bodies with elongated necks and limbs.

Arcisa Stefani

Arcisa had studied commerce at School and worked in sales for almost 25 years, before discovering the artist in her. She and her husband had a shop. She is retired now. 

Thirty years ago, Arcisa fell in love with the sculptures of Mario Converio, the resident sculptor of Schio. She decided that she also wanted to do something similar and became a disciple of Mario, and learned from him.

Then she joined an evening course for adults at the Schio's art school (Liceo artistico Martini). There, she worked with models and learned anatomy, postures, etc. Thus, coupled with the practical skills learned from Mario and the formal training at the art school, she started to experiment as a sculptor, while she formally continued to work in sales.

Once she started sculpting, she has never stopped. She loves working with clay. She prefers using her hands, though sometimes she can need instruments, to sharpen the edges or to give specific effects. About her work as an artist, she pointed to a sculpture and said, "For example, I had used a small rake like instrument to make those lines on the shawl."

The clay sculptures need to be heated at high temperatures (around 1,100 C). She gets it done at an industrial furnace on the way to Vicenza. The temperature needs to rise gradually over a period of few days to reach the maximum and then come down equally gradually. Thus, the sculptures need to stay at the furnace for about a week.

She uses few colours in her work. About the use of colours, she said, "Sometimes I add a little colour after baking the sculpture in the furnace. At home I have a few with colours, but I prefer the natural look. Once, I tried to experiment by adding coloured glass pieces, which I had collected at a beach, it came out very beautiful. However, in the furnace, one of the glass pieces popped out and got into another sculpture, at the arm of the figure. I gave some colour around it and it looked like a bracelet on that sculpture."

Her sculptures mostly have women with elongated and tall bodies, a few are couples or children. She also likes to make sculptures of hands and feet, which were taught to her by a professor who use to teach art-history.

Regarding her process of giving form to her sculptures, she said, "With time and experience, I have changed and evolved as an artist. Earlier, I was inspired more by looking at the works of other artists. Now I use my own imagination. When I am sculpting, I am in my own world, I forget the world, and can spend hours without realising how many hours have passed. Sometimes, I start with an idea but while working, I change and modify the initial idea."

The artists who have inspired her include Bruno Lucchi, based in Levico Terme. She said, "I had seen his exhibition in Vicenza and had met him. He works a lot with horizontal lines and I have copied it from him. However, I also use a lot of vertical lines, which he does not.

In Conclusion

I think that Arcisa's story of discovering her passion for sculpting after visiting an art exhibition, is very inspiring to all those persons who discover their passions later in life.

I love the sculptures of Arcisa. In a recent exhibition held at Toaldi-Capra palace in the city centre of Schio, I saw some of her works showing couples and children, which I had not seen before. The elongated bodies of her sculptures express fragility and strength at the same time.

*****

Exploring Emotional Geographies: Silvio Faggin

My friend Silvio explores and expresses emotions, sensations and feelings through photography. A few years ago, Silvio had a brain-stroke when an artery in his brain was blocked by a blood clot. He was fortunate to survive that experience. During his recovery he discovered a new way of using photography to express himself. (Note: Click on the images for a bigger view)

I was also very much into photography till a few years ago and never went anywhere without my camera. With my work in development programmes in different countries, it was a way of documenting as well as, a way of discovering countries, communities and people.

Silvio goes into photography in a completely different way, searching for emotions and feelings. His images are about capturing moods, lights, sensations, they do not bother about rules and norms of "good" photography.

For example, I love the water-colour painting like effect he can get in some of his images. This post is about Silvio Faggin, his life and his photography.

 

Silvio's Life

Silvio was born in Schio, and his first home was in Via Faccin. His father worked in making wooden furniture and he has a brother, 2 years older to him. While his brother wanted to study, Silvio says that he was not very keen to study and started working after finishing the middle school.

His first job was in a pharmacy but he did not like it and changed it after six months, when he heard about a job with a new company making electric systems. He learned on the new job and grew his skills in this field. Though he changed employers but he continued in this field of electric systems for all his working life.

In the mean time he married Patrizia and they have a son.

During mid-1980s, new design systems were introduced for making the electric systems called Programmable Logic Controller (PLC), which used computers and automation. Soon Silvio also got into PLC and thus started to work with computers. Over the years, this work grew into CNC (Computerized Numerical Control) machines. And thus, Silvio's work with computers also grew.

Silvio has travelled widely for work in a large number of countries, especially in North America and Europe. Apart from Italian, he knows Spanish and French, and over the years, has acquired proficiency in English.

Silvio's Brain Stroke

One evening in January 2018, while in the bathroom, Silvio had a brain-stroke. He was fortunate that his wife heard him and called the ambulance, which arrived quickly and took him to the Neurosurgery department in Vicenza hospital, where the doctors were able to operate and re-open his blocked artery. After about 10 days in ICU, he regained consciousness.

The stroke had caused weakness in right half of his body and loss of speech. After his recovery, he slowly regained strength in the right side of the body. However, recovering his capacity to speak took much longer - he had to work for it with a speech-therapist for about 2 years.

Silvio's Special Experience

At the time of the brain-stroke, while he lay unconscious in the bathroom, Silvio had a special experience. He felt that he had separated from his body and was visiting the eternity in the cosmos - however, these words do not express his experience adequately. He finds it to difficult to express this experience in words. He feels that this experience changed him in profound ways but again finds it difficult to explain how.

Though now he can speak, but often he continues to struggle with finding the words to express himself. Sometimes, he needs to search for the words on his mobile phone. Thus, conversation with him is punctuated with silences.

While we were talking about out-of-body experiences during the stroke, we joked about his famous cousin, Federico Faggin's book Irreducible, which is about connections between consciousness and quantum physics, (which I have just started to read but find it a little challenging to understand).

Silvio's Passion for Photography

Silvio had a camera before his stroke and he used to take pictures with it, like usual photographs. After the stroke, he discovered a new passion for photography, which was different, in the sense that now it is a way for experiencing and expressing emotions.

He explains it with the following words: "When I see something that moves me or touches me in a particular way, I want to express that emotion through my photography. I manipulate the manual settings of my camera, till I can achieve that particular emotion and click a picture. Often that first picture expresses my emotion and my way of seeing the reality."

The way he explains it, it seems that he is not experimenting with different camera settings to see different effects they can produce, but rather, using a particular setting for achieving a precise effect that he can foresee in his mind.

He downloads those images on his computer and on mobile-phone and likes to look at them to experience and re-live those same emotions.

Photography Without Technical Manipulation

A couple of months ago, I went to see a photo-exhibition with Silvio. I was surprised to discover his complete disdain for pictures which are manipulated through the different image-editing programmes. I had imagined that his own pictures were a result of similar manipulations. He was very vehement about it and insisted that he only works with manual settings on his camera and does not like making any changes with image-editing software.

Another time, while talking to him about the countries he liked, he mentioned Spain in the early 1970s, when it had just come out of Franco's dictatorship and still much less-developed. At that time also he said that he liked it because it was "less-frenetic" and more like the life in the old times.

Maybe it is that fondness for simpler lives in pre-technological era, that determines his refusal to use computer to enhance or modify his pictures?

Some years ago, I had written a post about "Zen of Photography", where I had explained how while taking pictures, I feel more isolated and can feel more deeply the things I am photographing. Silvio's experience with photography seems to me like another kind of Zen experience, where he imagines and feels the world in a specific way and then tries to capture that feeling in a picture.

In Conclusion

I feel that some of our intimate experiences are very specific to us and not easy to explain to others. We try to use common words to express them so that others may get a glimpse of what we feel, but it is an almost impossible task. In the end, each one of us is free to interpret and imagine what those words can mean.

There is another thought in my mind. We all need to communicate, because it creates connections between us and others. However, when our ability to communicate in one way is limited, we need to find other ways to express ourselves. So the question I ask myself is - has Silvio's stroke limited his ability to articulate his thoughts in the way he used to do it earlier, and because of it, he has developed a new and different way to feel the world and express himself through photography?

I want to conclude this write-up with an image of a place (above) where Silvio often goes with his dog for long walks. Even I love evening-walks in this part of Schio because I love its gentle hills and the way this area gets illuminated at sunset.

Silvio is a prickly person, easily provoked and he has his specific views about the world, things and life. Occasionally, I like provoking him to hear his indignant "NO!", when he does not agree with my ideas. For example, I wanted to have his picture for this write-up but could not convince him. However, I am glad that he agreed to share about his experiences.

*****

#photography #creativephotography #silviofaggin #schio #altovincentino #veneto

 

Portrait of an Artist: Mauro Marzari

Our little town has many public spaces for art and culture events. These continue to provide me with opportunities to discover new artists.

During a recent evening walk in the city centre, I came across the poster of an art exhibition by local artists at the Toaldi-Capra Palace and I immediately decided to take a look. Apart from some lovely watercolours, the exhibition had a few collages with mixed materials, which immediately caught my attention. All the exhibits were without titles or names of the artists. Thus, I went to ask information about the artist of the collages and discovered that he was present in the room. This is how I met Mauro Marzari, the "reluctant" artist of those collages.

This post presents my short conversation with him.

Artistic Journey of Mauro Marzari

Mauro is from Piovene Rocchette, a small town located some 7-8 km from Schio. Mauro has retired after a lifetime of working in public administration.

He explained that he was always interested in arts, and he dabbled in oil paintings. However, he decided to be sensible and look for a stable job, and not try to become an artist.

Many years later, when his family responsibilities were done, he decided to go back to his first love, the arts and joined a four years' degree course in arts at an evening course run by the Institute of Arts in Schio, while continuing to work full-time. The course gave him an opportunity to learn and experiment with different painting and sculpture techniques, and discover his own ideas about the kind of art he wanted to create.

The 5 works of Mauro, that I saw in the exhibition, all have a distinct style - they are collages with acrylics and paper. I liked all the 4 works and I think that I can look at them for long time and discover new details. My favourite is the canvass with a predominant blue colour (below).

Becoming an Artist

While talking to him, it came out that he does not feel that he can define himself as an artist, though he loves art and spends a lot of time making art. He feels that artists are persons who have dedicated their lives to the craft and have suffered all the hardships of the life for their art. About himself, he feels that he had a comfortable life and came to art when he was stable and did not have financial and family worries. Thus, he never suffered for his art.

This discussion reminded me of my feelings of being an imposter as an "Indian writer" at the Grinzane Awards in Turin in 2007, which had a focus on Indian writers and I had collaborated with them for inviting some Hindi writers. At that time, I had written a few stories and ran blogs in Hindi, English and Italian, but I did not have a book to my name and for me that was the criteria for being a writer. Now that I have completed my second novel, I feel more comfortable in being called a writer.

In the End

I loved Mauro's works. I hope that he can continue to find joy in his art and continue to develop and explore new areas as an artist.

In the end it does not matter the label we give ourselves or the labels others give us. In this era of attention-hungry influencers and publicity-peddlers, it is good to be humble and insecure, and enjoy what we do without feeling the need to show-off. 

***

#arts #artists #schio #palazzotoaldicapra #schio_arts #mauro_marzini

Promoting Inclusion: Photo-Exhibition

Recently Toaldi-Capri palace in Schio had a photo-exhibition of two photographers, Tommaso and Filippo, organised by a local association working for persons with disabilities, called "Against Exclusion - Association ODV".

I visited this exhibition and had a brief talk with one of the photographers, Tommaso Frinzi. I want to share a few impressions from this experience. The images used in this post are all from the exhibition.

Against Exclusion - Association ODV

Let me start with a brief presentation of the organisation behind this initiative. It is based in Schio (VI) in the Veneto region in the north-east of Italy. It started in 1984, by individuals and families wishing to support social inclusion of persons with disabilities. Thus, this year they have completed 40 years.

 It is active in areas such as sports, leisure activities, independent living, leisure, and community-building.

Talking to Tommaso Frinzi

Thirty-three year old Tommaso lives in Magre area of Schio. He discovered his passion for photography about one year ago. Last Christmas, he received a Canon camera and since then, has been doing self-learning about photography through YouTube videos.

He met Filippo, his friend photographer at an event organised by the association and discovered that they both shared the same passion. 

Tommaso loves taking pictures of the nature, animals and birds. When asked to choose one favourite picture among his works, he chose the image of a seagull against the sky with clouds tinged orange by the setting sun. He explained this choice by saying that the flying seagull represents freedom and he likes the orange glow of the image.

He downloads his images on his computer and knows simple post-production, especially the software included in his camera.

Photographs in the Exhibition

I feel that often photographers feel intimidated to take pictures of persons with disabilities, because they are afraid of promoting stereotypes and of being accused of voyeurism.

However, Tommaso and Filippo, have a lot of pictures of other persons with disabilities while they are playing or talking to friends or enjoying themselves. You can feel that for them, these are pictures of their friends, living their lives like everyone else.

They are more unselfconscious in the way they depict disabilities and they are not aiming to give any specific social message or to create awareness about something. I think that this is the strength of their specific point-of-view in their images - letting us enter and see their world, the way they themselves see it. 

They have decided not to label the names of the two photographers on their images, so I am not sure who took which pictures. I can understand the reasons behind this choice, and yet I feel that this denies them the full satisfaction of being artists.

They are both artists, each with his own way of capturing the world through the camera, and saying this explicitly allows each of them to claim a specific space.

Conclusions

Finally, I like the idea of using arts and photography to create awareness about disability issues and persons with disabilities. I like it even more, when the artists and photographers themselves are persons with disabilities and their art expresses their own visions of the world.

***

A Forgotten Palladio Villa

When our Book-Reading group proposed a guided tour of the recently rennovated Villa Forni-Cerato, I was immediately interested because it is one of the Palladio-buildings. Andrea Palladio was one of the best-known medieval Italian architects who had spear-headed the Italian architectural rennaisance in the 16th century. His buildings have inspired architects across the world (for example, the White House in USA was inspired by his Villa Rotonda in Vicenza).

In 1996, UNESCO recognised the Palladio villas as World Heritage sites. There are 24 villas designed by Palladio and the Veneto region in the north-east of Italy, where I live, hosts 16 of them. Villa Forni-Cerati is one of those 16 villas. The city of Vicenza has some of the famous Palladio buildings including the Basilica and the amazing Olympic theatre.

On saturday 6th April 2024, we visited this villa, which is located in Montecchio Precalcino, a 25 minutes drive from Schio (VI) in north-east of Italy. This post is about this beautiful building, its history and architecture.

Why Was Villa Forni Cerato Built?

Villa Forni-Cerato was built in 1565 in Montecchio Precalcino for Girolamo Forni, a timber merchant, originally from Valdastico. It is a mostly rural area, about 20 kms from Vicenza.

Forni was working with Andrea Palladio, supplying the timber for his constructions. Wood-logs from places like Tonezza e Alto Piano of Asiago were used for many of the Palladio buildings including the scaffoldings of the Basilica in Vicenza.

The timber was brought down along the Astico river, which was prone to flooding and thus different dams were built along its course to control the water-flow. Dams became collection-points for the wood-logs brought down by the river. One of the dams was in Montecchio Precalcino where Forni lived and where he had his timber-yard. Thus, from supplying all the timber to Palladio, Girolamo Forni became rich and then he asked Palladio to design a simple villa for him, which was built next to his old house.

Design of Villa Forni-Cerato (VFC)

VFC is a simple villa without flashy adornments and yet, it is like a little jewel for its symmetrical and proportionate design. It was been designed as a cube containing 27 square modules, each side of which is 57.8 cm long, and the whole building can be visualised as a Rubik's cube.

 

The stairs (not the original ones) lead to a loggia on the middle floor of the Villa, with open windows on the two sides, which leads to a central hall with two rooms on the sides and one narrower space between the two, which has the stairs.

Built on three levels, the ground floor had the servants' quarters and the kitchen; the middle floor (the noble floor) was the living areas of the Forni family; and, above, the attic held the granary and stores. The rooms are in 9 modules and each has walls 5.20 metres high, creating huge airy spaces.

Golden Ratio Used in VFC  

When VFC was built, the "Vicentine-foot" measurement (35.7 cm) was used as the measuring tool. Multiplying 35.7 by the Golden-ratio number (1.6180) leads to 57.8 cm, which is the size of cube-sides used for designing and constructing the villa. This might explain why the proportions of this building are so eye-pleasing.

Golden ratio, also known as Divine Proportion (Fibonacci sequence), is very common in nature such as in "human face, flower petals, shells, and the geometrical form of galaxies". It is supposed to produce "a sense of beauty, one of the four human intangibles besides purpose, happiness, and love". (1)

A tile has also been found in the house with an image of "Flower of Life", made from 7 overlapping circles. Both these factors might indicate links of Palladio and/or Forni with groups such as Freemasons or Illuminati during the enlightenment era. (2,3)

Present History

Girolomo Forni didn't have children and after his death, the building went to his sister's Cerato family. Since then the house changed through many owners and was occupied till 1971. The last family living here was Grendene with 10 children. They lived on the ground floor while the middle floor was partially used as a barn to stock hay (the middle floor with high walls and no central heating, would have been too cold for living, especially in winter). Since then the building was abandoned. Finally the building was put up for auction in 2017.

After the first 2 auctions went without a buyer, it was bought by a local entrepreneur from Vicenza, Mr Ivo Boscardin. Ivo explained that he saw an annoucement in the newspaper about the villa-auction and read that no one wanted to buy it, while as a Palladio villa it merited greater recognition. He felt that it represented an important cultural icon for their local history and wanted to safeguard it. Initially, he was hoping to buy it with other partners but in the end, everyone else backed out and so he became its sole owner.

He has created a foundation (Villa Forni-Cerati Foundation) to rennovate and look after this building as he feels that it has an important cultural value for the society and should be properly looked after. 

The Villa Forni-Cerato Foundation needs support and you can make donations for its rennovation by making a bank transfer to the Foundation bank-account (account IBAN code: IT 27D02008 60530 000105470617 - for more details check their website).

Rennovation of Villa Forni-Cerato

During our visit, architect Ms. Francesca Grandi took us around and explained with great passion about the rennovation work and the plans of the building. While the whole building can be visited, so far the upper two floors have been rennovated and the work is on-going. Their aim is to maintain the building as it was, without making any structural changes (such as bringing piped water or electric current or central heating inside the main building).

Another aim is to preserve, as much as possible, the old historical layers, histories, materials and structures of the building. Listening to Francesca talk about conservation of the different layers, highlighted the complex nature of this work and the continuos decisions it requires. For example, if a window in the original Palladio design was subsequently closed with bricks, they need to decide if they should preserve the walled window or restore the original layout?

Over the past few decades, new technologies such as archaeological studies for dating the wood (dendrography) and thermo-luminiscence studies can help in identifying the building materials used for construction in different epochs, including the wood-beams used during Palladio's time. All these technologies are also being used during the rennovation to help understand what changed and when.

Along the centuries and especially during its period of abandonment, some of the old busts and sculptures (for example, the stucco-sculptures and works by Alessandro Vittoria) used in this building were sold or lost. The VFC team has been fortunate to find a bust of Girolamo Forni which had been safe-guarded for 50 years by the neighbours.

Girolamo Forni as an Artist

While Girolamo Forni was a timber merchant, he also loved art and the ideas of humanism. He was also a painter, not for selling his art, but for his passion. Some of his paintings are scattered across the world including in the MET in NY and Palazzo Chiericati in Vicenza. The room, he had used as his studio in VFC, has copies of some of his paintings (in the image below).

One of the sculputures in the Olympic Theatre of Vicenza also carries the name of Girolamo Forni - it shows a bearded man pushing a trunk of wood on the river.

Conclusions

The visit to Villa Forni-Cerati in Montecchio Montalcini was immensely satisfying mainly because of the passionate explainations of our guide, architect Francesca Grandi. The visit was supposed to last one and half hour, it lasted almost 3 hours and still, our group had so many questions to her about the history and rennovation of the building.

I think that Mr Boscardin has been wonderful in investing his money and passion in saving this beautiful building and creating the foundation to ensure its future. I hope that people will contribute to the Villa Forni-Cerato Foundation so that this work can be continued and completed.

References

1. Emund Stefan, Soul and the Golden Proportion, (https://inspirationandenlightenment.com/the-soul-and-the-golden-proportion/ )

2. The Designs of Andrea Palladio for Villa Forni Cerato (https://www.villafornicerato.it/quaderni-di-ricerca/)

3. A study of the harmony of the modules of Villa Forni Cerato (https://www.villafornicerato.it/quaderni-di-ricerca/)