Is Bhatinda the new Jhumaritalaiya?

Finally I saw JBJ, Jhoom Baraber Jhoom.

The reviews were so bad and I am not a real fan of any of its stars, so I was not very motivated to watch the film. However the music was wonderful and I kept on listening to the songs. Even after many more newer movies had come and gone, the music of JBJ continues to pulsate in my head even now.

Plus the negative reviews are actually a plus point, the more negative the reviews, the less expectations I have when I do watch some of those film. This is true up to a point. There are certain films with unbelievable storylines, that good or bad reviews, that I don’t want to watch any way. But for films like JBJ, I think that bad reviews are good since almost always I end up feeling that the film was not so terrible after all.

That is how I started watching it, ready to doze off while watching it. Yes, I hate to admit it but it seems to happen quite frequently recently, that I doze off while watching some films and my wife swears that I snore louder than the background music of some of these films. So I was there, feeling a little complacent and superior, about the depths the Bollywood film industry has fallen to, sprawled on the sofa in the living room.

Guess what, I never dozed off and on the whole I liked the film. I thought it was a little whacky but it was good fun. I loved Lara Dutta too, the first part of the film, like in the song "Ticket to Bollywood".

I even liked Amitabh Bhacchan, he looks kind of cute and he seems to be enjoying himself.

But I can understand the point of all the critics and aam junta, who didn’t like this film. It is a real nightmare, especially for those defending Bhartiya sanskriti and NRI dreams. The film bulldozes almost all the sacred cows dear to babies fed on mamma Yashraj films’ milk of Raichand families, Rahuls, Veer-Zaaras. Yes, I know I am mixing my Chopras, Johars and Barjatyas, but I am sure you get point I want to make.

Jhoom Barabar Jhoom is a subsversive film

The film has been packaged as usual YR Films’ dream merchants’ usual masala fare, but actually it is quite subversive and not very subtle about it.

Most of all, it does not respect Indian sensibilities. Probably it rankled the nuts of our Pakistani brothers as well. One of my femminist friends was telling me that there is nothing like an "attack on our culture" to bring Indians, Pakistanis and Bangladeshis together. While taking care of their errant wives/daughters/sisters, they forget all their other differences. And, this film is an "attack on our culture", no doubts about it. Let me explain myself better.

AB’s baby (Abhishekh Bachchan) as Rikki Thakural, originally from Bhatinda and transplated in Queen’s Engliand, could be a bhaiyya living under madam Mayawati ji, even if occasionally his accent does get English. He is a crook, bumming off magazines and other things from honest shopkeepers (remember Amrish Puri, the stern father of DDLJ?). He could be Bunty who has run away from Allahabad and landed in UK. No sophistication, no house with the staircase fit for horse-riding, no chandeliers, no private helicopter, no loving mother waiting with aarti ki thali. The character must have been like ice cold showers to all those Bhatindawallas planning to sell off their lands to migrate to the land of milk and honey. I mean, how can you emigrate to the land of the plenty and continue to be a crook and bhaiyya? What kind of dreams are these?

And, BTW, is Bhatinda the new Jhumaritalaiya? Lot of the heroes and heroines these days are from Bhatinda. Remember JBM and the sikhni, Geet? I bet, it is a ploy to raise up the property prices in Bhatinda, but let me not digress.

Zinta baby’s Alvira Khan (Preity Zinta) is a Pakistani babe who must be the nightmare of all Indian and Pakistani parents, who are losing the desperate fights to keep their children uncorrupted by the decadent values of western culture (if you can call them values and culture!). All those NRIs don’t need to go to cinema to see those nightmares, they live them every day, so why should they watch a movie that revels in glorifying that nightmare? A good Muslim girl does not wear short minis and does not talk with strangers at the Railway station. Not even one burkha scene in the film! Terrible for our Asian culture!

And, the story of love between a Muslim girl and a Hindu boy, it is a serious business. It can be done like in Veer Zaara, but what kind of values are you promoting if you never raise the religion issue in the whole film? Are we trying to say that for love, religion is not important? Terrible, no sharm haya is left in today’s world!

Lara Dutta looks good enough to eat in the first half of the film, but in the second half, her character as the tart Laila is terrible. I mean, we can be understanding about these "fallen" women with loose morals but they must show a bit of remorse for their situation, and they must be willing to cover their heads and coyly ask for maafi, while chanting Hanuman chalisa. However, Laila does not feel any remorse, she uses dirty words, behaves like a slut and then takes a honest mummy-loving dear lad like Satvinder (Bobby Deol) and turns him in to one of those modern kinds who go out with their girl friends without worrying about Bharitiya Sanskriti or their moms.

The film was not given an “adults only” certificate and I am sure that it must have been an insidious but gravely deleterious effect on the morals of our corruptible youngsters. Rightfully it was refused by our intelligent public of NRIs and hopefull NRIs in India.

I hope YR films (and their brothers and sisters in Johar films, Bartajatya films, etc.) have learnt their lesson and are preparing the next episode of Raichand-Rahul saga with half-naked cold-proof heroine dressed in a Bhartiya sari dancing in the Swiss mountains, waiting to cover her head demurely with her sari and touch senior Raichand ji’s feet as his respectful bahu, while celebrating karva chauth. I bet that will be a huge hit.

I the mean time, I am still smiling after finishing towatch JBJ, but then I was already morally corrupted, so that is no big news that I like all these faltu films!

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Films of Ferzan Ozpetek

Today I saw the new film of Ferzan Ozpetek. "Saturno contro". Means That "the saturn is in opposition". Like in the horoscopes. For a long time afterwards I was thinking about his films. I think that he is among the best Italian film directors today though I am not sure if his name or his films are known to English speakers? (In this picture Ferzan Ozpetek).

Ferzan was born in Istambul and came to Italy as a young student in late nineteen seventies. For fifteen years he worked as assistant to different directors including the wonderful Massimo Troisi. In 1997 he directed his first film, "Hammam, Bagno turco" (Hammam - the Turkish baths).

"Saturno Contro" that I saw today is his sixth film. I haven't seen all of them, I missed one of them, Harem Suaré that had come out in 1999.

Alternate sexuality is a common thread running through his films and sometimes, I have heard people dismiss him as the director of "gay films", but I feel that this would be reductive way to look at his work.

Alternate sexualities including gays, bisexuals, lesbians, transexuals, all find a place in his film world and are portrayed as real people, not as caricatures. Often he mixes the theme of alternate sexuality with other themes related to the marginalised persons such as the elderly and the urban poor.

Another common theme of his film is that of persons, especially women, who live lives cut off from their emotions and then something happens, that stimulates a radical transformation in the way they see the world and themselves.

Finally another common theme that I have noticed in his films is that of emotions linked to death, separation, loss and grief, and how we cope with these emotions, how they change us.

"Saturno Contro" starts with a group of friends. Most of them have crossed forty. David (Pierfrancesco Favino) is a writer who is gay, and his companion is Lorenzo (Luca Argentero). Their friends are Antonio (Stefano Accorsi), his wife Angelica (Margherita Buy), and Antonio's mistress Laura (Isabella Ferrari), a Turkish translator Neval (Serra Yilmaz) and her policeman husband Roberto (Filippo Timi), David's ex-boyfriend Sergio (Ennio Fantastichini), an astrolger and drug addict Roberta (Ambra Angiolini) and Paolo (Michelangelo Tommaso) a medical student and an aspiring writer, who wants to come close to David.

These friends meet regularly. Antonio and David are childhood friends but now it is Angelica who is closer to David and Lorenzo. Lorenzo discovers Antonio with his girl friend and does not what to do to protect Angelica, Antonio's wife, from this news. During a dinner at David's home, Antonio finds an excuse to go out to meet his girl friend. Then suddenly Lorenzo, who was not feeling too well loses consciousness, rushed to the hospital, he goes into coma. Suddenly their lives change and death enters the story.

Rest of the film is about Lorenzo's coma and then death in the hospital and how David and other friends react to it.

The film is an exploration of grief, when you suddenly lose the person you love and it seems that suddenly the world does not have any meaning. All the friends feel the grief of losing a friend but in their own way they all understand that the pain of David is strongest and yet do not know how to deal with it. It is a very moving film, slow and lingering over the details, of coming to terms with loss.

Le Fate Ignoranti (The ignorant angels) was another film of Ozpetek that came out in 2001 and became a popular and critical success. It was the story of an apparently happy and successful couple, Antonia and Massimo. Massimo suddenly dies in an accident and Antonia (Margherita Buy), a doctor is grief-stricken and shocked. Her whole life seems empty and meaningless.

One day among Massimo's office things Antonia finds a painting, behind it somebody has written, "From your angel". Suspicious that her husband had an affair, she tries to find out the person who had given that painting to Massimo. That is how she discovers that her husband had a relationship with a man, Michele (Stefano Accorsi) for the last seven years.

Initially shocked and repulsed she can't belive that her husband was betraying her to a man, but then she wants to understand and enters the world of Michele, a world where a group of gays, transexuals and lesbians live together as a community.

Michele says, "Don't be angry with me, you will be always his wife. Outside this house I could never be anything for Massimo. I loved him for seven years and yet I can't go and cry on his grave".

Antonia wants to understand that part of Massimo that she never even knew that existed. She feels attracted towards Michele but he is gay and not interested in her as a woman. Slowly Antonia understands that Michele is not the answer to her grief. Learning to cope with her grief, Antonia goes back to her own world.

In 2003, Ozpetek made La Finestra di Fronte (The window in front) about a woman Giovanna (Giovanna Mezzogiorno) with two children, living an unhappy life. Giovanna is attracted to a young man Lorenzo (Raoul Bova), who lives accross the street near her house. One day she finds an elderly man who has lost his memory. Giovanna and Lorenzo try to discover about the past and family of the man, discovering that he was put in a concentration camp by Nazis because he was gay and his grief for his companion, whom he could not save from death.

In 2005, Ozpetek made his most spiritual film, Cuore Sacro (Sacred heart). It was the story of Irene (Borbora Bobulova), a successful and ruthless entrepreneur, who seems unperturned by the suicide of her old friends because she has taken over their old company. Then while planning to take over an old family home, she discoveres the secret of her mother, who was apparently mentally ill and prisoner in that house. Her encounter with a thief young girl and the young girl's death bring her in contact with the reality of urban poor and her own guilt. Filled with remorse she gives up everything and in a gesture of penitence removes all her clothes in a metrostation.

If you have not seen any of Farzan's films, I hope that this brief discription of his works will make you curious to see his films. I like his gentle way of story telling and his film worlds very much.

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Dams, development and the poor: Medha Patkar

Medha Patkar, the famous activist from India fighting for the rights of poor and voiceless persons, was in Bologna at a meeting organised by CGIL, the Italian workers union. I was translating her speech from English to Italian in this meeting.

 

I agree with some of her points regarding SEZs, the corruption that pervades most of our system in India, the lack of care about what happens to the poor and marginalised persons. I also agree that the present dominating idea of development is result of a particular view point of developed world that has its roots in colonial past, industrialization and in a belief that nature is for man’s exploitation and thus for most persons the more things you have the better it would be.

 

However, I am not sure if poor persons, just because they are poor, would be happy with another idea of development. Activists like Medha speak of lofty ideas, such as the ideas of self-contained mutually dependent small communities with limited material needs envisioned by Gandhi and some other thinkers. Perhaps it is the globalisation or may be a sign of changing times, but I feel that very often all of us, rich and poor, often share the kind of dreams that are based on material wealth.

 

I have met Medha a couple of times, and she comes across as a very sincere person. However, sometimes I feel that she is too self-righteous and non-realistic in some of her ideas. Anyway, here are some points from Medha's speech in Bologna.

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I come from the National Alliance of the People’s Movements in India and also from the struggles in the river valley of Narmada. These years and decades long struggles are still on and have been facing newer challenges because the whole paradigm to which the state and the corporates are committed to, is certainly bringing an onslaught on the population including the indigenous people, farmers, the working class people, artisans, the fish workers and almost 95 or more percent of the working classes.

But it is not only the case of a dam in one single river valley, apply it to various development projects. We realise it that people are bound to assert their right to the local resources which are taken away in the name of development. So sections of the civil society and of course the state, come out with certain symbols of development which fits in their paradigm like large dams or large factories. We question it, from the point of view of how the process of taking away the resources (works), and diverting of these resources from one kind of economy to another kind of economy. We raise this question.

We are also questioning the centralised-based development paradigm and planning process. When centres are in the capitals of the nation states, the communities, the rural as well as the urban communities questioned, “Who decides what is development”? And through what democratic or undemocratic procedures and processes do they impose these plans upon us? It was also bringing out the ultimate ways of managing the resources, beginning with their small units that are the communities, which are also the ecological units. So that there will be no displacement and eviction of people from their cultural, environmental milieu and also from there own kinds of life-styles and economies.

It was one story when this was within the boundaries of one nation state. With the whole paradigm of globalisation, corporatisation and privatisation, it has attained unprecedented scale and unprecedented force, including the use of physical force that the state maintained but also the various factories of the corporate powers which have infested the state itself. The nexus between the state and the corporate power, it wants every piece of land and they are eating our resources in the name of industrialisation, in the name of progress and development. It is not just the rivers, but also ground waters, reservoirs that are handed over to the companies such as Coca Cola, the mineral water bottling plants. The people living on the land with the water resources are waging battles, if not wars. In the name of industrialisation, in the present paradigm, the land is opened to all industries including like your Fiat company from Italy itself.

This has taken a new turn by the states announcing the policies and laws of Special Economic Zones (SEZs). These are officially known as “foreign territories” within Indian territory. These SEZs are large chunks of lands which are acquired partly by the state and partly purchased by the companies, who can purchase not just small farms but whole districts, areas as big as the regions (in Italy) including hills and valleys, because they have already earned so much profit. These zones are the ones which give all concessions and not less than 21 laws for the corporates. They are cutting on the labour legislations which were earned through decade long struggles by the labourers and workers.

I belong since birth to the family of a labour union leader, who was freedom fighter as well and hence I know how hard earned are those labour legislation and yet with the rush of a pen, the legislations are declared “not applicable” to the corporates, that are allowed to operate not just with free trade but also with free operations. With special judges, with no local self-government, even those elected and recognised are not allowed to function in these zones, like the Panchayats. So with these kinds of zones coming up the corporates are not just confident, but are arrogant and aggressive in taking away the lands and every thing attached to the lands.

West Bengal is a left front ruled state for the last more than 30 years. We have always been allies of the left front parties. At the world social forum, at various for a where we raised our voice jointly against the neoliberal paradigm. If you want to have a look at the resolution passed by the parties, various partners and allies in the left front in India – Communist party of India Marxist, Communist Party of India CPI, the Revolutionary Socialist party, the Forward Block, if you look at these four parties, you will find that they unequivocally question the neoliberal paradigm. They question the World Bank, IMF, WTO, they support Cuba and Venezuela and the changes in the Latin American countries such as Brazil and they vow for the people’s rights and the non corporated state.

And yet in West Bengal problems are there, coming up in place to place. In Singur there was a forced acquisition of about thousand acres of land, 997 acres, for a project that was known as Tata’s small car project.

The industries minister of West Bengal told us, when we held the public hearing on the invitation that came from the people, myself along with Mahashweta devi, the well known literary person in India, others like former justice Sengupta and also the radical left wing intellectuals, we all held a public hearing and heard the people. The people had an unanimous voice in opposition to the project. People said that whatever needs to be done, has to be done. The corporates and before the corporates, the faith has to come to us, we are the communities, we have the power and democratic constitutional right and they should say what it is that they are wanting to have, why that project, what is that project going to bring to the nation and to themselves, how are they going to get a share, whether they are going to get it or not? But the Government absolutely said no, that they are not ready to disclose the information. So we as the members of the panel placed our demands to the industries minister and had dialogue with the chief minister also. We were shocked to get the answer such as, “Oh in the neoliberal economy, after all what can we do? We have to bargain with the companies, if at all. We have to accept the land which they choose, we can not choose the land to be given to the industries. If we don’t allow them to get the land which they want they would go away to some other state. Even for the rehabilitation, we have no policy as yet here. We will in the process try to talk to Tata so that we can have some package evolved..”. We were shocked to hear this from the left front leader.

As the struggle began, it has already faced some repression, some of the opposition political parties were involved, so the Government started saying that this is all political. When we came in as people’s movement, they could not say that because we are not for the typical political or electoral politics. We are in the people’s politics. But we don’t consider the parties as untouchables, but we feel that movements are political in themselves. When we as the farmers, fish workers, the displaced people, some of the unorganised sector workers, unions, some of the organised sector worker union, we all said raised the voice of support to people of Singur, they started directing the repression to us.

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Police, writers & peace keepers

I don't usually associate the words like writers or poets with police. Not that I ever knew any one from the police but it was about their image. It is true that I had read of well known police woman like Kiran Bedi and she is not the usual image of police, but in my mind, without ever consciously thinking about it, she was some thing exceptional.

Priyanker had written to me about his friend Mahendra, that Mahendra from the police services was coming to Vicenza in Italy for some training and that Mahendra was also a poet. That intrigued me, a policeman and a poet? Poetry means sensitivity and understanding of human pain and suffering. Police duty means bringing criminals and law breakers to justice, where there is not much space for senstivity or understanding. That is what I thought and the apparent contradiction, intrigued me.

It would have been lovely to meet Mahendra but the only problem was to find an opportunity. "We are busy throughout the week, and next two weekends we also we are busy", Mahendra had said. I only these two weekends free and then I am supposed to go to London for work. Probably it will be difficult to meet him, I had thought in my heart.

And then he sent a message yesterday that today, Sunday 25 November evening, their group was passing through Bologna and stopping at one of the local police offices for dinner, on its way back to Vicenza. And so I asked my son to accompany me to meet Mahendra.

There are thirteen persons from different police related services from India, who have come here for "training of trainers" course for UN peace keeping. Apart from Mahendra Singh Poonia, suprintendent of Police at the Government Railway police in Siliguri, I also had a brief opportunity to meet Satya Narayan Sabat, DIG Police UP. Like Mahendra, even Satya Narayan is into creative writing. His book 'Bharatiya Sanskriti Mein Manavadhikar ki Avadharana' (Ideas of human rights in the Indian culture), which deals with human rights in the light of Indian culture and stresses how it directly and indirectly is influenced by the same, received a national human rights commission award in 2004-05.

It is not often that I get an opportunity to meet creative persons involved in Hindi writing and it would have been wonderful to know them better but the time was short and soon we were surrounded by other persons from the Indian group, including three women. I heard the introductions, Simla, Himachal Pradesh.. Chennai, Tamilnadu... Rewa, Madhya Pradesh, ...CBI, CRPF, ... but the there was no time to learn their names or to know them as persons.

Soon their instructors were telling them to get ready for the journey back to Vicenza and we said hasty goodbyes. As I came back home, I was thinking, how often we tend to categorize persons by mental stereotypes and yet when you know the real persons, they are very different from those stereotypes. My perception of persons in the security forces has changed from this brief encounter.

 The two pictures above from the evening - In the first one, from left to right, it is Satya Naayan, I, Mahendra and my son Marco Tushar; the second picture is of some members of the Indian group.

 

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Funny chocolates cause scandal in Bologna

Bologna has rightly the reputation of being a very progressive and tolerant city, but occasionally something comes out and starts a scandal.

That is what happened, day before yesterday, in the main city square. There was the annual chocolate fair that brings chocolate makers and people who love eating chocolates from all over Italy to Bologna for three days. It is a unique opportunity to taste special handmade chocolates in special tastes that you can't find in shops and superstores selling packaged factory made chocolates.

Among the different chocolate makers was also "Rocco-cicco chocolate company" from a small city called Cento near Bologna. Cristina Merlin the chocolate maker along with her pastry maker husband likes making funny shaped chocolates, among which a special version of penis shaped chocolates called Rocco, named after the Italian porno star Rocco Siffredi. Cristina claimed that those chocolates are modelled after the real penis specimen of the pornostar though they are reduced in dimensions.

Walking through the shops in the chocolate fair, I noticed the crowd in front of Cristina's Roccociocco shop. She had a much bigger varieties of chocolates compared to the other shops, with specialities like chocolate covered cheese in different colours, Bugs-bunny shaped chocolates, etc. However, the most popular product of her shop were those penis shaped chocolates costing 10 Euro each. Couples wanted to get photographed in front of them, girls were holding them in front to get their pictures taken, giggling and laughing all the time. It seemed like innocent fun.

May be if I was new to Bologna, I would have got scandalised, but with the Neptune statue right in the middle of the Bologna city square showing off the family jewels unashamedly and the story they tell about the prudish churchmen of sixteenth century wanting to cover it but citizens of Bologna voted to keep it that way, open and nude, perhaps I have also got used to similar sights.

Plus, in Italy, it is common to find penis shaped pasta, that is sometimes gifted for marriages & birthdays to the future brides and grooms. So I thought making chocolate in that shape was a nice commerical idea, also took a picture, moved ahead and forgot about it (Try to spot those penis shaped chocolates in the image below).

Next day morning when I read in the newspaper that one of our municipal council members, one Ms. Santandrea, had been to the fair, and had found those chocolates to be offensive and thus police was called, Cristina Merlin was asked to pay a fine of some 200 Euros and to remove those "penis chocolates" from her shop. As expected this has awakened some Bologna citizens who say that the chocolates are innocent and the council member is a hypocrite. Predictably, the church representatives have welcomed the "end to the depravity".

So if you want to have a chocolate copy of the Rocco Siffredi's mighty penis, you must now go to the city of Cento to Cristina's shop called Omar, because it will no longer be available in the chocolate fair in Bologna!

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Who Should Pay For Climate Change

Mayor's office from Bologna had sent me an invitation explaining that mayors from Indian city of Guntur and Philippines' province of Bahol were coming to Bologna as jury members for an ecological project. It seems that Bologna, with some funding from European Union and in collaboration with a Swedish city, was promoting this project for the improvement of environment and ecological sustainability and it had started with the two pilot projects in India and Philippines.

These days when they speak of global warming and climate change, often they end up by saying that enormous growth in India and China is going to put additional pressure on the climate and that the developing world should look for some alternate paradigm of growth. I find that extremely hypocritical.

The other day I was reading that USA alone consumes hundreds of time more energy than all of Africa and if China and India continue to grow the way they are, by 2020 they will be consuming 20% of the USA energy level. So it is not about reducing India or China's energy use, it is about reducing their own energy use if they are serious about climate change and global warming. In the end every drop counts, but isn't it a little shameless to not to look at oceans and focus only on drops?

European energy consumption is not at the American level but it is probably not too much far behind. How much success have they achieved in reducing their own energy consumption?

I feel that in USA and in Europe, the trend is towards more efficient use of energy, less polluting ways of using energy and there is no attempt to change the general paradigm of living that is based on intensive use of earth's resources. Almost everything, from cars to computers, are going towards "use it and throw it" kind of mentality. So how can they preach to developing world about what others should do?

 

If the developed world is really keen on reducing pollution in the developing world, they should be willing to waive copyrights and protectionist measures to share ideas, efficient technologies with the developing world, and not allow their own multinationals to shift their polluting businesses in developing world without proper technology improvements.

In Bologna itself, there is lot of pontificating about using bicycle and public transport and not using cars, but in reality the city does everything to discourage people from using bicycles and promotes use of cars. In my opinion, as someone who goes regularly to work on bicycle, in the last ten years the number of bicycle users in the city has decreased and number of cars has increased many folds.

I had all these thoughts in my head when I went to this meeting. Fortunately they did not give any hypocritical speeches about climate change and global warming. The emphasis was very much on ecology for improving the lives of people who live in our cities, about improving water supply, solid waste management, traffic, greenery, etc.
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Mr Kanna Nagaraju, mayor of Guntur was there with his wife, Kirti. Nagaraju a BTech in mechanical engineering was in real estate business when he entered politics 2 years ago and at 25 became one of the youngest mayors of India (or may be in the world?). Kirti is also a BTech, is still studying, doing MBA and the couple do not yet have a child.

Nagaraju's was not a very fluent or coherent speaker but his presentation was good. He presented some big successes in Guntur after this project - they are now testing water supply for pollution and making sure that people get drinkable and pollution free water. He told that they are almost near to achieve 24x7 uninterrupted water supply, and they have a new system of solid waste collection from the house holds that is separated for recycling. He also said that Guntur is now a garbage free city, they are managing traffic better, building more parks and planting greenery, etc.

Is this change real or is it just a big political speech-giving by exaggerating whatever little has been done, this only the persons from Guntur can tell. I hope some bloggers from Guntur will send comments.

The images in this post are from this meeting.

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Festival of lights

Today in India, it is Deewali, the festival of lights. I can imagine the crowded and noisy markets, the hustle and bustle, the packets of sweets and the millions of lamps and candles that lit the moonless night. I think of the lines from the Buddhist prayer in Sanskrit, "Tamso ma jyotirgamay", "take me from the darkness to the light".

My best wishes for all of you - let there be light in your homes, in your families, in your hearts.

Far away from home, it is just another day here in Europe, though we do plan to go out for dinner in a place that is going to have a Bharatnatyam recital. And tomorrow evening, we are going to have a show of gypsy dancers from Rajasthan. And there won't be all the noise and the pollution from millions of fire crackers!

That is how we try to console ourselves!!

I took the pictures of candles below in Li Jiang in Yunnan province in China recently, that for me do express the spirit of Deewali.

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