Sonali SenRoy's Book

I had first heard about the Sonali - Rossellini story in 2008, when Dilip Padgaonkar's book, "Under Her Spell: Roberto Rossellini in India" had come out. 

Over the past 17 years, I have spent numerous days in libraries and archives, collecting information in English, Italian and French about their story. For example, you can read my article about this story written in 2008. You can say that I am obsessed with it.

Today I received a book written by Sonali in 1961, that I had ordered. There was a surprise hidden in it. This post is about her book and the surprise. The image below shows Sonali from the back-cover of her book.

Let me start with a brief background about the Sonali-Rossellini story.

Brief Background About Sonali-Rossellini Story

The 1945 film, "Rome, Open City" created the legend of Italian film director Roberto Rossellini. At the end of 1956, Rossellini arrived in India to shoot a film. At that time, he was married to the Hollywood star Ingrid Bergman.

In India, he fell in love with Sonali Dasgupta, wife of film director Hari Dasgupta. There was a huge scandal. In October 1957, Rossellini and Sonali escaped to Paris with her younger son.

4 years later, in June 1961, Sonali wrote a book in French & Italian titled, Altro Mondo (the Other World).

Sonali's Book

I had heard about this book, but had not managed to lay hands on it. After so many years, a few days ago, while re-reading my old notes, I was reminded of this book and thought that now it might be possible to find it on internet. I found it straight away, and ordered a used-copy for a little more than three Euro.

Today morning that book arrived. It says that it was originally published in French and translated into Italian by Sonali herself, with the help of Mr. Dominique Aubier. It was published by Longanesi & C., Rome in June 1961. The cover has the picture of a woman from the Ajanta caves.

On the book, the author's name is Sonali Dasgupta. The first question in my mind was - why did she use this name for her book?

Sonali's maiden name was Senroy, and after her marriage to H. Dasgupta, she had become Sonali Dasgupta. When she had reached Paris in the beginning of October 1957, Roberto was still married to his second wife, Ingrid Bergman, and their legal separation was ratified in Rome in early November 1957. At the end of November 1957, their daughter Raffaella was born.

Thus, her choice of publishing her book as "Sonali Dasgupta" in 1961, probably meant that she and Roberto were not yet formally married. May be, at that time, her divorce with Hari Dasgupta was not formalised and thus she was forced to use that name, because it was on her official documents?

Surprise in the Book

I was surprised that the used copy of the book I have received, has a hand-written note in Italian by Sonali (click on the picture for a larger view): 

 "Questo libro non è l'opera di uno scrittore ma l'esperienza di una donna. La sincerità in esso racchiusa è la prova della simpatia e amicizia per tutto e tutti. Maggio 1961, Roma, Sonali Dasgupta."

(Trans.: This book is not the work of a writer but the experience of a woman. The sincerity in it, is the proof of sympathy and friendship for everything and everyone. May 1961, Rome, Sonali Dasgupta)

Sonali and her elder son Raja

The book is dedicated to Ragia (Raja), her elder son. In the book, the spellings of Raja are "Ragia", because Italian does not have J and it uses "gi" for the J sound. It is possible that she had given verbal instructions about the dedication and the person transcribing it had used the Italian spellings of the word. I feel that she must have been disappointed that her son's name was not spelled properly.

When I had first read about the Sonali and Roberto story, I had been greatly struck by her leaving of her elder son, Raja, in India, who was around 5 years old at that time. It had seemed to me like a "Sophie's Choice" kind of situation because a mother had been forced to take one child and to leave behind her other child.

I think that by dedicating this book to Raja Dasgupta, she was expressing her regret and pain at that separation.

Contents of the Book

The book is composed of 13 chapters. The first chapter starts with her days in Bombay immediately preceding her departure from India for Paris, with her young son Arjun (later he changed name and became Gil Rossellini). A couple of chapters have brief glimpses of her life in India such as about her birth in Banaras/Varanasi and her father's work as a doctor and about her journey to Europe.

Rest of the book is about her encounters with Europe, first with Paris and Saint Remy in France and then about her life in Italy. These encounters include linguistic difficulties, challenges of adapting to the western clothes, and the curiosity of people about the sari-wearing woman. In the parts about Italy, there are also different episodes of dealing with journalists and other curious persons.

The book does not touch on her love-story with Roberto and her life with her first husband. It reads like a series of vignettes, as if she was talking to someone about what it means for her to be an exotic Indian in Europe and to explain the peculiarities of India to the Europeans. The first draft of the book was probably written by that interviewer (Dominique Aubier), at a time when she didn't have a good command over French or Italian.

The book also shows her desire for dignity and privacy, for not giving in to journalists looking for melodramatic stories and scandals.

Conclusions

To find this book with her handwritten words in my hands was an incredible sensation. Suddenly, I could touch the words she had written and imagine her sitting at a table in a bookshop, writing dedications.

It seemed to me, as if across time and space, she has decided to extend her finger towards me, daring me to touch her.

I had written to her once to ask for an interview, but it was a time of bereavement and she had withdrawn from all public contacts at that time. She died in 2013.

I have been obsessed with this story for almost 2 decades. I have already written about it a few times and have been in contact with Raja Dasgupta, her elder son, as well as with a few other persons who knew her.

With all the material that I have collected about this story, I know that one day I will write a book about it. When I saw her handwriting today, I felt as if she is herself asking me to do it.

***

"Still Life" Art Exhibition Schio 2024

During Nov.-Dec. 2024, the Schio artists' group organised its annual exhibition. The theme for this year was "Still Life". The Italian word for "still life" is "Natura Morta" (dead nature), which I think that describes the subject better than the English version. Somehow, the words "still like" make me think of the game "statue", in which you are supposed to stand still like a statue.

Here are a few works from this exhibition that I liked. Click on the images for a bigger view.

Giuseppe Fochesato

I really liked this more contemporary interpretation of the theme by Giuseppe Fochesato, two paintings with a limited palette of colours, giving impression of the early morning on an autumn day and the coffee cups waiting for the persons to wake up and to begin the day.

His Facebook page has some other examples of his work in the same style - washed out colours and light beams illuminating the spaces. You can also check some of his works on his blog.

Daniela Baroni

Daniela had only one work in the exhibition, a painting with two dried sunflowers and a dead robin. The sombre theme of the painting clashes with the bright red feathers on robin's breast and, the purples, greens and the pale yellows of the background.

Gianbattista Clementi

Clementi had two artworks in the exhibition. While one was the classical still-life painting with a flower vase and autumn berries, the other was more abstract and I spent some time looking at it. With winter trees, a small cup and some drying leaves which look like dying fish, I found it more unsettling. 

Antonio Capovilla

I am a great fan of Antonio's long-limbed clay statues. I was surprised to see his two artworks in the exhibition, because I had no idea that he made that kind of work. However, he informed that he makes all kinds of art, from sculptures to mixed material collages and oil paintings.

I know that Antonio's wife is a poet and I told him that I would like to interview both of them together to learn about their reciprocal influences.

His two works in this exhibition included a collage of dried leaves from his garden against a white resin background and a composition made from different kinds of leathers in which he made swirling-holes to create geometric patterns.

You can check Antonio's Instagram page and Facebook page to see his other works, including his beautiful sculptures.

Livio Comparin

Livio had only one work in the exhibition but it is beautiful, though I am not sure if it can be called "still life" because it includes a sparrow and a dragonfly, which are attracted by the ripe fruits - black and white grapes, plumpy peaches, a few fat plums and some autumn-tinted vine-leaves. Just looking at the painting, makes me feel hungry. I think that it will be a good painting to have in the kitchen or next to our dining table.

Livio is a well-known artist of Schio, he has been active over the past 6 decades with water colours, graphics and even comics.

Lanfranco Dalle Carbonare

Lanfranco had 2 classical compositions of still life in the exhibition, one with flowers and the second with a mix fruits, dominated by a green-striped melon. I like his straight forward compositions, almost minimalist with plain backgrounds. You can check his Facebook page for some more examples of his works.

Moreno Dalla Vecchia

Moreno is the president of the Schio's association of artists. I have already written about Moreno's artistic journey in this blog.

In this exhibition, he had two watercolours, one predominant in blue and the other in yellow-orange. He has experimented with his compositions as well, one has an old lamp and a colourful flower-vase, while the other is focused around a piece of pumpkin, both are beautiful.

Lucio Mantese

Lucio is a wonderful artist. In this exhibition he had 2 works - one a beautiful copy of a famous still-life painting of a fruit-basket by Caravaggio. The second work was a wonderful composition of corn-cobs, old drying apples, a pulley and a bucket. I love the way he is able to bring alive the corn-cobs and the metallic texture of the bucket and the ladle (click on the image for a bigger view to appreciate this).

Apart from being a wonderful painter, able to copy famous painters, Lucio also teaches ballroom dancing (Liscio). You can check some of his other works on his Facebook page.

Mauro Marzari

The last artist that I have chosen is another person, Mauro Marzari, about which I have already written on this blog. Mauro makes wonderful abstract works. His two works in this exhibition have a yellow-metallic finish with rectangles presenting a still-life object - an apple in one and a skeleton in another. Both the paintings give an idea of brooding sadness, as if commenting on the short lives of their subjects.

Conclusions

It is wonderful that our tiny little town of Schio in the foothills of Alps in the north-east of Italy, has so many opportunities related to art and culture. This has given me the possibility of talking to some of them and to learn about their artistic journeys, which is a great privilege.

*****

Mutations Art Exhibition Schio 2024

Our tiny town of Schio in the north-east of Italy has an active art & culture scene. One of the annual events is the Mutations (Mutazioni) exhibition, held usually around the end of the year, held recently from 30 Nov. to 29 Dec. 2024 at Spazio Shed in the city centre.

I want to present 12 artists whose works I liked. I start with 4 sculptures and installations, and follow them by 8 paintings. Click on the pictures for a bigger view.

1. Sculpture by Paolo Ceola: It had a white jacket standing up in the air and asking "Where is the man?" Made of ceramic and oxide combination, it had a shining smooth finish.

With this sculpture, Paolo expresses his fear that we humans are losing our identity.

He defines himself as a experimenter and researcher, looking for innovation, and working with different art-languages including photography, painting, sculpture, videos and films. You can check Paolo Ceola's other works on his Instagram page.

2. The Playful Installations of Roberto Marconato: There were two installations by Roberto in the exhibition. Both had the bust of a young woman, both with headphones listening to music, one in a pink t-shirt placed over a tower of balls and books, and the other with a pink knitted cap, connected to her computer-monitor by a cord.

The installations seem to be talking about a future world, which is partially already there in our lives, where our work and free-time lives, both revolve around technology and even our human relations are mediated by it.

Roberto is a self-taught artist and he defines his art as "surrealistic", with a preference of using recycled materials in his works. You check his other works at his Instagram page.

3. The Colourful & Playful Animal Sculptures of Giorgio Nalon:  Giorgio's animals seem straight out of mythologies and fairy-tales with bright colours. There was a cut head of a zebra resting over a Rubik's cube, vaguely similar to the bronze horse-head sculpture by Nic Fiddian-Green at Mable Arch in London, also reminds me of Mario Puzo's Godfather where the horse-breeder wakes up with the bloody head of his favourite horse in his bed.

Then there was a colourful chameleon, again clutching a Rubik's cube in his front legs. Finally there was a blue frog with a crown on his head, the frog-prince, waiting for someone to kiss him. You can check his Facebook page to see his works of art.

4. The Ceramic Dress by Daria Tasca & Vania Sartori: I was intrigued by this installation created jointly by 2 women artists - a fashion designer and a ceramic-maker.

It had a cream-coloured dress in silk-twill with a front-armour similar to a bullet-vest made of ceramic, out of which shining golden plates come out to surround the neck, while the hands-gloves have blue Sardinian wool gathering in 2 ceramic cups near the feet.

Daria started as a fashion designer and has been experimenting with painting on clothe, mixed techniques with photography and painting, and frescoes on wood. 

While, Vania studied to be an architect and then started to work in her family's ceramic workshop. To see their other works, you can check the facebook page of Daria and Vania.

After the sculptures and installations, lets now move to the works of painters.

5. The Pentatych by Luciano Gasparin: Luciano had put together five canvasses to create a combined rectangle, dominated by shades of reds.

His work was titled La Vita, the life, and had a quote by Seneca, saying, "No one would give you back years, no one would give you back to you; the time of your life will pass on the path you have undertaken and would never come back or to stop passing ..."

The painting combined a few figures - a head, a photograph and a church, while the remaining spaces were filled by abstract colours. It touched me deeply and I spent a long time standing there to look at it. You check his Instagram page to look at his other works.

6. The Immense Blue Ocean of Salvatore D'Oria: Salvatore is originally from Reggio Calabria in south Italy. His initial work was with oil paintings. In the recent years, he has starting doing more work with acrylic colours, which he uses to express motion and movement.

His painting in this exhibition was titled L'Immenso, the Immensity. The blue and whites of this work expressed communications and how the modernity with rushing time takes away our individuality and identity.

7. Suspended Horizons by Paolo Pallara: Paolo had 2 canvasses in the exhibition, both titled "Suspended Horizons", one of which is presented here.

He uses acrylics, tar, oil-pastels and ash to create the dirty yellow backgrounds with a tiny black sun and dark splotches of the horizon, from which black threads reach downwards. He describes these as, "In these suspended horizons, the becoming of days becomes the space where you find refuge ..."

The two paintings make me think of our polluted towns, as the evening falls and the skies turn yellow, both ugly and beautiful, at the same time.

You can check Paolo's Instagram page to look at his other works.

8. Urban Landscape of Claudio dal Pra: Claudio's landscape was located in Chiuppano, a tiny mountain town, not very far from Schio. It was an urban landscape, located clearly at the fringes of the rural-natural and is made ethereal by shades of yellow, old medieval buildings, and a complete contrast to Paolo Pallara's canvas-world above.

In fact, Claudio's colours were lighter and brighter, his buildings seemed wrapped in the mountain mist, almost a dreamland.

You can check Claudio's Facebook page for his other works.

These two artists, Paolo Pallara & Claudio dal Pra, made me think about the aesthetic pleasures of the two completely contrasting styles, and how we can appreciate beauty in so many diverse forms.

9. The Masked Animal by Sergio Polli: Sergio had a gothic looking canvas in the exhibition, with dark colours and a portrait of someone with a hybrid animal face - the face looks like that of a horse, but it also has two big horns - perhaps it is a male deer?

Animal masks have been used by the shamans of ancient people, they represent the capacity to visit the spirit worlds and to talk to the spirits. At first glance, Sergio's work looks like that. However, he has titled it the "masked animal", thus, it is an animal with a mask, probably referring to the animal instincts of certain persons who wear masks to seem civilised?

Sergio had recycled the wood from that used for making boxes, to make his canvas for this painting. His Instagram page defines his work as "recycling for painting, painting for recycling" and likes to use his art to express things for which there are no words.

You also check Sergio's Facebook page to see his other works.

10. AI Art of Annabella Dugo: Annabella had the prints of two very striking works, one titled "Meditation" and the other, "Sin of lust". These have been made with the help of AI.

At one level, it was impossible, not to be fascinated by the two works, for their surrealistic hyperrealism and their choice of subjects & colours. At another, it raised the question about manual artistic skills.

I think that in the past, artists needed to have both, imagination and manual skills to create art. But with AI, it combines imagination with software skills, while the manual skills become unimportant. How is that going to influence our ideas about art? Annabella is a renowned and award-winning artist from Naples, so she has manual artistic skills, yet here she chose to use AI to create these works. How does that affect our views about her art?

You can check Annabella's Instagram page to look at her other works.

11. Painted Glass Works of Loria Orsato: Loria, based in Vicenza, uses glass in her works. In the two works presented in Mutations 2024, she had hand-painted glass on canvas to represent the "Family of long-necked queens".

North-east of Italy, including the famous Murano island in Venice, are known for their glass related works and workshops. Perhaps Loria is a part of this tradition. She defines herself as an art designer and colour-researcher, and she hand-paints on glass.

At the same time, over the past decade, she has been active in dance-therapy, the Dancing Hands, inspired by the works of Argentine dancer Maria Fux. I had heard of Maria Fux from my friend Pio Campo and once gone with him to see him use dance-therapy for persons with mental health problems in Goias, Brazil. I feel that this combination of artist and dance-therapy, makes for an interesting person.

You can check Loria's Facebook page and her Instagram page to see more examplesof her works.

12. The Contrasts in Paintings of Daniela Toniolo: The 12th and last artists for this post is Daniela with 2 acrylic on canvas paintings titled "Rebirth" and "Opposites".

Against a background of grey and purple, the two artworks had geometric spaces, like floating windows and glasses, which seemed to be reflecting into each other, making me feel as if I was getting lost inside a mirror room, which reminded me of the final scenes of Bruce Lee's film "Enter the Dragon".

Daniela is from Schio. About her works, she says, "It can be defined as fluid-ordered, with inexistent brush-strokes, highlighting the diluted and transparent colours, with counterpoints of bright white ..." You can check her work on Instagram.

Conclusions

I felt that this year, Mutations exhibition had fewer sculptures and installations, and fewer works with a strong visual-aesthetic impact.

Let me conclude this post with a close-up image of cubes titled "Eva's Garden" by my friend Eva Trentin from the Mutations exhibition. Eva makes beautiful works by bringing together nature and its organic imprints on different surfaces. Her works are like labyrinths, the more minutely you look at them, the more facets you can discover. You can check more of her works on her Instagram page.

*****

Insito - Inherent Art Exhibition Part 2

Insito art exhibition, involving 5 artists, four British and one Italian, was organised in Schio (VI), Italy, from 22 Nov to 22 Dec. 2024, and was curated by Monica Pirani. My first post on this exhibition looked at the works of the 4 British artists.

This second post on this exhibition, focuses on the Italian artist (Marta Martino) and on the curator, Monica Pirani. (Below, details from an installation by Marta Martino - You can click on images for a bigger view)

Insito - In Situs - Inherent

Monica explained that 'Insito' comes from the Latin, 'In Situs', or 'rooted and anchored in the context'. She saw this exhibition as a journey which inter-connects the works of different artists. For organising it, she closely followed the creative processes of the five artists, visiting them and observing them create their works.

About her work as an art-curator, she said, "Their shared approach led me to reflect on the existential core from which we draw and into which we pour our knowledge, understanding, and perceptions. I wanted it to stimulate reflections and dialogues in the persons visiting and experiencing this exhibition."

Marta Martino

Marta was the only Italian artist in this exhibition. She works with different media.

One of her works in this exhibition titled "They-Them" was an installation of 24 paintings, on which words from her poetry were projected. For her, it symbolised the creation and destruction of inter-personal relationships and journeys through different identities and personalities. The words and phrases from her poems had their own rhythm, used in a random way, sometimes they were contrasting and contradictory, intending to provoke feelings and emotions. (image below showing part of this installation).

Her second installation was in a room which turned red in the evening-darkness (however, I saw it in the morning light, so could not see this red-light effect). It was a complex installation with different components.

It included the videos of a performance held some months ago in the nearby town of Thiene, in which she was accompanied by 2 performers and a sound artist. During it, for about six hours, she had designed figures on some big canvases, while being immersed in a red light.(The red screen in the image below) In this video seemed to be looking straight at the audience, representing an eye observing us, a kind of ever-present social-media eye.

There was another group of 24 figures painted in red, that could be interpreted as representing different identifies or different emotional states, of a person or of different persons. There were also some ink designs along that wall, from her ebook, where she writes as well, similar to the work done by Anne Grabby.

She also represented the concept of movement and walk, through her walking shoes, placed inside a white net near the window in the image above.

Monica Pirani Exhibition Curator

Monica has been curating art & culture projects and art exhibitions for about ten years. Her work often focuses on inter-connections between different cultures and countries, especially with British artists. Earlier, she was collaborating with a British organisation, organising exhibitions and events in both Italy and UK. She has also worked with artists from Argentina, Japan and China and other countries.

For her, inter-connections also mean bringing together different artistic languages. She looks for new and innovative experiences, instead of repeating what has already been done. Thus, she does not puts up exhibitions paintings or sculptures, instead her exhibitions and events are about different ideas of concept art. She likes to work together with artists to create something in relation to the structures which will host the event, so that there is a dialogue between the space and the exhibits.

Before becoming an art curator, she worked in marketing, as a part of a business management unit for a company. Originally from Turin, Monica has lived for a period in UK and now lives in Thiene for the past thirty years.

In recent years, she has done some interesting work, such as a project called Transparency (in 2019 with Belinda Guerriero) in collaboration with a company from Thiene in 2019, and another, Anima Mundi in 2017, with artists from different countries, held in Villa Fabbri in Thiene. You can read more about her at her webpage.

Conclusions

For a long time, for me "art" meant paintings and sculptures. I was unable to appreciate installations, especially video and sound installations, as an art. I was also dismissive of the whole idea of concept art.

The exhibition Insito brings together different ways of artistic expression, some of which were easier to appreciate for me, while for others, I could see glimpses of what the artist wants to express. For example, I found it easier to see Anne Grebby's idea of extending herself, creating a circle and writing in it as art, compared to Kara Lyons idea of reflecting the water movement on wet-clay as a temporary sculpture.

In the end, like everything else in life, art is about feelings and a connection with something deeper inside us and also around us. Different kind of art can touch us deeply, some of us may be more open to a wider significance of art. IMO, it is important to be open to new and different artistic experiences.

*****

You can also check out the first part of this post about the works of 4 British artists (Emma Critchley, Anne Grebby, Kara Lyons & Maryanne Royale)

Contemporary Art Exhibition "Insito" (Inherent)

Schio (VI) is an Italian town with an important industrial history linked to the wool-mills. The contemporary site-specific art event "Insito" was organised at an old wool mill in Schio from 22 Nov. to 22 Dec. 2024, which was inspired from its industrial history.

Image below shows the story board of an installation by Anne Grebby from this exhibition (you can click on images for a bigger view).

Insito exhibition brought together 5 artists - 4 British (Emma Critchley, Anne Grebby, Kara Lyons & Maryanne Royale) and an Italian (Marta Martino).

The exhibition was curated by Monica Pirani, with whom I had a long and interesting conversation about the contributions of all these 5 artists and this event. For this post, I must thank her for taking the time to accompany me through the whole exhibition and explain at length the different facets of the artists' works.

I am planning to write two posts about this exhibition. This first post is about the four British artists, while the second post will focus on the Italian artist and the work of the curator.

Let me start this post with some information about the exhibition site, The Conte Wool Mills building, which provided the background to this exhibition.

The Conte Wool Mills Building

This mill building is located next to the old city centre and its main water-canal, Roggia Maestra, which passes through it. The mill first started operating around 1757. Its buildings were renovated in 1886 and its roof still carries the bell which used to mark the work-shifts of the mill workers. It was one of the first buildings in Italy to use electric light. The building is now used for holding cultural events. Insito was organised in the mezzanine floor of the old mill.

Now lets talk about the works of the 4 British artists.

Kara Lyons

Kara had two art-works in the exhibition. The first was a temporary sculpture  called Arteria created near the window underneath which the main water-canal, the Roggia Maestra, passes, which was used to power the Conte Wool mill. When the exhibition was being inaugurated, Kara looked at the water rushing below, and reflected its movements with her feet on a wet-clay surface, walking for about 2 hours, leaving her imprints on it. As the exhibition came to an end, that wet-surface slowly dried, creating fractures and breaking down into pieces.

Kara explained, "Arteria is performative sculpture, a durational installation made in situ at the Lanificio Conte. The window exposes the water below, revealing the force of its flow, serving as a testament to its essential importance in the development of the textile industry around which it was founded." 

The second work by Kara was a long rectangular artwork, 10 metres long and one-and-half metre wide, over which she walked for days, her feet wet with graphite and clay, looking at the the water passing below the factory in Manchester, which is very similar to the canal passing underneath the factory in Schio, reflecting its movements in her walk and creating a map of her foot-prints.

She had presented a similar work at the Venice Architecture Biennale in 2023.

Kara Lyons & Maryanne Royale

Maryanne, a sound artist, drew inspiration from old historical ties between Schio & Manchester to develop a sound installation in collaboration with Kara Lyons. She collected recordings from Kara's interactions with wet-clay in Manchester. By changing the speed and tones of the sound recordings, she created a soundscape, which formed the background of the exhibition.

Maryanne Royale

The artist was also present in this exhibition with a video installation titled “The Tension That Holds” which was previously commissioned for an exhibition at Leeds Industrial Museum. It was made at an old abandoned industrial building in Manchester, very similar to the Conte Wool Mills building in Schio.

While making this video, she interviewed some of its old retired workers and recorded their voices.

Personally, I feel that sound-installations are a tricky area. Most of the time, we are hardly aware of the background sounds including music (unless we like a specific piece of work, when we may become aware of it). Soundscapes are also background noise-music, they can't be too intrusive. This means that we might not even notice them. I also wonder if among us, there may be some who are attuned t sounds and perhaps sound-installations make more sense to them? 

Emma Critchley

Emma Critchley is an artist who uses a combination of photography, film, sound and installation to explore the human relationship with the underwater environment. Her work Sirens was a triptych of 3 short films in which a dancer performed in front of a screen showing videos of ocean-creatures. The videos of the sea-creatures were from an American research centre and seemed to be bi-chromatic. For example, the video in the image below was in blue and white.

About this installation, Emma said, "Sirens is a triptych of short films where we witness an encounter between a dancer and three creatures of the deep sea. The music and performer's movements offer the audience a portal for connection."

Anne Grebby

Anne's work in the exhibition is titled Fluid Body and is a complex opera composed of different parts. It included an art performance lasting 3 days creating a word-map on the floor.

For this performance she first created a story-board (first image at the top above). She started by marking and creating a circular space around herself. Standing at the centre, she designed a circle exploring the limits with words written with a chalk, and the words expressed her ideas about concepts like culture, emotions, intuitions, and psychology. 

During the performance, she kept writing those words with a chalk fixed on a stick, new words over old words, again and again, creating a kind of web of knowledge and beliefs, that represent our inner worlds.

About this installation, Anne explained, "I write the words on the ground till I lose awareness of my own presence. I write towards the centre of the circle, defined by my own extended body, and then I turn and trace my path towards the outside."

In the exhibition, she also had an installation of archive photos showing 2 of her old projects and performances (image above). One was a work done in Germany where she had used red-clay to cover room surfaces, which would dry and fall down and then the next day she had to reapply it. Another, was a work realised in Oregon, USA, which ended in a fire destroying everything she had created.

Finally, she had prints of her designs and images from her ebook on a transparent paper, which were placed on the window-panes in the exhibition hall, where the water from the canal running behind, was being reflected and creating patterns.

Conclusions

Insito was composed of different multi-sensorial installations. It was an opportunity to see the works of these four very different British artists and to experience a special soundscape.

Such exhibitions, introduce you to a different idea of art - art as an immersion in different sensations and sensory experiences, helping to focus your mind in the present and now. As we increasingly spend more time in virtual cyber-worlds and AI, such art experiences can reconnect us to our deeper physical and emotional cores.

I think that these are developing forms of concept art, which are more about the inner worlds, thoughts and emotions of individual artists. Creating a connection with them and finding meanings which make sense to the audience is very subjective.

*****

Check part 2 of this post about the works of Marta Martino and the exhibition curator, Monica Pirani

Watercolours of Moreno dalla Vecchia

I love admiring paintings and sculptures. Among the different styles of paintings, my favourite is watercolours. This post is about a watercolour artist from Schio (VI), Moreno dalla Vecchia, who is also the president of the Schio's association of artists.

Recently I talked to Moreno during an exhibition of local artists held at Toaldi-Capra palace in the city centre.

Moreno's Artistic Evolution

Moreno loved art ever since he can remember. Seeing his artistic skills, his teachers suggested that he should study art. Thus, after completing middle school, in late 1960s he decided to join the art school in Padova. He studied there for five years.

He followed it for another 2-years' course for teaching art. However he decided to not to work as a teacher, instead he chose to work in public administration. Moreno retired four years ago from his public administration job. During his working life, being an artist was a parallel life for him. He feels that having a separate job allowed him to be more independent in his artistic evolution because he didn't need to earn from his art.

He has continued to learn and practice art ever since. For example, after completing art school, for about 10 years, he joined an art group in Vicenza called La Soffitta, created by Otello de Maria. Here, artists can meet, talk, and learn from each other. In this period, he experimented with oils, design and water-colours. He said, "Initially I was afraid of water-colours, I can't explain why but I was hesitant to try it. However, once I started to work with water-colours, I never stopped, I have continued to work with this medium." 

Moreno had started with oil paintings, and experimented with other techniques including acrylic, tempera, graffite and frescoes, before coming to water-colours. He has even taught oil painting and likes oil paintings.

Regarding his approach to water-colour painting, he said, "Now I am trying to get away from using photographs, to a slightly more real depiction of my subjects. I am thinking of this new approach but it is not yet very clear. Usually, when we paint we follow our mental images and not the reality of things as they are."

Artists' Association of Schio

Scledense Artists' group is about 50 years old. It did not even have a room and used to
meet in a bar. It is a space for meeting, talking and supporting each other. In June each year, the city and Scledense artists traditionally organise an open-air art exhibition called Sareo Art Festival. At the same time, they organise a thematic art competition for the primary and middle schools of Schio.

About the activities of their association, Moreno explained, "With time, other initiatives were added to Sareo festival, such as organisation of exhibitions in different city-spaces such as the Toaldi-Capra Palace. When Schio had the orchids and flowers exhibition, we also participated by having an exhibition on art about flowers. For example, the present exhibition has 5 artists from the city. Then, we have another initiative planned for Christmas and the end of year, which will focus on still-life."

There was a time when this group had 80 members, but now they are much less, around 30 persons and Moreno dalla Vecchia is its president. For him, it was important to be a part of this group since it kept alive his interest in art by getting new ideas, learning from others. He said, "We organised initiatives, we displayed our art, I also took part in some art competitions."

Art Courses in Schio

After completing his studies, Moreno came back to Schio, and he joined the Artists' group. One of his first initiative was to organise art courses. Together with another artist, Moreno organised an evening course for design and painting.

He said, "Around 15 persons came to the first course, sometimes they had no idea about art. The course lasted five evenings. Later on, I became the president of our association and started organising solo courses on water-colours. Some of my students have grown to become good artists. For example, Mari Baldissarotto, who is also a part of this exhibition, was one of my students, who has become a wonderful artist."

In Conclusion

Every time I meet persons like Moreno, who have cultivated a passion for all their lives alongside a 9-to-5 daily job, I feel a great admiration for them. There are so many others who say that they did not get time to do what they really wanted in their lives, because they had a full-time job.

I am sure that persons like Moreno, need to make sacrifices for keeping alive their passion. At the same time, their dedication to their passion means that their families get lesser time and attention. It would have been an interesting theme to discuss with him, however, I did not talk about it to Moreno. 

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Visiting Schio: Sacred Sites

The tiny town of Schio in the north-east of Italy, about 30 km from the provincial capital Vicenza, is full of sacred sites that bring here pilgrims from all over the world. At the same time, many of these sites are also wonderful places for nature walks and hikes.

The town is located in the foothills of Pasubio mountain, part of the Little Dolomites, and thus, be ready to go up and down the hilly paths during your walks (above: a view of Pasubio and Leogra river in Schio).

This post provides an overview and brief information about the different sites. Over the next few months, I hope to write more detailed posts about each site. Except for a pre-historic site, all the other places in this post are related to the Catholic church.

Pre-historic Prayer Sites on Mount Summano

Mount Summano towards the east of Schio is around 1300 m. high. Some believe that the its name indicates Pluto, the ancient God of the underworld; others think that it indicates the God of lightening and rain.

Ancient archaeological remains have also been found in a cave known as Bocca Lorenza, on the eastern side of Summano, which can be a great walk from the nearby Sant'Orso town.

Near the summit of Monte Summano, you can visit the church dedicated to St. Mary (above), as well as see the ancient site where prehistoric folks use to make sacred fire for worship (image below).

If you are used to mountain hikes, you can try the hike from Tretto or from Sant'Orso to the top of the mountain. It has plenty of places for panoramic views of the Schio valley below. Many years ago I tried this hike once, starting from Tretto, but it was too tough for me, I had to give it up half way (below, a view from the top).

St. Martin church in Schio

St Martin hill in Schio hosts one of the oldest churches in this area, which was built at the site of an older temple dedicated to a female deity. The first church was built here around 7th century CE. The first written document about this church is from 1185 CE.

In late 1985, a person from Schio called Renato Baron claimed to have a vision of Madonna on the hill, around 250 metres above the St Martin church. Over the following years, hundreds of his followers started collecting here for prayers. Some persons from the Catholic church, spoke against Baron and his cult.

For the pilgrims coming here from different parts of Europe, a proper walking path has been created leading to the site where Baron had his vision, and then to the top of the hill. You may or may not believe in Baron and his vision, but it is a wonderful place for a hike to the top of the hill. Come prepared with proper walking shoes, a cap and a bottle of water. You can see two views of this path here (above and below).

San Zeno Church in Magre, Schio

Magre is the part of the Schio located across the Leogra river bridge. Magre hill is located in the centre of this area, while the much higher, Magre mountain separates Leogra valley from the Agno valley on the west. Archaeological excavations on the Magre hill have shown objects from prehistoric to more recent times.

San Zeno area is located on the western slope of Raga mountain in Magre. To reach here, you need to walk till the end of Via Siberia road. It is a protected area and vehicles (including bicycles) are not allowed beyond a point. The tiny San Zeno church is from 14th century, and has been recently renovated.

It is located next to a waterfall, which looks beautiful after the rains.

The final 150-200 metres of the path require a steeper climb and some effort. So go there with proper walking shoes, a cap and a water bottle.

St. Mary Mother church in Pieve

This church goes back at least a thousand years. The legends say that it was built at the site of an older pagan temple. During medieval period, it was considered as the mother church for all the surrounding mountains areas. It was also the seat for a bishop, till the Duomo church was built in Schio in 1473.

Over the past centuries, this church (above) has been renovated many times, the last being in 1989, so it does not look so old. It still has some old frescoes and an old baptismal fountain. Next to the church, you can also see the old water canal, Roggia Maestra, from the 12th century.

This church is located in Pieve Bel Vicino, a few kilometres north of Schio. From the city centre, it takes a 45 minutes walk to reach there.

St. Francis church of Schio

This church and monastery were inaugurated in 1436. Built on the eastern edge of the medieval town on the hill of Olives, it is one of the most beautiful churches in the city. The church has a famous painting (below) by the well-known renaissance-period artist Francesco Verla (1470-1521) and a 14th century stone statue of Madonna.

The asymmetrical looking church (below) with a central nave and one sided aisle is open to public only on special occasions (at present, it is on the afternoons of the first Sundays of the month but that keeps on changing).

Duomo of Schio

Duomo was built in the city centre in 1473. It is placed on the Gorzone hill, right in front of the castle hill. An older Longobard tower and then a church had existed here before the construction of Duomo. It is dedicated to St. Peters. With stairs on the two sides for going up to the church, it has a majestic look. The external sculptures of the four evangelists are by Valetino Zajec. It dominates the central plaza, Piazza Rossi.

One of the paintings (Gesu Maestro, 1943) in Duomo has an indirect link with my wife's family. That painting is by Alfredo Ortelli, who lived in Magre. His sister Ita, was my mother-in-law's friend and after the death of her brother in 1963, lived with my wife's family for many years (in the house where I am writing this post).

FYI, Duomo is a cathedral level church, without a bishop - it can only be called Cathedral, if it has a bishop.

St. Jakob Church

Located on the road behind Duomo is the 15th century St Jakob's church. It has some nice paintings from 19th century. The most beautiful part of this church, in my opinion, is its 16th century bell-tower, in the image below (to see it, enter the portico next door, going to the back of the church).

St. Mary Chapel in Valletta

It is charming little chapel located in the valley between the Castle hill and the hill with St Francis church. A water canal passes underneath it and an old city gate can be seen next to it. The first documents about this chapel are from early 16th century but probably the church goes back to older times.

St. Bakhita's Canossian Church

The congregation of Daughters of Charity, also known as Canossian nuns, have an old history in Schio. One of their nuns, mother Bakhita, was declared a saint in 2000 by Pope John Paul II. Mother Bakhita (or St. Bakhita, if you prefer) had a very unusual story.

Born in Darfur region (Sudan) in 1869, she was taken from her village and sold as a slave when she was 7 years old. Her name Bakhita (fortunate) was given by the Arab slave-sellers. She ended up in the house of the Italian consul in Khartoum, who brought her to Venice, where she joined the nuns. She spent many years in Schio, and died here in 1947.

Pilgrims come to visit her tomb from all over the world. Her church (image above) and tomb are located in the city centre. A monument near the St Francis church (image below) remembers her and the millions of persons taken away from Africa as slaves.

In Conclusion

As you can see, even if Schio is only a tiny mountain town, it has many sacred places to visit, which are open to people of all religions. Many of these places, also provide opportunities for nature-walks along beautiful  and serene mountain paths. To conclude this post, here is a view of the city centre seen from the terrace of the Duomo of Schio.

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