Showing posts with label Reflections. Show all posts
Showing posts with label Reflections. Show all posts

Friday 23 May 2014

Religions and human rights

My question was: can the countries that place their highest value on sharing of common religious beliefs, create "just societies"? My conclusion is that countries that choose specific religious beliefs to guide their national laws are inherently unjust. Injustice is part of their DNA. Let me explain why.

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Some years ago I had read an interview of American singer Maxwell, around the time when he had won a Grammy award for his album "Black Summers night". The interviewer had asked Maxwell about the influence of his heritage on his music. Maxwell, son of a Haitian mother and a Puerto Rican father, who had grown up singing in a church choir in New York, had answered, "Your heritage is your heritage, but your soul is truly what you are."

People, not just those who do not know us, but sometimes even our friends, tend to slot us into spaces on the basis of where we come from - our religion, our country of origin, our family, our education. Sometimes we also slot ourselves in those spaces, probably because it is convenient or just a habit. Sometimes we draw walls around our spaces, finding comfort in that which is familiar, and excluding the unfamiliar.

May be similar beliefs lead to creating countries only for those who share similar religions. They choose a specific religion in their constitutions. I reflected on this issue during my recent visit to Israel and Palestine.

The contradictions of Israeli state

The foundations of a Jewish state in Palestine were laid in the 19th century to escape persecution of Jews in Eastern Europe and Russia. Israel was created as a country in 1948 from what was the British colony of the "Mandatory Palestine". The holocaust under the Nazi Germany, during which millions of persons were killed, had created some international support for Jews to create their homeland. The creation of Israel had pushed communities of Palestinians living in that part of land, to the south.

Over the decades since its creation, Israel has gone through different wars, and has continued to push Palestinians in ever-decreasing pieces of lands, occupying them and controlling them.

Travelling in Israel-Palestine, it is not always easy to understand the boundaries of where one finishes and the other starts. I encountered different groups of Palestinians, each dealing with different levels of inequalities, barriers and difficulties under the Israeli occupation/control - the Arab-Israelis with Israeli passports, the Arab residents of Jerusalem, the Palestinians of West Bank and the worse affected, the Palestinians of Gaza Strip. I also talked to some persons working with Bedouins in Israel-Palestine.

I experienced some of these difficulties and humiliations that Palestinians experience when I crossed the Israeli check-points leading into Palestinian areas.

In many ways, Israel is a liberal society - groups that often face discrimination and exclusion in neighbouring countries including the women and the sexual minorities, seem to enjoy more liberties in Israel. Yet, at the same time, it is an unjust society in the way it treats Palestinians.

In the end, my conclusion was that one reason why Israel violates the dignity of every day lives of Palestinians is because it is a religious state. As long as Israel is a Jewish country, it will be unjust towards Palestinians and Bedouins, because injustice (giving preference to the Jewish people compared to persons of other religions) is part of its constitution that is guided by its fundamental idea of being a homeland for the Jews.

Example of Pakistan

I found an echo to my thoughts from an article by Kunwar K. Shahid in The Friday Times about the situation of minorities in Pakistan, another country created on the basis of religion:
It is very important for Pakistani Muslims (97 percent of the population) to differentiate themselves from Hindus. After all it’s precisely this difference that became our state’s raison d’etre in 1947. And differentiating is the first step en route to the development of hatred that eventually inflates into bigotry...
However, what needs to be understood and underscored here is that an Indian Hindu manifesting communal bigotry contradicts the ‘idea’ of India, while a Pakistani Muslim by doing so conforms to the ‘idea’ of Pakistan. Opposition to Hindus, and antagonism between Hindus and Muslims, form the founding principle of Pakistan...
Religions in the constitutions

Israel or Pakistan are not alone in having constitutions that justify and legalize discriminations - it is true for all countries that choose a specific religion to guide their laws. This is true for countries like Iran and Saudi Arabia where constitutions are based on Islam. It is true for countries like Russia, Uganda, South Sudan, and some countries of Latin America, where some laws such as those related to sexuality, marriage and abortion, are strongly influenced by Christian conservatives. In Myanmar and Sri Lanka, officially there is no state religion but the state shows preference for Buddhism and discriminates against persons of other religions.

In European countries like Italy and Ireland, though they are officially secular, in practice, many laws influencing daily lives continue to be influenced by Christian religious ideas. For example, the laws regarding abortion in Ireland. However, most European countries have lot of debates and more open discussions about the role of religions in societies and thus, laws that favour one religion, can be and are increasingly questioned. Thus, Spain, which also had laws strongly influenced by Christianity, has changed many of them.

It is true that culture, religion and traditions are all interlinked. Thus, it is not easy to separate them. For example, there have been discussions in UK about the Christmas lights and celebrations, as being signs of cultural domination of Christian ideas. Similarly there have been discussions in Italy about the presence of Christian crosses and the mandatory one hour for catholic religious classes in the government schools. Recently, during a visit in Cambridge, I was struck by the close links between the different university institutions and the Christian church.

However, such open discussions and acceptance of criticisms are exceptions because usually religions do not accept debate or dissent about what they consider as their fundamental principles.

Religions in the Indian constitution

In India, on the other hand, persons can choose between civil and religious laws. Paradoxically, any calls to end the discriminations and human rights violations inherent in the religious "personal" laws in India are considered as "communal" or against the rights of the religious minorities. Recently, the electoral victory of conservatives has provoked some debates about personal versus a common civil law.

For example, in a recent article, Gopalkrishna Gandhi, asked the new prime minister to ignore "the old and hackneyed demand for a Uniform Civil Code". He justified it by the argument that has been used often in India, that having one common law for all citizens will threaten the minorities.

However, the personal laws of different religions including Hindus, Muslims and Christians, do discriminate - for example, against women or sexual minorities. In another recent article, Pratap Bhanu Mehta, looking at the concepts of "federation of communities" and "zones of individual freedoms" feels that India by focusing on "federation of communities" where group identities are given more importance (through personal laws as well as many other practices), has moved away from the founding ideas of Indian constitution.

It is true that in India, people can choose the civil law but I think that such decisions are easier for educated and better off persons while, the socially disadvantaged groups find themselves mired in "personal" laws. Apart from "not hurting the feelings of the minorities", I have yet to read convincing arguments about how different religious-based laws for different groups of persons are more respectful of the human rights and equality of people.

Changing the world

When countries decide that their first criteria of belonging is going to be their religion, they do not see the diversities in their own religions. I do not know of any religion that is not divided into sects and where persons of different sects do not think that only they are the true followers of their religion. Invariably, some sects assume power and slowly over a period of time, start persecuting their coreligionists from other sects.

When we are part of a majority or powerful group, it is difficult for us to understand what does it mean to belong to a minority group. People from the minorities, especially the conservatives, also create their own power-bases in this system. Thus, changing the constitutions of countries based on religions is never easy.

In my opinion, the U.N. declaration of human rights sums up the best ideas of different religions. I feel that in today's world, the human rights declaration should be the guiding principle of all national constitutions. This is even more important in multi-religious countries like India, where periodically, conservatives of different religions take centre-stage and dictate conditions that go against the principles of human rights and equality of the citizens.

Conclusions

I consider myself as a deeply spiritual person. Growing up and living in an increasingly multi-religious family, it is easy for me to know and respect different religions. However, I feel that our religions belong to our personal spaces. I believe that imposing the ideas of any one religion on the societies through constitutions based on sacred books like Talmud, Koran, Granth sahib, Bible, Ramayan or Manu Smriti, leads to violations of our human rights and conflicts.

Going back to Maxwell's words I also believe that our heritage is just a heritage, but our souls are truly who we are. And, we can't let our souls be fenced in by religions dogmas - at least not in our constitutions. Let religions remain personal choices.

***

The lakeside in Geneva (Switzerland) is a popular site for exhibitions on issues related to human rights. Here are some images from those exhibitions.

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014

Geneva lakeside exhibitions, Switzerland - images by Sunil Deepak, 2014
***

Saturday 22 March 2014

Gods, lords and great persons

In today's Hindustan Times, there is an article by Amish in which he writes about his feelings for "Lord Ram" and his answer to a woman about use of the title "Lord":
A lady friend spoke with me after the event. I know her well and can certify that she is not a secular-extremist (the kind who have a distaste for every religion, especially their own). She is religious and liberal. She asked why I used the honorific ‘Lord’ for Lord Ram. I said I respect him. I worship him. I will call him Lord. She said that she sees me as a liberal who respects the women in his family; then how can I respect Lord Ram, who treated his wife unfairly? She then went on to make some very harsh comments about Lord Ram.
In his answer to this accusation, Amish goes on to look at the lives of three great men - Ram, Mahatma Gandhi and Buddha - and concludes that great men often think of greater good of human beings and in the process are not always fair to their wives and their families, "We have every reason to love them, because they sacrificed their own lives so that we could have a better life. But had we been their family, maybe we would have cause to complain."

Great humans and bad family persons - Gandhi, Buddha, Ram, collage by Sunil Deepak, 2014

The way Amish explains it, it does make sense. However, I was wondering about a kind of gender bias in terms of such stories, where "great men" are excused for their family lives because they were thinking of greater good of the society, but are we equally understanding about "great women", when they want to sacrifice their family lives for the greater good?

So I was wondering are there similar examples of women. The only person I could think of was Mira Bai, though I think that it is not a perfect example. She sacrificed her family life because of her feelings of devotion to Krishna. Though her husband and her family did not like it and even gave poison to her, she is considered a saint by the people.

Another similar example can be of another woman saint from Karnataka - Akka Mahadevi. Can the readers give me other examples of such women as public figures who are respected or worshipped in India, though in terms of their family lives they were less than perfect? Or is it just men who "forget" their families in their quest for greater good?

At another level, similar accusations of mistreating their wives and families have been made against a number of artists, writers, film makers and public figures. Their public image be that of sensitive persons, and they make sensitive portrayals of women and life's injustices in their works, but their wives and families accuse them of neglect, psychological and even physical violence. Perhaps in this regard, it will be easier to find examples of successful women artists, writers and film makers, who have been accused of similar behaviour by their spouses and families!

Going back to the original debate that started this reflection - Amish's explanation about why he prefers to say "Lord Ram" and not just "Ram", I have another consideration. I agree that if you believe in a religion or a god or a figure and you wish to use words like Lord, bhagwan, prophet, etc., it is fine. These titles and words should reflect the faith and devotion you feel in yourself.

However, often the faithful get angry if others do not use such titles and take this as a kind of insult to their religion. They would like to force others to use these titles - in that case, I think that such words are empty of devotion, rather they are at best, a hypocrisy!

***

Monday 24 February 2014

Ancient Indian History in Puranas

Ancient Indians had written tomes on themes like grammar, yoga, medicine and sexuality. Yet, they did not leave any significant text about ancient history. This post is about notions of history in old Sanskrit texts called Puranas (पुराण). It is based on a 1959 book by Rangey Raghav.

Graphic Ancient Indian History by Sunil Deepak, 2014

The Puranic stories can also be analysed to understand many aspects of ancient Indian life such as the role of women in their society, relationships of dominant groups with other ethnic groups and their caste relationships especially in terms of subjugation of shudra caste groups. However, in this post, my focus is on ancient history of India.

Introduction

Rangey Raghav, originally from Andhra Pradesh, was only 39 years old when he had died in 1962. In his short life he had written about 25 Hindi books including a novel on the Indus valley civilization ("Murdoon ka tila" - or the "Mound of the dead") in 1948.

His book "Pracheen Brahmin Kahaniyan" (Ancient Brahmin Tales) was published by Kitab Mahel publishers in Allahabad in 1959. It was one of my favourite childhood books. Years later, when we were forced to give away the collection of our Hindi books for lack of space, I had kept this book with me.

In this book, based upon Puranas, Rangey Raghav had described the major ancient stories. Recently, I read this book again after decades and it made me reflect on the nature of ancient historical understandings. This post shares some of those reflections.

Puranas

Ancient Indian thoughts, philosophy and understanding of the world, dating back to about 2500-500 BC, was distributed mainly in three kinds of texts - Vedas, Upanishads and Puranas.

According to Wikipedia, there are 19 Puranas and these can be classified into 3 groups depending upon the main deity (Vishnu, Brahma and Shiva) to whom they are dedicated. The oldest Puranas like Linga purana, Kurma purana, Vamana purana and Brahmand purana date back to about 900 to 800 BC.  Before that period, India had oral traditions of transmitting knowledge and thus, these stories probably go back to earlier times.

The Puranas are supposed to provide five kinds of stories - about the creation of the universe, its recreation after destruction, the genealogies of gods and sages, histories of major dynasties of rulers and the Manavantaras (periods of the first human beings).

Stories in "Pracheen Brahmin Kahaniyan"

Raghav's book has 71 stories. They start with the story of creation of the planets and the first human being called Vaivasvat Manu. They touch on some of the well known mythological stories such as Prahlad and Narsimha, the truth-speaking king Harishchandra, Bhagirath and the descent of river Ganges. The last 25 stories of this book relate to Mahabharata.

Some of the stories in this book, hardly have any story and are mainly lists of descendants of illustrious kings or gods.

Sun and Consciousness - Surya and Sanghya story

The story of Surya and his wife Sanghya is one of the most beautiful story in this book. It is about the creation of the universe. I feel that in symbolic terms, this story explains parts of the creation in a way which is surprisingly close to our scientific understanding today.

In this story, Sanghya (Consciousness) is the daughter of Vishwakarma (literally "creator of the world" or Brahma) and is married to Surya (Sun). Sanghya could not look at her husband because his light was very strong so when he came near her, she closed her eyes. Surya was angry with his wife because he thought she did not like him. They had 2 sons (Vaivasvat and Yama) and a daughter, Yamuna. Unable to stay near her husband, one day Sanghya created a body double (Chaya or Shadow) and went back to her father's house.

Surya had two sons and a daughter with Chaya, before he found out that the woman living with him was not his wife but her body double. He went to look for his wife. When he understood why Sanghya had left him, he asked Vishwakarma to help in reducing his light by dividing him in 16 parts. One of the parts was still Surya, while other 15 parts were used to create planets and other godly objects. As his light was reduced, Sanghya could finally live with him.

Sanghya's eldest son, Vaivasvat Manu was the 7th Manu. Her second son, Yama, was the god of death. Her daughter, Yamuna was the river. Her other two sons, Ashwini Kumar, were doctors of the gods.

Chaya's first son Sampurnik, was the 8th Manu. Her second son, Shanichar became the planet Shani (Saturn). Her daughter Tapati gave rise to the Kuru dynasty.

The basic idea of this story that consciousness could not live with the Sun because he had too much light (and heat) and could only live with him, when he lost part of that light by making different planets, I find it fascinating.

Organisation of human societies in Purana stories

The Puranas stories in the book present an organisational structure of gods-and-humans society, though they do not explain their different roles and responsibilities. These structures include -
  • Manu - The time was organised in Manavantars (epochs of Manu) and each epoch had its own Manu or the first man - Autam was the 3rd Manu (Manu of the 3rd epoch of Manvantaras); Anand, a Rakshas, was 6th Manu and was also known as Chakshus; Vaivasvat was the 7th Manu; Sampurnik was the 8th Manu; Sanamik, son of Daksha, was the 9th Manu; Brahmasavarini was the 10th Manu; Dharmasavarini son of Dhanura was the 11th Manu; Savarini, son of Rudra, was the 12th Manu; Rochya was the 13th Manu; Bhosya, son of Bhuti muni was the 14th Manu; some other Manus mentioned in the book include Swayambhu manu (son of Brahma), Tamas and Raiwat. All the Manus or the first men, had male names. Different stories mention the names of kings during the period of the Manus, thus, "Manu" did not mean a king. What was their role in the society is not clear.
  • Each story about a Manu mentions some of his office-bearers - some Devagana (literally "Persons of gods" or minor gods), an Indra (lord of the gods), and a Sapta-Rishi (literally the "seven sages"). Stories also provide names of the children of each Manu. The title of Manu does not seem to be hereditary. Persons in the roles of Devagana, Indra and Sapta-Rishi seem to be nominations. For example, a person could become Indra because of he was "being good", "being courageous" or because "he did 100 yagnas".
  • The stories mention genealogies of kings' families or sometimes sages' families. Usually the genelogies in this book are limited to the names of first sons. Sometimes names of daughters are mentioned if their children play an important role as future kings. For example, the story of the genealogy of Swayambhu Manu starts by saying that Brahma created the gods, mountains, etc. and then created 9 humans - Bhrigu, Pulsatya, Pulah, Kritu, Angira, Marichi, Daksh, Atri and Vashishth. Then Rudra was born from Brahma's anger. Then he made ordinary human beings, both men and women, of different colours and shapes. Finally Swayambhu Manu was born, who was appointed by Brahma to be the protector of people. Manu was married to Shatrupa (literally "a hundred forms") and they had 2 sons (Priyavrat and Uttanpad) and 2 daughters (Akuti and Prasuti).
Considerations about understanding history from Puranas stories

It is difficult to make a chronological or historical sense of events from the Puranas stories. The stories mix actual people, especially kings and warriors, with persons who occupied mythological-sounding positions and with mythical figures.

For example, the word, Sapta-Rishi is used for the seven stars that form Ursa Major. Using this term for a set of persons in Puranas stories can mean that the kings or Manu were suppose to have a group of seven sages to advice them or to oversee the religious rites. Thus, the Sapta-Rishi of these stories were not stars, but persons who received a title.

On the other hand, the stories of Surya, Yama, Yamuna along with children of Vaivasvat Manu, seem to be creation myths and not the history of actual persons.

Ancient Indians used logic and had the capacity to categorize and analyse knowledge. Thus, Panini could work on Sanskrit grammar in a way that is understandable to linguistic experts even today. Or Vatsyayan could work on the theme of sexuality, that can be understood scientifically even today. Even esoteric subjects like meditation, yoga and the nature of human soul, were looked at in logical terms, analysed and discussed. Then, why those ancient Indians, did not use that kind of logic for writing history? Why did they make a mish-mash of actual events with mythological stories?

Perhaps for ancient Indians, the worlds of gods and spirits were as real as their daily physical world, because that was the only way they could make a sense out of the events? Thus their ideas of history were impossible to separate from these fantasy worlds? Perhaps it had something to do with Indian concept of time as being cyclical (and not linear), where worlds were created and destroyed in cycles,and thus history was understood differently?

Could Indian ideas about time have been influenced by the fact that for ordinary persons, there was no concept of short time periods like weeks but rather the time was measured in terms of religious festivals linked to astrology, moon and planets?

Looking at the names of the week-days in Hindi, these seem to be translations from English or Latin, and thus were not indigenous to India. The importance of "week" arose among Jews who had fixed one day of Sabbath (Saturday) for not working and for prayers. Christianity, to distinguish itself from the Jews, selected Sunday as its Sabbath day, while Muslims, who came next, chose Friday as their weekly prayer day.

Did this kind of weekly organisation of time influence the development of human thinking about linear time in the middle east and then in countries following Abrahmic religions? Similar understanding of linear time came later to India with persons coming from Middle-east and thus, we did not develop a linear understanding of time and documenting of history till relatively recently?

I do not know if the writings of later Indian writers like Kalidasa (about 5 century AD) reflect a linear understanding of history. Normally understanding of ancient history is a triangulation of findings from archaeological excavations, paintings/art and ancient texts. Puranas do not seem to be reliable chronicles of history. So, which were the first indigenous Indian texts about history?

***

Saturday 27 July 2013

Homelands of my heart

The angst for the far away homelands that emigrants carry in their hearts has been a constant theme for films, fiction and memorials, especially over the past couple of decades as globalization has spread. "Immaginary Homelands" by Salman Rushdie (1992) was part of expressing this angst.  Pico Iyer's talk "Where is home" on TED is another articulation of the feelings of rootlessness. Pico explains that rootlessness is not just angst, it can also be a pleasure, freeing you to decide and choose your homelands.

If you have not yet watched Pico's talk, I strongly recommend it. He is a wonderful speaker with an evocative style.

Pico's talk has two main threads that he uses to weave a word-web of memories, experiences and emotions. First thread is a question asked by others, "where are you from?", and the second is about our own feelings of what defines a home for us. In his talk, Pico often moves between these two threads, implying that both are inter-related.

After watching his talk, I kept on thinking about it. My feeling is that the two threads are not really inter-related in the way Pico seems to suggest. If I ask myself Pico's question, "where is home?", I would not think of the question, "where are you from?", I would ask other questions.

WHERE ARE YOU FROM?

It is the question asked by the new "others", often when we meet them for the first time.It is probably as old as the times when humanity started its journey from Africa and spread to different parts of the world.

In most parts of the world, before the industrial revolution and urbanization, only a tiny percentage of persons ever left the places where they were born. In their life times, at the most they could have hoped to make a few trips to the nearest town. Almost invariably, people married persons from the same region, if not the same village. They spoke the same languages, ate the same food, prayed to the same gods and celebrated the same festivals.

This belonging to the the "birth-place" found common expressions. For example, if Indian traditions forbade crossing of the seas, Italians had sayings like "Moglie e buoi dei paesi tuoi" (Wife and buffaloes should be from your same village). I am sure that different other cultures had similar ideas.

Thus, in those times, when you met new persons, it made sense to ask "where are you from?", because you knew everyone there was to know and you rarely met new persons. With this one question, you were asking many different questions - to which place do you belong? where were your mother and father born? which city/village is linked to your family?

Today the world is profoundly different. Often you do not have the time to listen to the complicated answers to the question "where are you from" and it does not make any difference to you.

Today, even if you never leave your home country, internal migrations are a constant part of urban lives and increasingly, even the rural lives. More than ever before in the history of humankind, people from different cities can get married, have children in different cities, send those children to schools and colleges in different cities, and find work and move to different cities in their life times. Thus, emigrants or natives, it has become harder to answer this question "where are you from?".

You no longer have the name of one place to answer this question. You may need to give long and complicated answers describing your shifting home-cities. I think that most of Pico's talk is about this question. The question of "belonging".

But is this question really about the place identified by your heart as your home, as Pico suggests in the second thread of his TED talk? Not for me.

HOMES OF THE HEART

In his talk, Pico mentions different places, buildings and countries where he has lived at different times in his life. He talks of his schooling in Britain and university in the USA. He also talks of his love for Japan and the burning of the family house in California that had "set him free".

However, people seem to be missing from Pico's world. While he talks of his grandparents' house, he never talks of his grandparents themselves. He never mentions his mother or father or siblings or cousins. He does not talk of his wife, his children. There are no friends of his heart in his speech.

And while reflecting over his talk, I asked myself, how can we talk of our home, without talking about the people we love?

When I had left India, my home was mainly in Delhi, in the rented house where my mother had lived. But parts of my home were also with other family members and close friends. In the past three decades, as our family has spread to different parts of India and some persons have emigrated to other countries, parts of my home have also spread with them. My feelings of "home" are linked to my family.

Over the years, the memories of the intense friendships of adolescence have dimmed and none of those childhood friends is active on the social media or even emails so our contacts are rare - thus today I am not so sure how strong are the links between them and my "home" feelings.

As long as my mother was alive, my strongest feelings of home continued to be linked to her. Today, while I sit in Bologna (Italy) and talk to my sisters on telephone, one in USA and the other in India, I feel at home in that moment. Their voices, and our shared memories are my home.

The voices of some of my cousins are also indelible part of my "home" feelings. Even just to think of them, makes me feel at home.

And, I have my new home, linked to my wife and my son. Strangely, though I have lived for more than two decades in Bologna and we own a house here, in Italy my feelings of "my home" are stronger towards Schio, the town of my wife's family - again, I think that this feeling has something to do with close family members and not so much with the cities themselves.

So, for me, the place that I feel in my heart as my home, has to do with my emotions - feelings of family, love, affection, friendship - and little to do with geography or other things.

And for you, where is the homeland of your heart?

***

Wednesday 2 January 2013

Religions For The New Millennium

Do we really need a religion? If yes, what kind of future religions are being shaped by our societies? If we can study the birth and development of religions in the past, can that help in understanding what kind of religions will come in future?

World religions - S. Deepak, 2010-12

These are the questions I often ask my self, while thinking of the situation of religions today. On one hand, today we have more inter-religous dialogue and harmony among persons of different religions than ever before in history of mankind, and on the other hand, radicalized and exclusionist religious groups seem to be getting stronger, who insist, often with violence, that their way is the only acceptable way.

Is it feasible to think of possible future developments of religions? Let us start by going back in time to see what do we know about the development of religions in the human history.

Religions of the prehistorical humans

Our earliest progenitor, Homo habilis, who used stone tools, came out more than 2 million years ago, but modern humans developed only around 50 thousand years ago. One of the earliest records of those first humans are the rock paintings, like the ones in El Castillo in Spain that are 40 thousand years old.

The El Castillo rock paintings mainly show animals on the cave walls. This was the Paleolithic (initial stone age) phase of human development. Thus at that time human beings were using simple stone tools, they did not have writing, yet they had good drawing abilities and had some spiritual understanding of their world.

Caves from Lascaux in France and Altamira in Spain are between 15 to 10 thousand years old, from the early bronze period of human development. These also show mainly animal figures and tracings of human hands. Any human figures in these images are mostly schematic, that means stick like figures, different from the more natural looking animal figures.

World religions - S. Deepak, 2010-12

More recent cave paintings, around 3 to 8 thousand years old, showing animals and hunting scenes are found in many different parts of the world such as the San cave paintings in South Africa.

All these rock paintings point towards the religious or spiritual ideas of humans who lived as hunter-gatherers. They lived in small groups and travelled from one place to another. Usually men were hunters, while women specialized in gathering seeds and plants.

Animal rock paintings have been linked to influencing the spirits of animals, to facilitate their hunting. Thus, early humans thought of spirits in all the living things. It is also thought that lack of proper human figures in rock paintings is linked to taboos around drawing of human spirits.

Earliest evidence of agriculture, that means, domestication of plants and animals, comes from around 10 thousand years ago, from the neolithic period (new stone age), when better stone tools for agricultural and hunting use were made.

Another evidence of religious significance from the early humans are the Venus figurines showing female bodies. Some of these are more than 35 thousand years old. These statues are thought to be linked to spiritual view of nurturing role of mother nature and fertility rites.

Writing developed only 4 thousand years ago, around the time when the first cities were coming up. The earliest surviving tombs such as stone vaults (Hypogeums) and megalithic tombs are 4-5 thousand years old.

The prehistoric small human groups of hunter-gatherers were in competition with each other for survival. Not till the farming communities came up and then over the next thousands of years, first cities were established, there were incentives for human beings to collaborate and work together with other groups of human beings. Thus the initial 40-45 thousand years of human beings must have been marked by fights and wars between different groups.

Though the hunter-gatherers in different parts of the world had similar religious ideas about spirits of living beings, they probably identified with different animal totems as their protectors or symbols of their groups.

The different social roles of men and women were established during this long dawn of humanity lasting for 40-45 thousand years. Thus women mainly engaged in gathering plants and seeds, household work, and needed protection during pregnancy and growing years of their children. On the other hand, men engaged in hunting and wars. Violence, killing and rape of enemy groups' women as acceptable behaviour of the war, probably shaped the societies in this phase.

I think that though human socities have changed completely in the past few hundreds of years, our male and female social roles are still largely shaped by thousands of years of this early conditioning of human societies.

Religions at the beginning of historical era

The beginning of historical era, started around 4 to 5 thousand b.c. (6 to 7 thousand years ago), as the first cities and civilizations came up in different parts of the world including Egypt, Mesopotamia, China, India and Greece.

At the beginning of historical era, majority of world population was engaged in agriculture and/or animal rearing. Some people continued to be hunter-gatherers but gradually they were becoming the minority. All the different world cultures at that time had started building specific praying places and all of them included a pantheon of gods.

World religions - S. Deepak, 2010-12

How did the change from animal figures of cave paintings of early humans to the pantheon of gods of early historical period come about?

James A. Michener in his book "The source" (1965) traces the development of different religions in middle east, from the beginning of the historical era till today. In a fictionalized form, he explains the transformation from hunter-gatherer human societies to farming human societies:
.. for the first fifteen years of their married life, Ur's wife went out of the cave in all seasons trying fruitlessly to tame the wild wheat, but each year it was killed either by drought or flood or too much winter or by wild boars rampaging through the field ... Ur's son discovered that the springtime planting of wheat need not be left to the chance scatter of autumn grains. By holding back some of the harvest and keeping it dry in a pouch of deerskin, the grains could be planted purposefully in the spring and the wheat could be made to grow exactly where and when it was needed, and with this discovery the family of Ur moved to a self-sufficient society. They did not know it but if a food supply can be insured, the speed of change would be unbelievable: within a few thousand years cities would be feasible, civilizations too. Men would be able to plan ahead and allocate specialized jobs to each other. They would find it profitable to construct roads to speed the movement of food and to devise a money system for convenient payments.
Thus, farming societies were completely different from the earlier hunter-gatherer societies. Farming communities living in the villages were much more vulnerable to nature's forces such as rains, lightening, thunder storms and fires. These farming humans developed religions with pantheon of gods - a different god for each of the nature's forces that affected their lives. Thus in the pantheon of gods, those who controlled rain, fire and the thunder storms were more important for the farmers.

These gods were seen as temperamental beings who, if happy could give food, prosperity and security, and if angry, they could destroy everything, putting human survival into danger. Therefore, all the different cultures developed systems of prayers and sacrifices for "keeping the gods happy".

For example, India's first sacred book Rigveda, written around 1500 BC, puts into writing the oral traditions of religious prayers that had developed in this early historical period. The most powerful gods of Rigveda, to whom maximum number of prayer-hymns are devoted, are Indra, the god of rain, and Agni, the god of fire.

As human beings developed greater understanding and control of agriculture and they developed new technologies such as boats for sea-travel, new gods became more important and older gods were forgotten.

The mythical Indian story of fight between rain-god Indra and pastor-god Krishna, where Indra brought incessant rains and Krishna protected the pastors by raising up the Govardhan mountain on his hand, is one such example of changing religious ideas as small cities came up and needs of protection from gods changed.

Another Indian example of changes in preferences of gods is about worship of Sheetla mata, the goddess who is supposed to protect children from diseases like small pox and chicken pox. You can still find temples of Sheetla mata in poor slum areas where diseases like chicken pox and measles continue to be a life-threatening problem for poor children, but such temples are rare in urban and more developed areas of India.

World religions - S. Deepak, 2010-12

The rise of monotheistic thought

The ideas of pantheon of gods who controlled different aspects of life on the earth and to whom prayers and sacrifices must be offered were in conflict with earlier ideas of common spirit underlying all the nature. Slow development of technology such as control of fire and shift from caves to man-made dwellings, also conflicted with ideas of powers of individuals gods.

Building of praying places and offering prayers, gifts and sacrifices also gave rise to development of priest classes, with possibilities of conflict between followers of different gods, and between priests and others. For example there is the story of Ikhnaton, the "heretic king" in ancient Egypt, who revolted against the domination of priests of Amon and decided to pray to the Aton (sun god), is one such example of religious conflicts.

In situations of conflict, religious reformers appeared in different parts of the world. Some of them proposed the vision of "one God", a supreme force that controlled life. The period around 500 BC to 500 AD was particularly fertile for these spiritual reformers, especially in two specific geographical areas of the world - the western part of middle-east and northern-part of Indian subcontinent. Those reformers were responsible for most of the religious ideas that dominate the world today.

The middle-east saw figures like Moses, Jesus and Mohammed, who expounded on ideas of the "one God". The stories of Moses are told in the Old Testament, and are linked to Judaism. The stories of Jesus are part of new testament, the sacred book of Christianity. The voice of Mohammed is in Koran, the sacred book of Islam.

In the Indian subcontinent, apart from figures of Mahavira and Buddha, that led to philosophies of Jainism and Buddhism, there were many other philosophers whose ideas formed the Upanishads of Hinduism. These also tend towards ideas of monotheism, though in a different way from the monotheistic ideas that developed in the middle east.

For example, the initial sholka (prayer) of Isavasya upanishad is an example of one common unifying cosmic consciousness that moves away from ideas of pantheon of gods:
ॐ पूर्णमदः पूर्णमिदं पूर्णात्पूर्णमुदच्यते!
(Om purnamadah puranamidam purnatpurnamudachyate)
पूर्णस्य पूर्णमादाय पूर्णमेवावशिष्यते॥
(Purnasya purnmaday purnamevavashishyate)
(It means: The whole is all that. The whole is all this. The whole was born of the whole. Taking the whole from the whole, what remains is the whole.) 

In each of these religious traditions, a cycle of periodic rise of new religious reformers started that continues till today. Sometimes, the reformers resulted in groups breaking off from the parent religions and becoming separate religions in their own right. Thus all the world religions are actually divided into different sub-groups. Some of the sub-groups, have developed into spearate religions including Baha'i and Sikhs.

At the same time, all over the world there continue to be small or large groups of persons who believe in older religious ideas of early farmers and pastors, such as fire-worshipers (Zoroastrians), nature worshipers, believers of the spirit worlds.

World religions - S. Deepak, 2010-12

In terms of social roles of men and women, many of these religions have codified recommendations. Most of the time, these recommendations on different social roles of men and women, follow the earlier social roles of human groups from hunter-getherer period of humanity. This means, men are seen as superior, who make decisions and are the owners of the families. On the other hand, women are seen as home-makers and mothers, who need to protected, especially from other men.

The crisis of the religions

Humanity started changing around 4-5 hundred years ago at a greater pace, as cities became bigger and the technological innovations increased. Invention of printing press, colonization, slave trade, large scale immigration towards the "new world", scientific progress and industrial revolution gradually started challenging the existing religious ideas.

For example, in Europe, different developments such as discovery of fossils, Darwin's theory of evolution, Galileo's ideas of earth and planets circling the Sun, challenged some of the beliefs proposed by Christian theologians. These challenges resulted in ferocious religious backlash by Christian conservatives in Europe including centuries of brutal inquisition and religious crusades.

One of the most important change that is challenging traditional ideas of religions is the shift from rural to urban communities. This shift challenges the hold of religious, community and family leaders on individuals. Thus, in urbanized countries, earlier religious ideas and socially acceptable behaviours about everything including marriage, having children, sex (including same sex relationships), dresses and worship, have been overturned. The recommendations of the religious leaders are mostly ignored by large number of faithfuls, especially by younger generations.

Though this transition of old into new communities started in Europe more than 5 hundred years ago, it is still far from over. For example, Michael S. Kimmel discusses the challenges for men to understand the new roles of gender equity in his paper:
Indeed, the women’s movement is one of the great success stories of the twentieth century, perhaps of any century. It is the story of a monumental, revolutionary transformation of the lives of more than half the population. But what about the other half? Today, this movement for women’s equality remains stymied, stalled. Women continue to experience discrimination in the public sphere. They bump their heads on glass ceilings in the workplace, experience harassment and less-than fully welcoming environments in every institution in the public sphere, still must fight to control their own bodies, and to end their victimization through rape, domestic violence, and trafficking in women.

I believe the reason the movement for women’s equality remains only a partial victory has to do with men. In every arena—in politics, the military, the workplace, professions and education—the single greatest obstacle to women’s equality is the behaviors and attitudes of men. I believe that changes among men represent the next phase of the movement for women’s equality—that changes among men are vital if women are to achieve full equality. Men must come to see that gender equality is in their interest—as men.
If that is the situation in the developed world in Europe and America, what is happening in the rest of the world? The changes have become faster and even more radical over the past century, spreading over to all the different parts of the world. Improvements in health care and birth control, women going out of homes to work, access to education, international travel, globalization, information technology are some of these changes that lead to mixing of populations and ideas. These changes are challenging traditional ideas of different religions and the social roles of men and women.

Like the backlash of conservative christianity in Europe some centuries ago, these challenges to traditional ideas of other religions in different parts of the world have led to backlash of other conservative groups, sometimes equally ferocious and brutal in trying to repress these challenges. The rise of Wahabi Islam is one such example of religious backlash, but Islam is not alone in this - all religions are facing similar crisis.

In the remaining parts of the world, the transformation from rural to urban communities has started but would continue for the next fifty-hundred years. As the example of Europe shows, the change in mentalities may take centuries, and we can expect many more ferocious battles and backlashes from traditional religious and social leaders, who will fight to safeguard their powers and interests.

At the same time, there are already large groups of thinkers and activists in different parts of the world who agree with the need to challenge the status quo about the domination of socio-religious ideas and understand the need to define new rules to govern our social and public lives. Can we create national and trans-national communities that can make this trasition smoother and less conflictual? This is an issue that we need to address.

Religions for the future

Shall we really need religions in the future? I personally feel that as long as people will go through cycles of life and death, the questions such as what is life, what is death, is there an afterlife, are going to accompany us, and this will continue to create the space for religions.

There are many persons who do not believe in a spirit or a cosmic consciousness, who define themselves as atheists, but often even they have some doubts in explaining the godless accidental origin of life from a biochemical primordial soup.

Those of us who live in societies where technical progress safeguards us from the worst of nature's forces, people do not need to seek the protection of gods for their survival. Still illness, accidents, stresses of modern life, and relative poverty create fertile grous for prayers and religions.

Unless technological progress will lead to some kind of environmental disaster that may turn back the clock of human development, the change from rural farming and nomadic pastor communities to urban technological communities can not be reversed. This, in the medium and long term, will lead to new and different religious ideas.

Individuals living in resource and technology rich environments already often have religious ideas that have been called "New Age". An explanation of the "new age" philosophy is as follows:
To understand New Age philosophy it’s important to understand that the contemporary Cosmic Humanist movement has its roots in the Romantic poets of the 1800s, such as Ralph Waldo Emerson, Walt Whitman, and Henry David Thoreau. These men rejected the God of the Bible, instead writing at length about a transcendent quality of spirituality experienced purely through personal introspection. These ideas did not attract a broad audience until the 1960s, when popular recording artists, movie stars, and Eastern gurus began trumpeting their New Age views across the nation. More recently, well-known recording artists such as Madonna and Alanis Morissette have identified themselves with Hinduism, while popular personalities such as Tiger Woods, Phil Jackson, and Richard Gere openly embrace Zen Buddhism. Other luminaries, such as Tom Cruise and John Travolta, express a belief in scientology. 
We don't know if future religions will be shaped by these "New Age" ideas or other different ideas. However, to be acceptable to majority of people, religions will have to take into account the needs of persons living in urban spaces as singles or as nuclear families. Thus the ancient ideas of women's and men's roles will have to change.

For example, in my opinion, religions asking for covering of women's bodies or not letting them go out to work or with rigid ideas about what kind of sexual lives people should lead, will not be accepted in future as socities will change and get used to living in urban spaces.

Personally, I also believe that future religions that do not take into account the principles of universal declaration of human rights, will be refused by majority of world population. Such conservative religious groups and sects may continue to flourish in small minority communities, but they will not become mainstream.

***

Monday 26 March 2012

Jasoos: remembering our desi spy

These last few days everyone was talking about Agent Vinod. That's the way how it is these days whenever a new big Bollywood movie arrives. Producers, directors and actors give hundred thousand interviews, repeating the same things to everyone. However, all these discussions made me remember Ankhen, another desi spy film of many decades ago.

The review of Agent Vinod seem to be very mixed. I don't know how good is Agent Vinod, but the name sure brought with it memories of the innocent days of reading Indian jasoosi novels. When I was a teenager, inspector Vinod and detective Sunil were so much closer to my own fantasies than Mr. Bond or Mr. Bourne could ever be. They had to discover the nefarious plans of villains, similar to those who are exemplified in the Bollywood world by the dumbass Robert or Mr. Deng and their molls in the clinging gowns, Mona or Lily, made iconic by actors like Ajit and Premnath, and starlets like Faryal and Jayshree T.

The jasoosi stories written by authors like Surendra Mohan Pathak are well alive and kicking, selling more copies in the railway stations, bus stands and mufassil towns of India, than all the more famous Hindi literature writers combined together. Among Pathak's characters, some like detective Sunil, detective Sudhir Kumar Kohli and undercover agent Vimal, are well known to millions of his fans, who eagerly wait for his new books to come out.

I don't know if Pathak's books are translated into English. If they are, may be, they would have a limited appeal for the people who read authors like Chetan Bhagat, but I think that their special charm is to be read in Hindi. They have dialogues like "Ki haal hai sohniyon?" They won't have the same charm if translated into "How are you baby?" But may be they can be translated into Hinglish, "How are you, sohniyon?" that keeps a bit of their original charm!

My own favourite Hindi jasoosi movie was "Ankhen" (1968) by Ramanand Sagar. Dharmendra as the undercover agent Sunil was a real hero to my teenage eyes.

Story outline of Ankhen: The film had Nazir Hussein as the Major Saab (Nazir Hussein), an old military man from Azaad Hind Fauz of Subhash Chandra Bose, who runs a private spy group against the "desh ke dushman", in support of Indian Government. His son Sunil (Dharmendra) is part of his group. Apparently, they don't need to work or to have a job, as they seem to be rich persons. Sunil's sister (Kumkum) stays along with her young son Babloo in her father's home, as her husband works in merchant navy and is away for work.

In a spy mission in Japan, Sunil meets Meenakshi (Mala Sinha) a half-Indian, half Japanese girl, whose father was also in Azaad Hind Fauz. She falls in love with Indian jasoos. However Sunil says that his life is for his country and he cannot accept her love.

One of Major's men sends a message from Beirut about a gang that supplies bombs and weapons to anti-Indian groups in India. Major asks Sunil to go to Beirut to discover the gang and also to find out the names and addresses of their Indian partners.

In Beirut, Sunil is supposed to get help from Nadeem (Sujit Kumar) in Beirut but Nadeem seems to be mixed up with anti-Indian arm suppliers' gang.

However, Major has also arranged other persons to help Sunil in Beirut and this group includes Meenakshi (Mala Sinha with Madhumati, Mehmood, Dhumal, etc.). Sunil makes friend with Zenith (Zeb Rehman), who is supposed to an Arab princess, but is a member of the anti-Indian gang. Then with help of Meenakshi he discovers that real Nadeem is a prisoner in an old ruin and helps to liberate him. They kill the false Nadeem and then ask real Nadeem to take his place in the anti-Indian gang.

In India, the anti-Indian gang (Jeevan as Dr X, Madan Puri, Lalita Pawar and Daisy Irani) with the help of Akram, son of a close friend of Major, kidnap Babloo and force Babloo's mother to accept Dr X's right hand Madam (Lalita Pawar) in their home as their "old aunt from Banaras". Madam wires Major's radio receiver and listens to all his secret conversations with his gang.

In Beirut, Sunil and Meenakshi manage to bust the anti-Indian gang and discover that someone is staying in their home and listening to their messages. So they send a false message that Sunil is dead and their mission has failed. Sunil and his team then reach India and attack the dungeon of Dr X. After a fight, they save Babloo and Dr X is caught.

Finally Sunil accepts that he is also in love with Meenakshi, and walk into sunset singing, "Milti hai zindagi mein mohabbat kabhi kabhi".

Comments: The morse code radio hidden in the cupboard, camera hidden in the microphone that Meenakshi uses to take pictures while singing, the parts shot in Beirut with Mala Sinha, Mehmood and Dhumal singing "Allah ke naam pe de de" dressed as beggers, Mala Sinha dressed as the princess, Dharmendra's fight with the tiger in the dungeon, many scenes of this film had great impact on me. I was also very much taken by a shot of paddle boats in a lake in Japan.

Lalita Pawar as the vamp, dressed as the cunning aunt-in-law, with her one eye smaller than the other and her crooked smile, used to give me nightmares.

Those were the years after the Chinese war of 1962 and the Pakistan war of 1966, thus the idea of spies exploding bombs in India sounded quite plausible. Though today the small camera, telescope, micro-films etc. look laughable, at that time, these gadgets had great effect on me.

It was the time when our heroines used to do classical Indian dances and folk dances and there were no east European dancers doing chorus in bikinis. The songs were simple but meaningful, like "Gairon pe karam, apno pe sitam, ae jaane wafa yeh zulm na kar". The background music was loud and melodramatic, like the scene when Major's man called Saleem is killed in the ship. Our spies use code names like Musafir and Taj Mahal. They dress in disguise as fakirs, beggers and princess. And they invariably speak in a mixture of Hindi and Urdu, even in Beirut and everyone seems to understand Hindi, the lingua franca of the world.

Compared to today's standards, technically that film was ages behind. Yet compared to the modern spy and action thrillers, I think that Ankhen was much more like the books of detective Sunil and agent Vinod, more fun and much more rooted in Indian ethos.

Its heroine, Meenakshi, was much more independent and entreprising than today's heorines (Mala Sinha at 32 years, was still a big force in Bollywood those days, infact, in the titles, her name came before that of Dharmendra).

Probably I will enjoy the thrills of new Agent Vinod and I will admire the mujra of Kareena Kapoor, but they won't make me dream like Ankhen had done more than forty years ago.

***

Sunday 1 January 2012

Best of People's pics, 2011

The summing of my photography experiences of 2011 continues today with a selection of best of people's pictures from 2011. I love taking candid pictures of people in all countries where I go. It is difficult to click pictures of persons who are complete strangers in a new city of a new country. Fortunately, my work requires me to travel often in small towns and villages where I can spend some time in knowing persons and their lives. This helps in creating a rapport that helps in getting better images. I especially love clicking pictures of children.

So here is a collection of twenty of my best people's pictures from 2011:

(1) Ice-hockey fan from Prague: The day I was visiting Prague city centre, there was final match of ice-hockey between Czech Republic and USA. The match was being shown on a giant screen in the city centre. I met many fans of their team, with their faces coloured in Czech Republic's national flag colours.

Best of people's pictures - S. Deepak, 2011

(2) Children in the music class in Goias Velho: I like this picture as it shows the diversity of races in Brazil and also because of the lovely blue background of the classroom.

Best of people's pictures - S. Deepak, 2011

(3) The boy rowing the tiny boat in Abaetetuba, a small city along Amazon coast, with his undervest over his head to save him from harsh sunlight, is one of my big favourites. These small water-hugging rowing boats in the huge never-ending river look fragile and dangerous, but in this area, these seemed to be very popular.

Best of people's pictures - S. Deepak, 2011

(4) The girl in Goias Velho: I had spent 4 days with these children and their idealist teachers, who dream of building a new Brazil, that is curious, modern and open, and yet is respectful of the African and Amerindian roots of its people.

Best of people's pictures - S. Deepak, 2011

(5) Dancing for life: My friend Pio teaches dance to in-mates of a house for elderly and mentally ill persons. It is a dance for becoming aware of our own bodies and for creating a relationship with others. The woman in the picture didn't join the dancers, she preferred to sit at a distance, hugging her doll and yet, laughing at the persons dancing with Pio.

Best of people's pictures - S. Deepak, 2011

(6) Man in the cattle market: I visited a cattle market in the town of Hegri Bomanahalli, about 40 km from Hampi. It was a lovely experience. I like this man's gentle expression, the lines on his face, and his barely perceptible Monalisa-like smile.

Best of people's pictures - S. Deepak, 2011

(7) Girl in the village: We had just come out of a health centre where I had interviewed a group of village health workers (ASHA workers), when I had seen this girl. Isn't she beautiful?

Best of people's pictures - S. Deepak, 2011

(8) Mumtaz and her new born baby girl: That village had some rows of Muslim households and then some rows of Hindu households. Imam Bi, the president of the village women's self-help group, was an energetic and enthusiastic woman, and had taken me around in the village, introducing me to the persons and their families.

Best of people's pictures - S. Deepak, 2011

(9) The village boy: If I have to choose only one of my pictures from 2011, I think that I will choose this one. I love the expression in the child's face and the specks of light shining like stars in his eyes.

Best of people's pictures - S. Deepak, 2011

(10) The fish sellers from Tungabhadra dam near Hospet.

Best of people's pictures - S. Deepak, 2011

(11) The artist in the museum: When I was a student in Europe (long long time ago!), I used to love going around with my sketch book. Watching the art student sketching the statue in Victoria and Albert museum of London had brought back the memories of those forgotten days.

Best of people's pictures - S. Deepak, 2011

(12) Morning exercise in Manila: People all around the world, especially in hot tropical climates, wake up early morning to do exercises in a some park. I like the slow-motion kind of exercises done in Tai Chi. It looks like a dance.

Best of people's pictures - S. Deepak, 2011

(13) Chess and dama players of Geneva: Huge chess and dama playing boards drawn on the ground and persons of different countries joining together to play a game, including some persons in ties and suits who seem to have come out of some meeting, is a wonderful sight.

Best of people's pictures - S. Deepak, 2011

(14) Autumn and remembering the dead: The yellow of autumn leaves and the serious faces of people standing near the graves, it all fits in together so beautifully.

Best of people's pictures - S. Deepak, 2011

(15) The gondola and the tourists of Venice: T-shirts with red (or blue) stripes and caps with matching ribbons of the gondolieros make for beautiful pictures.

Best of people's pictures - S. Deepak, 2011

(16) The astronaut: He is Paulo Nespoli, an Italian engineer who has been many times in mission to the space station. He was being interviewed by some TV channel when I had clicked this picture. I like the expression and the light on his face. I makes me think of Star Trek.

Best of people's pictures - S. Deepak, 2011

(17) The protestor: On her cheeks she had written "Berlusconi Resign".

Best of people's pictures - S. Deepak, 2011

(18) The changing world: FIOM, one the workers' unions of the main Fiat factory in Turin, continues to fight for workers' rights, but it is increasingly alone even among workers' unions, in a world dominated by globalization. At a workers' protest meeting in Bologna.

Best of people's pictures - S. Deepak, 2011

(19) A newly married couple walking out from the marriage registration office of the municipality. The carnation in his jacket's lapel and her beautful dress with the veil, they look so good together. Yet number of marriages (and number of children) continues to go down in the old continent.

Best of people's pictures - S. Deepak, 2011

(20) Prayers in St. Petronio cathedral: The rows of candles illuminating the faces of the people makes for a magical ambience.

Best of people's pictures - S. Deepak, 2011

So do let me know which of these 20 pictures you liked most. Today is 1 January and I wish you all a 2012 of joy and peace.

***

Tuesday 4 October 2011

Zen of Photography

I think that for some persons, photography can be a way to come in contact with deeper part of themselves. It can be similar to what other persons try to achieve with deep meditation. At least on me photography has that effect.

Jill Bolte Taylor, the Harvard neuroscientist has this wonderful TED video talk that she made in March 2008, where she told about her stroke experience ten years earlier and how it made her understand the complementary and yet different ways in which the two sides of the human brain work.

Jill had a cerebro-vascular problem - a blood clot on the left side of her brain. It happened slowly over a period of a few hours. While that was occuring, there was some moments when she was conscious and could think coherently, and there were other moments, when she knew that she was not in control and her brain was working in a different way. From that experience she came to think certain ideas about how the left and right parts of our brains work.

Our brains are made of two similar looking halves, that are joined together by an area called corpus collosum where millions of neurons connect between the two sides. These similar looking halves of the brain work in very different ways.

Jills says that the left side of our brain functions with words, voices, thoughts and logic. It makes plans, thinks of the past and the future, it studies and understands the world, rationally and logically. It is also the part of the brain that looks at "I" and the "rest of the world", it is about our egos, our needs, and makes us the individual human beings that we are.

The right side of our brain, according to Jill, thinks in images, emotions and intuitions. It does not care about rational thoughts, plans, past or future. It has emotions and it connects us to every thing else in the world, living and non-living. It does not separate between "I" and the "rest of the world". For the right side of our brain, it is all "one world".

Normally, left side of brain dominates in most of us. It is this part of brain that keeps on "thinking and talking" in our heads all the time. It is very difficult to stop it from "making the thoughts noise". And it covers and hides the input from the right side of our brain, it does not allow us to feel the world from the right side.

Thus, talking about her experience, as the blood clot formed in the left side of Jill's brain, there were moments when the control of the mind from the left brain was interrupted and she could feel the world from the right side of her brain. In those moments she felt her thoughts become silent. There were no more continuous thoughts filling her head. Instead, she felt filled with bliss. The boundaries between her body and the rest of the world, like the walls of her bathroom, disappeared, so that "she could not see where was her arm and where was the wall of the bathroom. It was all one, a continuous one."

When I heard Jill explain it, I thought that this experience sounded very similar to some experiences of meditation that I had heard and read about.

I had tried meditation many times.

I see myself in this description of Jill, as a person very strongly controlled by my left brain. Always planning, thinking about all kinds of things, with a voice going on talking all the time inside my head.

And, I think that with age, this left-brain domination, the desire to plan and be rational, has become stronger. I think that as a child, when I had greater interest in paintings and designing, I was less obsessed with details and plans. Then probably my studies in medical college and my profession pushed me deeper into the rational logical world of the left brain.

A couple of decades ago, I went to a meditation class for the first time. A priest had come to Italy from Varanasi and was conducting meditation classes. He explained to me about meditation techniques by focusing the mind on my breathing or on a central point in my forehead or on the image of a god.

"You have to become silent, stop the incessant thoughts in your head", he had said.

I tried but I never really managed to stop the voices in my head. I could never feel meditation, in the sense of "stopping my thoughts and focusing them on nothingness". Often, when I tried to meditate, I ended up feeling frustrated. Once I decided that I couldn't do meditation sitting up and I had to lie down to meditate. After that every time, I tried to meditate, I drifted off to sleep. Finally I had concluded that I was destined to never really experience the feelings of meditation.

And then 5-6 years ago I discovered photography.

I bought my first digital camera in 2005. The 1 Gigabyte memory card freed me from worrying about number of pictures I could click. I clicked pictures all the time and every where. It was a kodak camera with a preview screen, so I held the camera in front of me and clicked images all the time.

When this kodak camera was stolen in Ecuador in August 2005, it was not the financial loss that mattered to me, but the enormous emptiness of not clicking pictures. I immediately bought another kodak digital camera.

In 2009, I bought my first SLR camera with a 4 Giga memory card, suddenly the whole expereince changed. It was a low end SLR (Nikon D 40) in which there was no preview  of the images on the screen and I had to put my eye in the viewfinder to see what I wanted to photograph.

Listening to Jill made me understand something about the joy I feel when click pictures. I feel that when I am taking pictures, the voices in my brain stop and the right side of my brain takes over. The images speak directly to the right side of my brain, strengthen it, make it more powerful, and make me feel connected to the world.

As I start taking pictures, slowly I can see my brain changing gears. I start focusing on small things.

Textures, colours and details that are normally a blur, that hardly register in my head normally, they all come into focus. I can see the rough bark of the trees, the intricate patterns on its surface and the subtle variations in the colours. The insects buzzing over the flowers, the shades of green in the grass, the different shapes of flowers, the angles of people's smiles, the way light skids off their faces, the wrinkles on the corners of their eyes. As I click pictures, life rushing past, slows down.

And when I stop clicking for some time, the life continues to flow slowly.

***

Does it make any sense to you? Or do you think that I have gone bonkers? Actually I don't think it matters. It makes sense to me and that is all that really matters. I can understand that once again I am trying to make a logical sense of my feelings about photography.

It is my left brain that wants to understand why I feel the way I do about taking pictures. Understanding it is important for me, because it makes me understand its value to me.

BTW, if you have not seen Jill Bolte Taylor's talk on TED, watch it now, it is truely wonderful.

 To celebrate, here are a few images I took yesterday evening at Durga Puja and today morning at a canal near our home.


Bologna Durga Puja - S. Deepak 2011

Bologna Durga Puja - S. Deepak 2011

Bologna Wild sun flowers - S. Deepak 2011

Bologna Wild sun flowers - S. Deepak 2011

Bologna Wild sun flowers - S. Deepak 2011

Bologna Wild sun flowers - S. Deepak 2011

***

Tuesday 9 August 2011

Coincidences

When suddenly you start noticing coincidences, does it mean something?

Let me give you three examples of recent coincidences linked to my photoblog called Chayachitrakar and the TV over the past 3-4 days.

The first example of coincidences is about my blog. A few days ago, while searching for a picture in my image archive, I saw a picture of red tulips, that reminded me of other pictures of tulips of other colours that I had taken during my travels. So I spent some time searching for them and the next morning, chose three of those images of tulips for my photoblog.

For me, chosing images for the photoblog, is closely linked to small but significant thoughts that can be provoked by those images. Sometimes, I am struck by specific things in the images that I had not noticed before. Some times, the images provoke thoughts that are not related directly but touch something deeper inside me.

The images of the tulips made me think about the well known Amitabh Bacchan and Rekha from the Yash Chopra film "Silsila". Thus, after uploading my blogpost about tulips, I spent some time on internet to search for the Silsila song and watch it

The next day, a professor friend from India, who is visiting Bologna university for a few months, came to our home for dinner. While talking to him, suddenly he started talking about "Silsila".

Initially I thought that he had been to my photoblog and had seen my post about tulips where I had also mentioned "Silsila". However, after talking with him I realized that it was only a coincidence and he had not seen my blog.

The second example is again related to my photoblog. Yesterday morning, looking at the pictures I had clicked last month in the northern city of Trieste, I selected three images of James Joyce for my blog.

I hardly knew anything about James Joyce except that he was considered an important figure in the world of English literature. So I checked about James Joyce on Wikipedia and read about his life and how he was forced to live in Trieste.

Yesterday afternoon, while waiting to go out, I had switched on the TV and tried different channels. While channel hopping, I suddenly found a journalist talking about James Joyce in Trieste. For a second I was surprised and said to myself, "Wow, what a coincidence. I read about it today and wrote about it, and now this guy is talking about the same thing." Any way I soon forgot about it.

Now the third example - Yesterday afternoon while channel hopping, I also saw a brief scene from a TV film on "Importance of being earnest" by Oscar Wilde, on a channel, and then I changed the channel.

Today morning, at the website of Caravan, I opened an article with the review of Amitav Ghosh's new book, it started with the three lines that I had seen in the scene yesterday on the TV:
MISS PRISM: Do not speak slightingly of the three-volume novel, Cecily. I wrote one myself in earlier days.
CECILY: Did you really, Miss Prism? How wonderfully clever you are! I hope it did not end happily?…
MISS PRISM: The good ended happily, and the bad unhappily. That is what fiction means. (The Importance of Being Earnest)
Reading the dialogue between Miss Prism and Cecily seemed to me so strange, after having seen it by chance only yesterday.

By itself, each of these coincidences is something small and insignificant. However, this third coincidence made me think of this strange feeling over the past 3-4 days. So, I am starting to wonder - is there something more to these coincidences? is somebody trying to give me some message? if yes, what kind of message?

What do you think is happening? Am I making a mountain out of an ant hill?

***

Thursday 28 July 2011

Playing dead in a cemetery

I was a little taken aback when Virginia had asked me if I wanted to be part of her special art installation in the antique Certosa cemetery of Bologna (Italy).

I was only needed to play dead in a special picture and then to share my ideas about "what do you think happens when we die?".

I love Certosa (the initial "C" is pronounced like the "ch" in church) cemetery. It has been a burying place for the dead for more than two thousand years. First it was an Etruscan cemetery, and then a Roman cemetery, and then over the past fifteen hundred years, as Bologna changed from a settlement and assumed the form of a city, Certosa has slowly grown bigger.

In the medieval period (1300-1500 DC), people started making there monumental graves with sculptures. Therefore, many areas of Certosa are like an open air museum, with hundreds of statues. The most common theme in this museum, as you can guess, is bereavement, with statues evoking feelings of loss, sadness and crying. However, there are many statues on the tombs of big and famous persons, that are more about power, wealth and vanity.

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

Surrounded by verdant hills, some parts of the cemetery have lovely views. Over the last two decades, cremation rather than putting the dead persons in graves, has also become more common. They even have an open grassland, where those who do not wish for a grave or an urn, can scatter the ashes.

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

In today's culture, where emphasis is on enjoying life, normally people do not want to talk or think about death. It was not always like this. For example think of the huge tombs built by Egyptian kings for their own burial, because they were worried about their afterlife, and wanted to make sure that they could continue to live as kings after their death.

Most of us have difficulties in talking about death and bereavement. Amitav Ghosh in a beautiful article about the death of his friend Agha Shahid had written in 2001:

Although Shahid and I had talked a great deal over the last many
weeks, I had never before heard him touch on the subject of death. I did
not know how to respond: his voice was completely at odds with the content
of what he had just said, light to the point of jocularity. I mumbled
something innocuous: “No Shahid—of course not. You’ll be fine.” He
cut me short. In a tone of voice that was at once quizzical and direct, he
said: “When it happens I hope you’ll write something about me.”
I was shocked into silence and a long moment passed before I could
bring myself to say the things that people say on such occasions: “Shahid
you’ll be fine; you have to be strong …”

Shahid ignored my reassurances. He began to laugh and it was then
that I realized that he was dead serious. I understood that he was
entrusting me with a quite specific charge: he wanted me to remember
him not through the spoken recitatives of memory and friendship, but
through the written word. Shahid knew all too well that for those writers
for whom things become real only in the process of writing, there is an
inbuilt resistance to dealing with loss and bereavement. He knew that my
instincts would have led me to search for reasons to avoid writing about
his death: I would have told myself that I was not a poet; that our friendship
was of recent date; that there were many others who knew him much
better and would be writing from greater understanding and knowledge.
All this Shahid had guessed and he had decided to shut off those routes
while there was still time.

“You must write about me.”


We have an old dog and often I am worried that one day he will be gone. Also, when you cross fifty, I think that consciously or unconsciously, you begin to ask yourself, how many years you still have to live. So I think about death off and on for some time now.

I had visited Certosa many times and had already expressed my thoughts to my wife that when I die, I would like to be cremated and I would like my ashes to be scattered in the Certosa open grassland area. Therefore when Virginia asked me to be part of her art installation on death, I didn't think twice and immediately agreed. However, some of my friends were not so sure if it was a good idea.

"Won't it be inauspicious to have your picture there while living? It is only dead persons' pictures that are put there?", they worried.

I looked at it differently. "How many of us get a chance to see our pictures as dead? How many of us get to see our pictures displayed in a cemetery? No one. So if I have this opportunity, I don't want to miss it."

Virginia had a special technique for taking pictures, so that it looked as if the person was coming out of darkness. She took pictures both with persons' eyes open and with eyes closed. "I won't take off my glasses", was my only condition. I know that dead don't need eye glasses, but what fun is to play dead, when no one recognises your picture because you are without your glasses?

I also spoke to Virginia about my views about death, influenced mainly by Hinduism, though not in the sense of paradise or hell:

I like the way death is described in Kenopanishad and Kathopanishad. I think that everything in the universe is pervaded by the same consciousness, and when we die, our individual consciousness goes back to all pervading consciousness, like a river goes in to the ocean. That all mountains, plants, animals and humans are inter-connected through this consciousness.

I think that everything in this physical universe is made of molecules, atoms and sub-atomic particles and these particles are exactly the same in every thing. Thus, all persons, animals, birds, plants, rocks are made of same building blocks, but our level of consciousness energy is different.

I like the understanding coming from quantum physics that at sub-atomic level, a particle can be in many places at the same time and that between the particles there are huge spaces, so much that relatively, the distances between the constantly dancing sub-atomic particles inside each atom that compose us, are like the distances between the planets. Therefore, each particle of our bodies, is like a solar system. I think that this describes the concept of Maya that Upanishads talk about.
Virginia recorded my views in Hindi also.

The art installation was set up an underground hall from 14th century. Along the 700 hundred year old tombs, there were our images on the walls. We were 12 persons representing 12 different religions and cultures. We all spoke our views about death in our languages. People could also read our views.

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

Monumental graves in Certosa cemetery of Bologna, Italy - images by S. Deepak, 2011

It was a wonderful sensorial experience. And, there was enormous diversity in our views about death. Virginia says that this multi-media art work was very inspiring for her. Now she is planning to involve even more persons and one day come out with a book about it.

Are you comfortable talking about death? What do you think happens when we die? Do you believe in reincarnation? Would you accept to be part of an exhibition, where you are shown as dead?

***



Saturday 11 June 2011

Colours of life and death

I had met Makbul Fida Hussein many times as a child in the nineteen sixties.

Where today there is Palika Bazar in Connaught Place in Delhi, in those days there were the state emporiums. Not the nice buildings they have today on Baba Kharag Singh Marg, but at that time, emporiums were more like shacks, like most of the shops on Janpath in those days. In the centre of that space was Coffee House, the mythical place where writers, painters and other creative persons met for their teas, coffees, cigarettes and endless debates.

It was there, in that coffee house, where a few times I accompanied my father, that I saw Hussein, among other persons, mostly Hindi journalists, poets and writers. Only now, looking back, I can notice something strange about those persons - we never called them uncle, aunty, mama, chacha, etc., as was usual in those days, but all those persons were referred to by their names.

M. F. Hussein, Delhi, 1967
I vaguely knew that he was a well known painter and that he had made a film (Through the eyes of a painter, 1966). I also knew that he had been a painter of signboards and film billboards, before becoming famous as an artist. That was the time when big billboards, handpainted, lined the roads and cinema halls. (On left, Hussein saheb in 1967 during the meeting in Delhi after the death of Dr Ram Manoher Lohia).

My strongest memory of Hussein saheb is from 1966, from an evening in Lalit Kala Academy in Mandi House (Delhi). I think that we had been in Sahahitya Kala Academy, accross the road and then, we had walked with him to Lalit Kala Academy, where there was an exhibition of his paintings. It was during that walk that I had really taken note of his walking barefeet and thinking that it could not have been easy to walk like that on the hot summer roads.

That day, I was acutely aware of wearing my school uniform pants. We were passing though a bad time financially at that time. Our family had recently shifted to a new rented house, leaving the joint family house of my maternal grandfather, and the house rent must have aggravated our family's already stretched finances. I had only two half-pants in those days, and as I had grown taller, they had become woefully smaller and tighter. That was the reason, I had been forced to wear my school uniform pants that evening and I was thinking that everyone must have noticed it and understood that I didn't have another good pair of pants.

In Lalit Kala Academy, I had looked at the paintings of Hussein saheb, that frankly I didn't appreciate so much. I think that most paintings of that exhibition were about jagged black and dark brown lines criss-crossing the canvas, and they had reminded me of barbed wires. Suddenly I was aware of a bit of excitment around us. It was Dr Zakir Hussein, at that time vice-president of India, who had come to see the exhibition. There were just 2-3 persons around him and there were no security issues in those days, so no one had made us go away or stand in a corner.

Dr Zakir Hussein stopped near me and kneeled down to my level with a smile on his face, and asked me if I could make any sense out of those paintings? I don't remember what I had answered him, but I think that I must have been smug and superior, that obviously I could appreciate abstract art.

Decades later, when I had read about Hussein saheb's paintings being sold for hundreds of thousands of rupees, I had remembered some paper in coffee house of Connaught Place, where he had drawn something for me, and regretted that I had thrown away because I had not liked it.

Among his paintings, I remember most the images of horses. I also remember the time after "the emergency" when he had started to draw the Durga images in the praise of Mrs. Indira Gandhi, and the feelings of betrayal it had provoked. Wasn't he supposed to be supporter of Lohia? (Below part of a painting by Hussein in the meeting hall of World Health Organisation building in Delhi)

Painting by M. F. Hussein, WHO, Delhi

***
A news item by Dipanker De Sarkar in Hindustan Times about his funeral, defines him as a "devout Muslim". These words disturb me a little bit, though I keep on telling myself that they should not.

Today the words "devout Muslim" bring out the image of a conservative person, someone who follows Holy Kuran to the letter. It seems like a reaction to the Hindutva guys who hounded Hussein saheb in the last decade, saying that he had deliberately wanted to insult the Hindu godess by painting her nude and asking why he never painted the Prophet Mohammed like that.

I didn't agree with the Hindutva Brigade's accusations for many reasons - gods and godesses don't need human beings to safeguard them, they are perfectly capable of taking care of themselves; India and Hinduism has long tradition of people who search for God in their own specific ways - those who stand on one leg, those who go around nude, those who smoke ganja, those who do worship of human skulls in a crematorium, those who look for God through sexual union, and art is also a form of worship; Upanishads also talk of God being there in every thing of this world, there is no place where the God is not there, even in the canvas on which Hussein had painted his vision; and so on.

Seen through the eyes of dominant conservative Muslim discourse as it is understood today, painting Hindu idols, could not have been compatible with being a "devout Muslim". I can't imagine the Hussein I remembered from my childhood, defining himself as "devout Muslim".

On the other hand, each of us should have the freedom to define ourselves as we wish. If in his eyes, he followed the spirit of his Book and for him that was enough to call himself a "devout Muslim", then why should this be a problem for others and for me?

Or perhaps Hussein saheb did change with age? As death came closer, did he feel that he had made mistakes and decided to ask for forgiveness, and become a different person? We can all change with time and as we grow older, many of us, want to go back to security of religious teachings that we had decided to abandon during our growing up years. Was it that?

Or, could it be that the surviving members of his family wanted to give a message to others by saying that Hussein saheb was a "devout Muslim", so these words are about them and not about what Hussein saheb really thought. Mostly deaths and the images that are created for the dead are more about needs of followers and surviving family members and not so much about the wishes and ideas of the person himself or herself.

I think of all these things, feeling a little confused.

Was it like Kamala Das becoming Ayesha and deciding to hide herself behind a Burka or like men and women who decide to close themselves in isolated cloisters or silence of monkhood. They are all bruised and fragile souls, who need some kind of security.

Was it like that for Hussein saheb in his last days?

***
How would I like to remember Hussein saheb? I think that I would like to remember him through different images of Meenaxi, the film he had made in 2004.

Poster of Meenaxi, film by M.F. Hussein, 2004

Like the scene of the song "Nur tera nur..", where sufi dancers whirl around, while others do Kalarippayattu.

Like the never-ending colours of the holi song.

Like the doors and windows standing isolated in the desert.

Like the colourful round matakas (vases) that roll down sandy slopes, looking for a place to rest.

***

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