Hassan Sharif's art of the useless objects

Before looking at Hassan Sharif's art installations in the Venice Biennale (Italy) last year, I did not know the name of any modern artist from the Arab world. In my mind, Arabic artists were associated with things like calligraphy, flowers and geometric designs, thus I was surprised by his works. This post is about some of the art installations of Hassan Sharif at the Venice Biennale.

Hassan Sharif

Sharif was born in UAE in 1951 and he died in 2016 at the age of 65 years.

He did his art school training in the UK in the 1980s. There, he came in contact with Tam Giles and his ideas of abstract and experimental art, which influenced him. He lived in Dubai where he helped to set up different spaces to promote and support young and upcoming artists of UAE.

Hassan Sharif's art of assemblage

Sharif is known for taking ordinary objects of daily living and assembling them together in big heaps to create his art installations.

His art is seen as a criticism of the prevalent shopping culture, where we need to continuously buy more things, which are then quickly discarded to contribute to the ever-increasing mountains of garbage in our cities.

I think that his art can also be seen as a commentary on the human relationships in today's world, which follow a similar and parallel trajectory to those of the consumer products, where we look for quick emotional highs. Yet we quickly tire of them and discard them, finding it easier to hide behind our smart phones and head-phones.

Sharif's art at Venice Biennale

At the 2017 Biennale, different works of Sharif from different time periods starting from mid-1980s, were brought together to give an overview of his main artistic ideas. This exhibition was called "Supermarket" and included mixed materials such as textiles, papers, iron hardware, books and boxes.

Some of Sharif's installations like the one below with iron hinges and pieces of clothes, look like scraps that you may find in an old dusty store room in your house, yet they express emotions. I felt that they were a reminder to open our eyes and really look at our surroundings instead of sleep-walking through our daily lives - to see the juxtapositions of materials, shapes and colours.

Conclusions

Today, it is not always easy to define art and to understand its boundaries. It is not about artistic skills and mastery, rather it is a way of looking at the world and rediscovering emotions and feelings. Sharif's art is such. For example, look at the assemblage of old files tied together in the image below, which can be a common sight in old Government offices. Sharif makes you look at them in a new way by appreciating their textures and forms.

I want to conclude this post with my personal favourites among all the "assemblages" of Hassan Sharif presented at the Venice Biennale - it has a heap of steel spoons, forks and black plastic tubes. I am not sure if it was because of the bent and misshapen spoons and forks, but it was the installation which evoked the strongest feelings in me.

***

Beautiful sculptures of gymnastics and yoga

I love sculptures and art in public spaces. Many countries put up statues of famous persons in the city squares and gardens. However, sculptures of persons doing gymnastics, athletics, sports and yoga are not very common. In this post I want to share some images of sculptures related to sports and yoga.

To introduce this theme, the sculpture below shows the Olympics banner being carried by the athletes. This sculpture is located near the Ouchy port on the lake in Lausanne (Switzerland) at the entrance to the Olympics park which hosts the offices of international Olympics committee.

Bologna (Italy): Let me start with two sculptures from Bologna, where I have lived for many years.

The first sculpture is by Italian sculptor Leonardo Lucchi, who is known for his airy and light looking art. He achieves this effect by showing them in motion, so that only a tiny part of their bodies is touching the ground. In this sculpture he has a teenage boy balancing on a pole, with his arms raised up. He looks ready to make a jump.

The second sculpture is by the Serbian artist Biljana Petrovic. It has a man sitting with his knees bent, his feet touching, his hands extended clasped tightly in a yoga pose with his rippling muscles straining with the effort.

Delhi (India):  India does not have many good public sculptures except for those of political figures. However, over the recent years, some good sculptures have been put up in the airports. The next image from Terminal 3 of the Delhi airport showing the 12 asanas of yoga exercise known as Surya Namaskar is one example of these sculptures. The sculptures are by Indian sculptor from Jaipur, Nikhil Bhandari.

Geneva (Switzerland): This beautiful sculpture of a gymnast with a ribbon is part of 5 bronze Olympian sculptures by British sculptor Eleanore Cardozo. It is placed in front of the Palais Wilson building, which hosted the League of Nations, before it became the United Nations and shifted to New York. Palais Wilson building now hosts the Human Rights commission of the UN.

Kozhikode (India):  Manancheri park in Kozhikode (old name, Calicut) has many sculptures. Most of these are poorly made and poorly maintained. They are also very clearly inspired by socialist art of 1960s and 1970s. However, one of the sculptures of an acrobatic boy with his legs playfully raised up in the air, transmits the joy of life, similar to the Shirshasana yoga exercise. A similar statue is also placed in Panjim (Goa), close to ferry port. I was unable to find out the name of its sculptor. This sculpture is by K. S. Radhakrishnan (information provided by Deepa Gopal Sunil).

Lausanne (Switzerland):  The Olympics park in Lausanne, already mentioned above, is full of sculptures about different sports. Two of its sculptures are presented here.

The first sculpture is by the Hungarian artist Gabor Mihaly. It has a group of 3 cyclists on two bicycles and a total of five wheels, which together represent the 5 circles on the Olympics flag.

The second sculpture is by the famous British and Australian sculptor John Robinson. It has a gymnast girl on a beam. It represents the well known Romanian gymnast Nadia Comaneci who had received a perfect 10 out of 10 score for her gymnastics in the Montreal Olympics in 1976 and had won 5 gold medals.

Manchestor (UK): The next image is from a public art exhibition in the First street in Manchestor, showing female figures in different colours who seemed to be doing yoga or acrobatics. These sculptures were created by the Colin Spofforth studio of sculpture and design.

New York (USA):  The sculpture from the central park in New York is by Milton Hebald. It represents Prospero and Miranda from the Shakespeare's play 'The Tempest'. Probably, this sculpture does not strictly fit in the criteria of this post. However, when I saw this sculpture, with their hair and clothes flying up in the air, I thought that it shows a couple doing artistic gymnastics.

Schio (Italy): I live in Schio (VI) in the north-east of Italy, the next sculpture is from here and it is by a local artist called Mario Converio. It has a gymnast doing a workout with a ring. Balanced on her head, she is floating in the air.

Vicenza (Italy): Here is another work of Leonardo Lucchi. It is similar to the one presented above - here a girl is trying to balance herself on a narrow plank. However, instead of a sense of equilibrium, this sculpture transmits a sense of precariousness, as if the child is going to fall down.

At the end, let me conclude this post with a sculpture from Verona (Italy), the city of Romeo and Juliet. This sculpture is by the famous British sculptor Marc Quinn. In this the girl doing a yoga pose is balancing herself on the tip of elbows.

So did you like my selection of sculptures related to sports, gymnastics and yoga? I think that sports and yoga are good themes for sculptures, also because they are not very common.

Have you seen any good sports related sculptures? Do share information about them.

***

Searching for the past in Chennai

During a recent visit to Chennai, a walk along the Marina beach took me to the ancient Parthasarthy temple and to a search for a long-lost childhood friend. This post is about that walk and my search.

My childhood friend

Nani (Narayan), my childhood friend, used to live in a multi-story building inside the area known as NPL, while we were living in Double Storey flats in New Rajendra Nagar in Delhi. His family home was in Chennai, which I had visited a few times.

The last time I had met him was in Delhi, probably around 2001-02, when I had come to India. He had just shifted back to Delhi from Chennai. Since then we had lost contact. Partly it was my fault - I had not looked for him during my visits to India. I had lost his old telephone number and I didn't have his email. I looked for him on facebook but didn't find him. Every now and then I wondered about him.

A memory from the past

Few weeks ago, I was back in Chennai after more than 20 years. One afternoon I was looking at the Google Map when I noticed "Parthasarathy temple" that was not very far from my hotel. The last time I had visited Nani's house in Chennai must have been about 30 years ago, but I was sure that it was right in front of the Parthasarathy temple. I remembered the name of the temple because it was also his father's name.

Parthasarthi temple is the oldest temple of Chennai, built around 8th century CE. Nani's family house in front of it, had also looked very old. Once I had stayed in that house for a few days and remembered its intricately carved wooden doors and a wooden balcony around the central courtyard.

As I remembered my old visit to that house, I decided that I will go to that temple and see if I could find his old house. Perhaps some neighbours will be able to give me news about him, I thought.

The walk at Marina Beach

I took an auto to the Gandhi statue on Marina beach. It was sunset time and the beach was crowded with people.

I started my walk towards the Parthasarathy temple with the help of Google Map on my cellphone. I passed in front of the Vivekanand house, the house where Swami Vivekanand ji had stayed for some time after his return from the US.

I am an admirer of Vivekanand and would have liked to explore that place and its museum but it was becoming dark, so I decided to continue my walk.

A short walk brought me to the Anne Besant street with her statue in a small park at the street corner. Parthasarathy temple was nearby according to the Google Maps.

Reaching the Parthasarathy temple

A small side street brought me to the temple pond. Though I had visited that place and even stayed there right next to that pond, I had no memory of it. I even had difficulty in recognising the temple. The Gopuram of the temple seemed much taller compared to how I remembered it. All the area in front of it, including an long entrance with a row of pillars was surrounded by an iron grill, looked completely different. There were small shops all around and it was full of devotees and visitors.

In my memory it was a quiet street, there was no long covered entrance in front of the temple, there was just an old broken wall. At that time, there were no shops on that street, but just old houses on the two sides. I went all around the temple a couple of times, but could not recognise anything. I tried asking to some older looking shopkeepers, but no one could tell me anything.

After about 15 minutes of looking around, I was almost ready to give up. So I went inside the temple and even inside it seemed different from how I had remembered it. They used to have a rath-yatra with hundreds of devotees filling that street, I remembered.

While coming out of the temple, I had a flash of memory about the address of the old house. It was hiding somewhere there in my head. I checked the numbers on the houses. Number 25, my friend's house, was there but now it was a marriage hall. It looked completely different from the house of my memories.

Outside the marriage hall, I saw a board on the side, with a telephone number. I thought that I will talk to the hall owner and ask him, perhaps he would know about the previous owners of this house. However, my call went unanswered. Dejected, I thought that it was time to go back to my hotel.

Call from the marriage hall owner

I was near the temple pond, looking for an auto, when my telephone rang. It was the hall owner calling me back.

"When did you buy that house?" I asked him.

"Who are you? Why do you want to know?" He asked me suspiciously.

So I explained that it was the house of an old friend and that I was looking for him.

"I have Nani's telephone number, he lives in Delhi", the hall owner told me.

"Wow!" I had found my friend, I was overjoyed, "Can you please SMS me his mobile number?"

The man promised to send me the number and then while closing the phone casually mentioned, "Nani's father still lives in that house, there is a small residential part on the side of the marriage hall, he has a room there."

"What? Uncle is still alive?" I was flabbergasted. Uncle had retired in the 1980s, so he must be more than 90 years old, probably closer to 100 years.

Meeting Nani's father

The hall owner had explained and this time I had no difficulty in finding the small grilled door on the side, leading to a corridor and to a few rooms. My heart thumping with excitement, I went to uncle's room. His door was open and he was sitting near the TV, busy watching it. I knocked on the door, went inside and touched his feet. "Uncle, you remember me? I am Sunil, Nani's friend."

He looked at me and smiled, "Yes, I remember you. Come sit here."

He remembered me! Suddenly I was laughing and crying at the same time, feeling like a child once again.

We talked about old times. Nani has a son and a daughter. I had seen his son Ravi as a baby, but I had never seen his daughter. My friend's elder brother, Cheenu, was no more, he had died six years ago. Cheenu's wife and daughter now live in Hyderabad.

Uncle called Nani on his mobile and we spoke. He lives in NOIDA. When I go back to Delhi, I am going to see him.

Finally

Some times crazy ideas lead to good things. I am so glad that on that day when I saw Parthasarathi temple on the Google Map, I decided to go and search for my friend's old house.

***

Shiva icons across the centuries

As a child, I was always fascinated by the figure of Shiv ji (Lord Shiva), because of his ash smeared body, and the drunkards, drug addicts and the bhoot-pret among his followers. When he dances Tandav in anger, he is a god of destruction. These were all unusual and "bad boy" characteristics for a god. This post is about the Shiv (Shiva) icons in the archaeological section of the national museum in Delhi.

After a few decades, recently I was back in the National Museum and was pleasantly surprised by all the changes. Instead of the dusty glass cases holding poorly labelled objects, it has now much better exhibition spaces, similar to some of the better museums in Europe. Thankfully, now you are also allowed to photograph. If you haven't been to National Museum, I recommend visiting it!

Let me start with the image of the delicate and graceful bronze dancing Nataraja sculpture from the 12th century Chola empire, which symbolises destruction and the new creation. Among his flowing hair, on the right side, you can see the river Ganga (Ganges). The centre of his forehead has the third eye, while a snake is wrapped around his right arm.

Shiva icons in archaeological section of the national museum

One of the most common representation of Shiv is as Shivling (Shivalinga).

Shivling is a round or cylindrical form (male principle) placed on a circular base that represents Yoni, the female principle. While some see it only as a phallic symbol, for the believers, it has different metaphysical meanings including a union of Purusha/body and Prakriti/mind. Some people see the trinity itself symbolised in the Shivling – the circular base represents Brahma, the octagonal stem represents Vishnu and the round top represents Shiv. Often people may choose a smooth and round stone from a river bed and worship it as Shivling, these are called Saligram.

The image below has a very special Shivling - it is Chatturmukhi (four faced) with representations of Brahma, Vishnu, Mahesh (Shiv) and Surya on its four sides. It is from the 6th century Gupta empire period.

Shiva in Harappan culture

The cult of Shiv goes back to much older period in India, during the Middle Stone Age (Middle Palaeolithic). Michael Wood, in “The story of India” has written: “The stone lingam and yoni (male and female principles) – that are found in the worship of Shiva come out of the deep past … These aspects of the indigenous culture of India are part of the givenness of the deep past, which is shared by all Indians, whatever their ancestry, language or religion.”

Wood has also mentioned the Shiv figure depicted in prehistoric cave paintings of Bhimbetka: “… looking at the dancing deity at Bhimbetka with his bangles and trident, one can’t help but recall the image of dancing Shiva seen on pilgrim posters today …”

Thus, while the Shiv cult is much older, the earliest Shiv icons in the museum are from 2000-2700 BCE, from the Indus Valley civilisation. These include the famous Pashupatinath seal from Harappa, which shows a person sitting in yogic posture along with different animals (Shiv is also known as Pashupatinath or the lord of the animals).

However, the national museum also a number of Shivlings from Indus valley civilisation found in places like Dholavira and Rakhigarhi, like the large Shivling shown in the image below.

Early Icons

Among the early icons is another Chatturmukhi Shivling - it is from 2nd century CE, when Kushans from central Asia were ruling the Indus valley and parts of north India. It is less well preserved and has a rougher quality. A special feature is the chain motive sculpted on the top third, thus effectively dividing the Shivling into three parts.

Another early icon is an Ekmukha (one faced) Shivling, with the head of Shiva (recognised by the third eye in his forehead) on one side. It is from 5th century Gupta period.

Shiv icons in medieval India

The next icon is an Uma-Mahesh sculpture from 9-10 century Pratihara period in north India. Khajuraho was a part of Pratihara empire, before the Chandelas (under the Chandela, the erotic sculptures of Khajuraho were created). This Uma-Mahesh sculpture has a clear erotic/sexual component. 

Another representation of Shiv with his consort and family is from 10th century Chalukya period in south India. It touches on sexuality in a different way. In this, Shiv is shown holding a snake in his right hand - snake is seen as a representation of desires and sexuality.

The erotic art of Khajuraho has been seen as a part of Tantrik traditions, in which Shiv and Shakti are together and sexuality is a part of the path for the search of divine. The next image is from 11-12 century Khajuraho under the Chandela period, showing women devotees praying to a Shivling.

Composite icons of Shiv

Shiv is also part of some composite icons. Two examples of these icons from the national museum are presented here.

The first is a Harihar icon, combing Hari (Vishnu) and Har (Shiv). This 12th century statue is from Gahadval in Rajasthan.

The second is an Ardhnarishiwar icon - Ardh (half) Nari (woman) Ishwar (God), representing Shiv and his consort Shakti in the same statue. This 15th century bronze sculpture is from Vijaynagar empire in south India.

Recent icons

Among the more recent icons, there is a striking ivory sculpture from 19th century from South India. It has all the attributes of Shiv - snake, damru (small drum) and the third eye, however the hair style and face seem more similar to representations of Buddha.

Followers of Shiv

Apart from Shiv icons, national museum also has some icons of his more famous followers. The next image presents one of them. It is a bronze statue of saint Manikkavachkar, a Tamil poet from 9th century, famous for his songs about lord Shiv. The sculpture is from 12th century Chola empire in south India.

Conclusions

I love visiting museums and I am glad that I decided to visit the National Museum in Delhi. It is a wonderful place to learn about the rich culture and traditions of India. There is so much to see.

In an article of Devdutt Pattanaik, he had written about the lack of appreciation of the temple art depicting Indic icons among modern Indians and asked, “How many parents actually take their children to museums or to temples and play the game of ‘Let us identify this god’… Our icons have been reduced to ‘property’, possessing them is more important than appreciating them.” I hope that this post will stimulate you to visit national museum and other museums.

Let me conclude this post with another kind of Shivling - it is called a Lingudhbava, it has Shiv appearing (udbhav) inside the Shivling. This 12th century sculpture is also from Chola empire in south India.

***

Pink Boy and Tom Girl, the world of fluid genders

When BJ, his great aunt and adopted mother, asks Jeffery, "What would you like to be when you grow up?", he thinks hard and says, "I think that I want to be a girl." BJ, her companion Sherrie and the boy Jeffery, are part of a short film on gender fluid children called "Pink Boy".

This post is about some short films on gender fluidity, about persons who are not sure about their genders. You can look at it as a kind of free film festival on gender fluidity - all the films mentioned here can be watched free on YouTube.

Gender fluidity - some concepts

Majority of children are born with male or female genitals. Most of the time, children born with male bodies think of themselves as male and most of children born with female bodies think of themselves as females.

However, sometimes, the bodies and feelings do not match. Thus, a child with male body may feel that he is a girl and a child with female body may feel that she is a boy. Often during childhood, such feelings can be fluid, in the sense that these feelings are not fixed, and they can change. For example, some children born as boys, who may have thought of themselves as girls for a certain period, as they grow up, finally decide that they prefer to be boys, while others decide that they are girls. Some can even decide that they would prefer to be some times girls and some times boys or none of the two.

These children (persons) who are not sure about their gender are called "gender fluid".

We human beings are incredibly complex and some of us do not fit into any label. My explanations about gender fluidity are only a simplified version of this complex reality.

Short film 1: Pink Boy

It is short film (15 minutes, 2016) directed by Eric Rockey. It looks at the challenges faced by a lesbian couple in raising up a gender-fluid boy. The film is told mostly from the point of view of BJ, a masculine lesbian woman. Jefferey was the son of her niece and she had adopted him when he was 2 months old.

BJ explains her initial difficulties in accepting that Jeffery wanted to dress like a princess and to play with barbie dolls. Then she decides to provide acceptance and support to Jeffery, in whatever decisions he is going to make about his gender identity. Aware that he would have to face bullies, discrimination and violence, she decides to enroll him in a martial arts training so that he can defend himself.

You can watch Pink Boy on the Vanity Fair YouTube channel and you can also check the film website for more information about the film and its background. An interview on the Vanity Fair website explains that Jeffery has now become Jesse.

Short film 2: Tom Girl

"Tom Girl" (14 minutes, 2016) is by director Jeremy Asher Lynch. It is about a seven year old boy called Jake. It has his mother and father, as well as some other persons from his life, including a psychologist, talking about what it means to have a gender fluid child and how important it is to accept the child as he is. Jake himself is incredibly clear about what this means for him.

You can watch Tom Girl on YouTube.

In the film, at one point, Jake's mother says that probably there are many other children like Jake, but we as society force them into specific gender roles.

I think that our process of guiding our children towards specific gender roles starts very early and in unconscious ways. When a one year old son is taken to a shop and if he points to a doll or a pink cap, his mother or father, just shake their heads and instead nudge him to another kind of toy - that boy is already learning that he is not supposed to like dolls or pink caps.

However, having said that, I do not think that all stereotypical ideas about male and female preferences are only a result of cultural influences, at least some of them of them are in-born.

Short film 3: It is a stereotypical day

The 4 minutes long film (2015) by Alex Harrison can be a good introduction to understanding your feelings about some of the issues surrounding gender fluidity.

The film is about 3 mornings. On the first morning, the adolescent hero wakes up, goes out and meets some people on the way to school. On the next day, he sees the same persons but some switch has been flipped and people are behaving contrary to their expected gender roles. On the third day ... you can watch it on YouTube to find out the surprise ending.

Short film 4: I am Oliver

The 4 minutes long film by Moustache Geek (2015) is about being a transgender teenager. The film looks at the life of an adolescent facing problems in school, her desire to be boy and the sympathy s/he gets from a classmate. All these things are shown through the role played by social networks and internet in our lives. The film is a personal testimony.

Short film 5: I am a boy

The 11 minutes long film by Just Sammy (2016) is about a transgender boy and his journey to accept himself. The film starts with Sammy dressing up as a girl, putting make-up, and not feeling happy about it. She does not want to be a girl. She considers cutting the vein in her wrist and committing suicide. Her family has not been supportive and has asked her to not to talk about her desire to be a boy.

Instead, Sammy decides that he is a boy and to live like a boy. He uses an elastic wrap around his breasts to hide them and puts a sock in his pants to camouflage genitals. He talks about his daily struggles with his peers, and his fears and desires about his gender identity. This film is also a personal testimony.

Short film 6: Trans guy problems

The 10 minutes long film by Isaac Eli (2017) is a wonderful film to get a glimpse into the lives of transgender boys/men (persons born as girls who feel that they are male). It is also a personal testimony.

It is a simple film - just Isaac sitting in front of the camera and talking about his problems, like what it means for him to have monthly periods; the difficulties of using public bathrooms and how he wishes for gender-neutral bathrooms (which can be used both by men and women); the difficulties of going to a swimming pool and not being able to go open chested like other boys; the love/hate relationship with binders to hide his breasts; the endless waiting for everything from top-surgery (to remove breasts) to the treatment with testosterone; and his disgust when someone talks to him as if he is a girl or is talked about with a female pronoun.

I liked this video very much. Compared to the other films, this film made me think of so many different ways our genders influence everything we do in life and how that can create challenges for persons like Isaac. I also liked it because Isaac has a very nice dog and I love dogs!

Conclusions

I hope that you will watch the films I have included in this list. If you do, please make constructive and supportive comments under each of these videos. To be an adolescent is tough, to be an adolescent who does not fit and conform, can be heart-breakingly tough.

Persons with gender fluidity issues have high rates of depression, suicides, alcoholism and substance abuse. Often they face rejections from their natural and adopted families. They also face a lot of emotional, physical and sexual violence. If you are a parent or a relative or a friend of a person who does not conform to his/her gender, be accepting, be loving and be supportive. They will have to fight the world for a life with dignity, at least make sure that they don't have to fight their families as well.

You can also read more about this issue. For example, the Gender Spectrum website has lot of good advice and information for parents and families on this subject.

All the films mentioned in this post are from Europe and USA. I looked for similar films from India, Asia and Africa but did not find any. Perhaps there are but they are in other languages! If you are aware of any good short films on this theme that are available on YouTube, please tell about them in the comments below.

For a long long time, in the developing world it was difficult to get any information about trans issues. Now, thankfully technology is changing the situation and hopefully more persons will be able to share personal testimonies, find strength in sharing their stories and experiences with others and build supportive virtual communities that can one day spill over in the real world.

***

The year that was - 2017 in 10 pictures

For the new year, I want to remember through pictures my most beautiful moments of 2017. So join me in discovering my most exciting and unforgettable memories of the year gone by.

Actually the first and most important memory of 2017 is the birth of my grand daughter in June 2017. However, I am a little superstitious that way and I don't want to put her picture here. I am sharing my memories regarding the places I visited during the year.

Moments from my Japan trip

Finally in 2017 I visited Japan for the first time. I had had opportunities for visiting Japan in the past, but I had to decline them, so I am glad that this year I could visit it. I didn't go to the well known cities like Tokyo or Kyoto, instead my visit was in the south-west part of the country.

The first image is of the atomic dome from Hiroshima, memory of the atom bomb explosion that had devastated this city during the second world war. I remember standing near this building, feeling my heart palpitate with emotions.

The second image is from the Shinto temple of Ako, remembering the legend of the 47 samurais who became ronin to avenge the honour of their lord. Keanu Reeves had made the film 47 Ronin on this legend.

The third and last image of my Japan visit is of a traditional drum dance in Osafune. I can say that the Japan visit gave me an opportunity to admire nature, a journey in history and legends, and a glimpse of art and culture in Japan.

Moments from my India visit

In 2017 I also visited Kerala as a tourist for the first time. I had been to Kochi in the past, but it was always for work and without any possibility of going around and visiting places.

This time, I was able to spend some days in Fort Kochi and even visit the Kochi Biennale.

I was also able to visit Munnar and Thrissur and could go for a small backwaters tour. I wanted to go to Kannur but could not manage it this time.

Passing the days of Holi in Gurgaon with my sister's family was a joy. It was also an opportunity to enjoy the rich winter calendar of events in Delhi including some talks organised by Sahapedia and a Holi Kathak dance programme by students of Shovana Narayan.

Moments from my life in Italy

I live in Schio in the north-east of Italy. Venice is just one hour train journey away from my home. This year I was able to go back to the carnival in Venice. I chose a day when they didn't have any famous events in the carnival so I could avoid the big crowds, which make me feel sick. The picture from Venice carnival is at the top of this post.

I was back in Venice for visiting the Venice Biennale. It was huge and I visited only the Biennale buildings in the garden, thinking that I will go back to look at the Arsenal part of the exhibits on another day. Unfortunately I could not manage to go back and thus missed out on the Arsenal part, still I am glad that I could see works of so many different artists that I liked.

The next image is of Thai dancers from the Orient Festival in Padua. It was an exiciting visit, an opportunity to see dances, art, theatre and taste food from different Asian countries.

The last image of this post is from a motorcycle rally in Schio. It was my first time in a motorcycle rally and though I was only a spectator, I found it very exciting.

Conclusions

I hope that you have enjoyed some of the highlights from my memories of the year gone by. I know that I have not managed to put all the significant things in the ten images presented above. Like the birth of my grand daughter and the visit of an old friend from Assam.

2017 was also a good year for my blog writings. In the past, I was dividing my blog-writing time between 4 blogs including 1 in Hindi and 2 in Italian. Now I am focusing only on this English blog, also because it has most readers.  Started 12 years ago, hopefully next year it will reach a total of 1 million readers. This year I wrote 60 posts, mostly about travels and arts. Thanks to all those who come here to read my posts.

2017 has been a good year to me and to my family. I hope that 2018 will also be a good year. I am keeping my fingers crossed. Best wishes for the new year 2018 to all of you.

***