Amazing Rock-Temples of Mahabalipuram Part 2

This second post on the amazing rock-temples of Mahabalipuram from 6-8th century CE is about the ancient ruins in the south-east part of the area known as Arjuna’s Penance. The first part of this post had described the history and rock-cutting techniques of rock-temples in India and presented some monuments from the north-west part of “Arjun’s Penance Monument Park”.

This part presents the monuments from the remaining part of the park starting with the incredible sculptures of Arjun's Penance.

Arjun’s Penance

As you come out of the park-exit in front of Ganesha’s rath, on your right you can see the most beautiful sculptures of Mahabalipuram – this is the famous Arjun’s Penance.

This rich bass-relief of birds, animals, gods, kings and ascetics sculpted on the granite surface, is among the most wonderful art in the world. It is composed of two rock surfaces with a narrow gully in the centre, which is cleverly used to depict the Hindu story about the descent of river Ganges on the earth. During the rainy season, I could imagine the rain water cascading down in that funnel, making the myth come alive in a 3-D spectacle. This amazing work of art faces West Raja street in Mahabalipuram.

The sculptures are spread-out like a wide-screen cinema screen with gods, ascetic sages, kings and queens along with playful birds and animals, depicted in rows, mostly looking towards Ganga’s descent with wonder and reverence. Many of them show their right palms, a sign of benediction, towards the visitors.

Near the top, to the left of Ganga’s descent is the figure of a man with his hands raised up and ribs sticking out, standing on one foot. Some people believe that this figure is of Bhagirath, who according to the Puranic Stories of Hinduism, had done a Tapasya (penance) to bring Ganges to earth.

However, many believe that this figure is that of Arjun, (one of the 5 Pandav-brothers from Mahabharat), doing tapasya to get a boon from Shiva, who is shown standing next to him on his right. I really loved this group of sculptures, it is both majestic and joyful. It has been made in loving details such as the two elephants with many baby elephants on the right side and the two ducks near the penancing Arjun.

Terminology Used for Arjun's Penance

I am not sure if “Penance” is the right word to translate “Tapasya”, which means doing worship while giving suffering to the body (for example, by standing or sitting in a difficult pose for a long time without eating or drinking).

Tapasya was used by people in the Hindu, Buddh and Jain stories to force the God to grant them boons such as special powers or weapons. For example, there are many Buddhist tales about monks closing themselves in small spaces for months to do Tapasya and gain special powers.

On the other hand, the word “Penance” is linked to Catholicism, it means expiation for some sin, which is not how Arjuana or Bhagirath approach their worship. In Hinduism, I think that the word "penance" can be used for doing reparations (by organising yagna, doing charity) after a wrong act, such as killing someone by mistake. However, since everywhere in Mahabalipuram the words "Arjun's Penance" have been used, so I have used that same term in this post, even if I disagree with it.

Krishna Mandapam

Next to the Arjun’s Penance if you walk towards the south, you come across another rock-temple. It is dedicated to Krishna and it also has lovely bass-reliefs related to the pastoral life in Mathura-Vrindavan in north of India.

On one side, it has Krishna holding the Govardhan mountain with his hand while saving the people of Vrindavan from the wrath of the rain god Indra.

It also has a man milking a cow who is licking her calf and other joyful scenes showing dancing couples.

These sculptures depicting life in Mathura and Vrindavan in the north of India are a symbol of essential cultural unity of India even if the different parts of the country were under different empires and kingdoms. Therefore, though we may think of unification of India as a modern nation state only in 1947, we can also think of a civlisational unity of India which goes back to some millenniums.

Trials for Making Arjun’s Penance

As you walk further to the south, you come across another granite surface covered in rough bass-relief sculptures. These are somewhat similar to the sculptures of Arjun’s Penance, though are more roughly carved. This is supposed to be the model where the design of Arjun’s Penance was first tested before their actual execution.

Or, it is possible that initially they wanted to make this sculpture in this location, but the artists were not happy and looked around till they found a more suitable location.

Mahishasur Mardini Temple

Going further along this road, you pass the light house and then come to southern entrance to the Monument park, with rock-cut stairs leading up to the Mahishasur Mardini rock-temple.

The rocky platform in front of the temple has some beautiful boulders, some of them cut and then left unfinished.

Inside, this temple has two finely made bass-relief sculptures - on the left, there is Vishnu lying on the serpent Sheshnaag.

On the right, there is goddess Durga killing the bull-headed demon king Mahishasur, giving name to this temple.

Just across from the temple, you have a nice view of the light house and its entrance.

On the rocks above the older Mahishasur Mardini temple, there is another temple – Onkeleshwar temple. It is built with rock blocks, and seems to be a later construction, probably from the time when the Shore temple was built.

Conclusions

This description of temples and monuments in the Arjun’s Penance Monument Park is incomplete. There are many more structures from the Pallava period in this area (including water tanks and monolithic temples) that I have ignored in my descriptions.

Though it is a world Heritage site of UNESCO, I didn’t find a lot of information about the monuments in the area. I tried to check if there were thesis or specialist papers about Mahabalipuram but didn’t find much. I think that every temple and building of this area merits many a thesis. For example, I would have liked to know more about the epigraphs and strange signs chiselled on some rocks, such as the one shown in the image below (which looks like a compass drawing of an architect).

Apart from the Arjun's Penance area, there are many other important sacred monuments in Mahabalipuram, like the wonderful shore temple and the monolithic temples of Pancha Ratha. It is an amazing place to visit.

To read about some other monuments including Krishna's Butter Ball and to learn about history of rock-temples in India, do check the first part of this post. 

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#rockartofindia #rocktemples #mahabalipuram #arjunapenance #hinduism #ancienttemples

The beautiful fort of Orchha

Forts were built since ancient times as citadels to resist the enemy attacks. Inside, the forts were like small cities. They had royal palaces, temples, armories, treasuries, and also water supply systems and granaries to resist long sieges. Orchha fort from the 16th century India is a beautiful Jal Durg (fort surrounded by water).

The Orchha fort has some of the most beautiful palaces, examples of the Bundeli architecture, amalgamating traditional Indic influeces with those from Mughal, Persian and Rajasthani styles. The image above shows the entrance of Jahangir Mahal in the Orchha fort.

Forts in Bundelkhand and Orchha

Bundelkhand is an ancient land. Since 7th century CE, the area was ruled by Chandels, initially under the Pratihara kings. They were succeeded by the Bundels. Though the region must have had more ancient forts, most of the existing forts date back to the Chandel and Bundel periods.

Different kinds of forts have been described in the ancient Indian texts - Dhanva durg (desert fort), Mahi durg (mud fort), Giri durg  (Mountain fort), Nar durg (fort protected by men), Jal durg (Water fort) and Van durg (forest fort).

Orchha became the capital of Bundeli kingdom in 1530 when king Rudra Pratap started the construction of a Jal durg, close to the river Betwa (image above).

Construction of the Orchha fort

The first palaces for the king and the queen inside the Orchha fort were built between 1531 to 1539 under the reign of Bharati Chandra. This construction was continued by his brother Madhukar Shah. Many important constructions took place under Bir Singh Deo. For example, he was responsible for completing the Jahangiri Mahal.

The most significant construction after Bir Singh Deo was Sheesh Mahal (glass palace) adjoining Jahangir Mahal, which now hosts a hotel - it was built in 1763 under Udait Singh.

The fort is polygonal in shape with its longer side in the north-south axis. The moat separating it from the town was built by the deepening of Adhwar river, a tributary of Betwa river, which surrounds it from south-east. A terah-khamba (13 arches) bridge connects the fort to the city. Inside it has two main palaces - Raja Mahal and Jahangir Mahal, built along an east-west axis and many other imposing buildings.

The main gate, known as Kanteela Darwaza (Thorny gate), makes a sharp turns first to the right and then to the left, before it leads to the entrance gate of Raja Mahal. The sharp turns of the passage were built to slow down the entry of the invading enemy. A second passage, to the left after the main gate, leads directly to the main entrance of Jahangiri Palace at the back.

Raja Mahal (King's Palace)

This palace has three main parts (1) the 3-storied entrance gate (Northern entrance) leads to the Deewane-Aam (Hall of public audience); (2) behind the public court, there is a multi-storey building that includes Deewane Khas (hall of private audience) and (3) the residential part of the palace (shown in the map below).

Deewane-Aam is built on a platform, with three parallel pillard halls and is open on two sides. An elegant, two-sided staircase with a wrought-iron balustrade leads to the halls.

Steps separate the three halls. The third and the inner most hall is raised on a platform for the sitting of the nobles along with a second higher platform at the eastern end for the king, as shown in the image below.

All the walls and roofs of this building are decorated with wall paintings. The two common themes in the wall paintings are religious (mostly Krishna with gopis and cows) and nature (mostly water birds and fighting or hunting eagles).

There is a Shiva temple in front of the Deewane-Aam, behind which you can see the Sheesh Mahal (Glass palace) which was built two centuries later.

Behind Deewane-Aam is the eastern gate of the palace leading to Deewane-Khas (Hall of private audience). This hall is actually an open courtyard with the king's terrace in front and two raised platforms on the north and south ends for the nobles.

Arched entrances from Deewane Khas lead to the inner residential part of the palace which has a central square-shaped courtyard and a small raised platform at its centre. In the middle of each of the four sides around the courtyard, on the first floor, there are four heavily decorated rooms along with jutting terraces. On the third floor, there is a second level of four terraces. From the terraces you can have a good view of the other terraces, as well as of the central courtyard below.

All around the palace, there are arched open window-spaces resembling the Gothic style of architecture that was common in Europe in this period. This palace is supposed to have many secret passages. It was inhabited till 1783.

All the rooms and corridors of this part of the building are decorated with wall paintings, mostly showing women and the scenes of the royal life with horses and elephants. The chhattris along the top of the building are decorated with tiles in different shades of blue, probably added during the Bir Singh Deo's reign.

Jahangir Mahal

The construction of this palace was started in late 15th century under the reign of Rama Shah and Indramani Singh. It was completed in 1606 under king Bir Singh Deo. He gave it the name of Jahangir Mahal to honour his friend and ally Mughal emperor Jahangir, who had destituted Rama Shah and made Bir Singh the king of Orchha. The palace has 136 rooms.

It is a three-storied square shaped building with bastions at the corners, very similar to the residential part of Raja Mahal in its architecture but with greater embellishments. It has a square shaped central courtyard with 5 fountains in the centre. The first floor has beautifully decorated rooms in the middle of the four sides along with terraces from where you can look down at the courtyard. Just like Raja Mahal, the second storey also has slightly receding terraces in the middle on the four sides.

It has more carvings, sculptures and chhattris compared to the Raja Mahal. For example, underneath the terraces, there are stone elephants supporting them.

One important difference from Raja Mahal is the staircase that leads up to the western terrace from the central courtyard. The doors are also heavily carved. For example, the door leading to the western entrance has carvings of inverted kalash and elephants on it.

Another example of embellishments in this building are the groups of smaller and bigger chhattris, that were decorated with blue coloured tiles. The ribbed central domes of the bigger chhattris are similar to those at Hampi in south India. Octagonal domes (chhattris) and the figures of lotuses and elephants abound in the construction.

The southern end of the palace has an imposing and majestic main entrance gate with carvings of elephants on the two sides. This is a five-storied structure, a chhajja marking each storey.

Its construction have traditional Indic elements such as trabeated entrance doors with horizontal beams. At the same time, Mughal and Persian influences can also be seen, for example in the arcuate structures, specially inside the building. These are amalgamated into Rajasthani architecture, giving rise to the Bundela style. However it lacks the surrounding walls with numerous arched windows inspired from European Gothic architecture that can be seen in the Raja Mahal.

Hamam khana adjoining Jahangir Mahal was also built in 1606. It is made like a Persian hammam (bath house) with a decorated water pool. The roof of this building has a water reservoir.

Parveen Rai's Mahal

This palace was built during the care-taker reign of Indrajit Singh in late 16th and early 17th century, while his brother Rama Shah stayed at the court of emperor Akbar. You can read more about the beautiful courtesan Praveen Rai and her love story with the king in my post about legends of Orchha.

Oonth Khana (Camel house)

This square shaped building is located to the east of Jahangir Mahal. It is located on a raised area. Originally it was a baradari built in 16th century but in late 17th century a raised corridor was built all around it with arched gates on each side.

Its name suggests that it was a stable for camels. From outside the building looks plain but it is decorated from inside. The rings on its roofs suggest that swings were fixed there. Thus, many persons believe that originally it was a pleasure pavillion from where the royals could relax and look at the Betwa river and surrounding forest while enjoying the breeze on the swings.

Temples, gardens and noble houses inside the fort

During the reign of Bir Singh Deo, many local nobles and royal associates had built their kothis and havelis (villas and big houses) inside the fort including those of Balwant Daua, Champat Rai, Bakasrai Pradhan and the poet Keshav Rai. These buildings (Dauji's kothi, Himma Hamir kothi, Fasiyane ki Kothi) are in ruins. If you do not have the time to go out and explore the grounds of Orchha fort, these can also be seen from the windows of the Jahangir Mahal.

There are also many temples inside the fort such as the Vanvasi Ram temple near the Oonth khana. The fort also had many gardens.

For lack of time, I did not visit the vast grounds of the fort, that are covered with trees and plants and paths leading to the river. Ruins of noble houses and old temples dot the whole area. For the archaeology enthusiasts, this area offers hours and days of exploration and discoveries.

Conclusions

Orchha fort with its beautiful palaces and rich history requires many days for a proper exploration of all its wonders. Even in the one morning that I spent there, I came back with wonderful memories of its beautiful courtyards, wall paintings, symmetries of delicate terraces and chhattris.

The fort is also linked with different legends about which I had written in another post. If you want to know more about Orchha, you may also check my following posts on this theme:

(1) Exploring the many splendours of Bundelkhand

(2) Discovering the beautiful architecture of Orchha

(3) Legends and stories of Orchha


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Discovering the beautiful architecture of Orchha

In the 16th century India, the Bundela kings chose Orchha as their capital. Its days of glory lasted till about the end of the 17th century. The surviving buildings from that period are among the most beautiful examples of Bundela architecture.

You can read more about the Bundelkhand region in one of my earlier blog-posts. This post is about the temples, cenotaphs (chhattris) and some other buildings of Orchha.

General information about Orchha

Orchha is a tiny sleepy town in northern Madhya Pradesh (MP), close to its border with Uttar Pradesh (UP). The nearest railway station is in Jhansi in UP, around 20 km away, from where you can easily get an auto or a car to reach Orchha. There is a local train station in Orchha but it is a bit away from the city and trains are infrequent.

Orchha is located along the Betwa river. The river's old name was Vetravati. In "Padma Purana" it was called the Ganges of Kaliyuga. Ancient sages Parashar and Bhrigu had their ashrams along its bank. Near Orchha, the river divides into different streams that create a big island in its middle, which hosts the Tangaranya forest. A narrow bridge (image below) that can be submerged during the monsoons, connects the island to the Orchha town.

The region around Orchha is full of old medieval towns with the ruins of medieval temples, forts and lakes. Unfortunately this area is not easily accessible for tourists. Except for a private taxi, the public transport options are extremely limited in the area.

The places described in this post are all located in a relatively small area of Orchha close to the river and can be easily visited on foot.

A Brief history of Orchha

It became the capital of Bundela king Rudra Pratap in 1530. He died soon after shifting here and was succeeded by Bharati Chandra (1531-54), and then, Madhukar Shah (1554-92). This last period coincided with the establishment of Mughal empire in India.

Bundelas had a tumultuous relationship with the Mughals. They lost wars to them, swore allegiance and then, whenever they got the chance, rebelled and fought for independence. Thus, the Mughals could never take them for granted. Mughal emperor Akbar's army attacked and defeated Madhukar Shah in 1577. He joined Akbar's court but later, continued to fight, eventually winning back some of the lost areas.

His son Rama Shah made peace with Akbar and joined his court. While he stayed in emperor's court, Orchha was looked after by his younger brother Indrajit Singh. They had another brother, Bir Singh who became an ally of prince Salim. After Akbar's death in 1605, Salim became emperor Jahangir (1605-27), and he made Bir Singh the king of Orchha (1606-27).

Bir Singh's reign is called the golden period of Orchha. He built different forts, temples and water-tanks in Bundelkhand, including the Jhansi fort. (In the image below the cenotaphs of Bir Singh and of his military commander, Kripa Ram Gaur)

After the arrival of Shah Jahan on the Mughal throne in 1627, fighting between the Bundelas and the Mughals restarted. Bir Singh's son King Jujhar Singh was forced to take refuge in a forest and was killed in 1635. His younger brother Pahad Singh, who had sided with the Mughals, was made the ruler of Orchha in 1642. Slowly over most of the 17-18th centuries Orchha kingdom declined.

Parts of this history are not clear. For example, Shah Jahan's biography says that in 1635, he had sent his son Aurangzeb to destroy the temple of the Orchha king. By that time, Orchha had at least three big temples - Raja Ram temple, Chatturbhuj temple and Laxmi Narayan temple. However, in Orchha, I could not find any story about a temple destruction. Perhaps, Shah Jahan's order referred to the destruction of Keshav Dev temple in Mathura, which was also built by Bir Singh Deo and was destroyed by Auranjzeb?

The image below shows some of the cenotaphs Orchha built close to Betwa river.

The Vaishnav poet Keshavdasa, who wrote Rasikpriya about the love of Krishna and Radha, lived in Orchha during the final years of Madhukar Shah and during the reign of Bir Singh. He also wrote Birsimhadeva Charita and Jahangir Jas Chandrika in the praise of  Bir Singh and his patron Jahangir. The poet's house in Orchha is now used a school.

Orchha Fort

The fort's construction was started under the first king Rudra Pratap and after his death, completed by his son Bharati Chandra. Their successors added other buildings to the original fort, especially Bir Singh Deo, who built "Jahangir Mahal" in the fort. The image below shows the fort walls and Raja Mahal built under Madhukar Shah.

The fort is located on an island close to Betwa. A 105 metres long bridge (Terah Dwari) built under the reign of Bir Singh links the fort to the town. (In the image below, the bridge and the town seen from the fort)

It is a beautiful fort. I will write a separate post about it, so I won't go in details about it here.

Chatturbhuj temple

Bundelas were Vaishnav, followers of Krishna. However, Ganesh Kunwar, wife of Madhukar Shah, was a follower of Rama. Chatturbhuj was the first major temple of Orchha, built for her in mid 16th century. She went to Ayodhaya to get the lord Rama statue for this temple. However, it could not be installed in Chatturbhuj because of a war with the Mughals and the death of prince Hardaul. Therefore, it was decided to keep the statue in the Queen's palace.

However, there is a legend that tells a different story about the missing Rama statue from the Chatturbhuj temple. The legend says that the queen dreamed that the statue of Rama, once taken from Ayodhaya, must not be put on ground till it reached the place of its installation. However, when she brought the statue to Orchha, Chatturbhuj temple was not yet ready, so the statue was kept in her palace next door. Once the temple was ready, they found that the statue had become fixed to the ground in the palace and could not be moved. Thus, the beautiful Chatturbhuj temple remained without its deity while the queen was forced to convert her palace into a temple.

The Chatturbhuj temple is built on a raised stone platform. The temple has a 3-storied building, with steps to go up to the ground floor. It is the tallest building in Orchha. After the entrance, the temple has an open area which leads to a rectangular building known as Mahamandap. A corridor from Mahamandap leads to Garbhgriha (the womb or the most sacred room).

Ram Raja temple

This old royal palace of Madhukar Shah's queen, converted into a temple, is the most important religious building in Orchha. It is an important pilgrimage centre for Bundelkhand region. It has an outer wall with a gate that leads to a vast open area.

Inside there is another high fortified wall and a second gate with a palanquin arch at the top. Behind the entrance, there is a screen-wall, before you reach the temple. Inside the temple complex, there are residential apartments arranged in three tiers. Painted in shades of yellow and orange, it is surrounded by a market.

Raja Ram temple's structure is clearly that of a palace. However, its architecture is completely different from all the other buildings of Orchha, perhaps because of its yellow and orange paint.

Phool bagh and the Hardaul temple

Phool Bagh gardens were built near the Raja Ram temple by king Bir Singh Deo in 1611 to welcome emperor Jahangir when he came to Orchha for king's coronation. It is said that the garden included a huge stone cup full of wine for the emperor's welcome ceremony.

Water channels and pathways divided this garden into four parts (char bagh), with a fountain at the centre. Each part had eleven octagonal areas for the flower beds. Thus it was clearly influenced by Mughal architecture including the use of water for beauty and cooling.

Later the temple of Hardaul, younger son of Bir Singh Deo, was built in the centre of Rambagh and today it is better known as Hardaul Vatika. Prince Hardaul was poisoned by his elder brother king Jujhar Singh, who suspected that his wife had an illicit relationship with his brother. Hardaul was loved by people, who believed that he was innocent. Thus, the Hardaul temple was built by the people, who tie threads on its jaali (wire net) asking for divine help.

Other palaces and buildings near Raja Ram temple

There are many other buildings in this area including the palace of Jujhar Singh and a pair of towers known as Sawan-Bhadon, which were used for facilitating the circulation of air in an underground hall, to the side of Raja Ram temple.

The towers are supposed to have open vents at the top. This way of using towers to create air-current was supposedly imported from Persia. However, I could not find any archaeological document detailing the underground hall and the way the 2 towers fitted into it.

Another local story considers the two towers to be the memorials of Prince Baghraj (son of Bir Singh Deo) and Mahatma Anupgiri.

Laxmi temple

This temple is built on a hill by the side of a lake, a little away from the Orchha fort and the city centre. It was built under the reign of Bir Singh Deo. Externally, it is rectangular in shape with a multi-foliated projecting bastion at each corner. With holes for canons in its outer wall, it looks like a fort.

The entrance leads to an open area with covered corridors (Parikrama) on the four sides. The temple is full of beautiful wall-paintings, showing sacred themes as well as, historical scenes. I was really fascinated with these wall-paintings. I hope to write a separate post about them. In the mean time, here you can see two examples - one showing a scene from Ramayana and the other showing two Europeans (one with a gun and the other, with a glass of wine).

The garbhgriha (main sacred room) is in the centre in an octagonal space placed at the tip of triangle-shaped building. It is said that it once had a gold statue of Laxmi. Its special architecture with external rectangle, and an inner triangular temple with octagonal dome, make it a special building for the Indian Vaastu Shastra.

At the top, the corners of the dome are decorated with conical stones that look like curved lotus petals. Its shikhara (pinnacle) is different from other Bundela pinnacles, as it includes birds and a circular wheel (symbolising Vishnu).

At the top of the temple, the different domes and palanquin arches, so characteristic of the Bundela architectural style, are connected by the ramparts from where you can have beautiful views of the surroundings. When I visited it, I could not see the lake mentioned in the guide book - perhaps it was dry.

Chhattris (Cenotaphs)

Before the arrival of Turks in India, there was no tradition of building cenotaphs among the Hindu kings. The Muslim custom of building tombs for the dead emperors influenced Rajputs, who started building Chhattris (cenotaphs) to commemorate the memories of specific kings. Orchha has some of the most beautiful Rajput chhattris in India to commemorate its Bundela kings.

The chhattris were built along the bank of Betwa river. The cenotaph of each deceased king was built by his successor.They were usually built over the stones (samadhi), where the bodies of the deceased kings were cremated. They usually have halls with columns and multiple openings on the sides.

There is a group of 9 cenotaphs of Bundela kings in Orchha, subidivided in two parts - the first group has 3 (of Bharati Chandra, Madhukar Sah and Pahad Singh); the second group has 5 (Jaswant Singh, Bhagwant Singh, Sanwant Singh, Indramani Singh and Sujaan Singh). The second group is set in a char-bagh kind of garden.

An additional cenotaph, that of king Bir Singh Dev, is separate from all others, built on a promontory close to Betwa river, and is the biggest building. It was built by his son Jujhar Singh in 1627-28.

The last cenotaph built in Orchha was of Sanwant Singh built by his son Het Singh in 1765. It is a small but beautiful building, showing that though the power and prestige of Bundela kings had diminished during 17th century, they continued to be in Orchha till late 18th century.

Apart from the royal cenotaphs, there are some other cenotaphs in the area. For example, in front of Bir Singh Dev's chhattri is the small but beautiful chhattri of Kirpa Ram Gaur, his military commander.

Orchha does not have any cenotaphs for the Bundela queens, as found in some other places of Bundelkhand, such as the cenotaph of queen Kamalapat in Chhattarpur.

Sundar Shah Mahal

This building is from the 17th century. The legend says that Sundar Shah, the love child of king Indramani and princess Mehrunissa, daughter of Mughal emperor Aurangzeb, lived here. Later, two sufi saints, Syed pir and Zahar pir also lived here and their shrines were built inside. At present, it is seen as a religious place for the followers of the two pirs.

Narayan Das Khare ki Kothi

Ruins of this old house are located near the Laxmi temple. I didn't go to see it, just saw it from a distance. It has a three-storied entrance gate which is visible from afar. On the top floor, the arched windows are surmounted by a semi-circular roof (a style called palanquin). The haveli was built in the 17th century. The house belonged to Narayan Das Khare who was a lekhpal (record keeper) or Deewan (revenue minister) of the Orchha kings.

Kirparam Gaur ki Haveli

As mentioned above, Kirpa Ram was a senapati (military commander) of Birsingh Deo. Orchha poet Keshav Das wrote about the his bravery. Only the entrance gate of this haveli remains.

Wild Animals and birds in Orchha

The Tangaranya forest on the island in Betwa river, is a protected natural area. However, even the city provides different opportunities for nature lovers.

For example, Orchha hosts different species of vultures. Unfortunately, vultures have virtually disappeared from India, exterminated by the wide-spread use of an anti-inflammatory drug in the cattle. Thus I was thrilled when I saw the vultures around the cenotaphs. The image below shows a white-backed vulture.

Inside the Orchha fort I came across a large number of Hanuman langoor monkeys. Their antics and group and family behaviours were endlessly fascinating.

Underneath the Terah Dwari bridge leading to the fort, there were many egrets, lapwigs and herons. The image below has one heron (I am not sure if it is a striated heron or a green heron).

The city also seemed full of noisy parrots.

Conclusions

I think that in terms of its colours and architecture, along with the rugged rocky terrain, hills and the wild looking Betwa river, Orchha is one of the most beautiful places in India.

I was suprised that it had so few visitors. Let me conclude this travel-diary with a picture of the magnificent chhattris of the Bundela kings along the Betwa river seen at sunset.

As I think of Orchha, I think of the Bundela queen Ganesh Kunwar and her statue of lord Rama that she kept in her palace. I also think of the poisoning of prince Hardaul by his suspicious elder brother king Jujhar Singh. So many events and so many stories are hidden under the layers of history. The ruins, if they could speak, would have so much to tell us. All the legends mentioned here have different versions, thus you can find other stories about them. For example, many persons do not agree with the story about the illicit relationship between queen Ganesh Kunwar and her brother-in-law. If you want to know more about these stories, you can read my post about legends of Orchha.

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