The unfinished temple of King Bhoj

An 1100 years old unfinished Shiva temple is the testimonial to the legendary king Bhoj of Malwa in central India. Last year, on my way to the incredibly beautiful caves of Bhimbetka, I had visited this temple in Bhojpur. Though it was just an unfinished temple, it intrigued me.

The Shiva temple of Bhojpur provides information about the traditional Indian temple architecture techniques. The image above shows the statue of king Bhoj in the Bada Talab lake of Bhopal.

Ancient kingdom of Malwa

Central part of India had different ancient kingdoms, each with their own culture and traditions. In 1947, with India's independence, the ancient kingdoms were merged in different states. The ancient kingdom of Malwa was located in the volcanic uplands in the north of Vindhya mountains. Today, most of Malwa lies in Western Madhya Pradesh while its northern part is in Rajasthan. The most important towns of this region are Bhopal, Indore, Ujjain and Sagar.

King Bhoj

From the 9th to the 13th centuries, Malwa was ruled by the Parmar kings.

Bhoj was the 9th king of the Parmar dynasty and his rule started around 1000 CE. He ruled for about 55 years. His capital was in Dhar in western parts of Malwa. He is credited with the construction of Bhopal, the capital of Madhya Pradesh. 

The town of Bhojpur, 28 km to the south and east of Bhopal was another area where king Bhoj carried out significant constructions including the building of dams which resulted in the creation of a big lake.

Bhoj is famous both as a warrior and as a lover of art, culture and books. He is credited with a large number of books on a wide range of subjects, including medicine, astronomy, poetry and grammar. His popularity and prestige is still remembered by the people through the proverb "Kahan raja Bhoj aur kahan Gangu teli" (literally it means "where is king Bhoj and where is oil-merchant Gangu" and is used to underline the huge difference between two persons).

The Unfinished Shiva temple of Bhojpur

The temple has massive outer walls and is built on a raised platform.

An entrance gate and stairs take you to the temple platform 4 meters above. The walls have decorative balconies carved from sand-rock stone.

The old part of the temple has the inner cell at a lower level (garbhagṛha) that holds a massive Shivalinga, 5.5 meters tall, and carved out of a single rock. The structure is supported by massive pillars, along with an elegant dome. In the image below, the comparison of the person seen at the bottom on the right side with the Shivalinga can give an idea of the huge structure.

The outer walls and superstructure of the temple were never built. However, outside the Garbhgriha, on the platform, simple Shiva shrines have been built.

The temple seems to be remarkably well-preserved. This is because of a massive repair and reconstruction carried out in 2006-07 when a fibreglass roof  was built and one of the missing monolithic pillars was added.

Temple building techniques in India in 1000 CE

The Bhojeshwar Shiva temple was never completed. It appears that the construction work was stopped suddenly. It could have been because of a natural disaster or war. Since its roof was missing, some people feel that the planning was not proper and the roof was too heavy, so it caved in and the temple construction was stopped.

The area around the temple has sandstone quarries where line designs engraved on the stones show the architectural plans for the temple construction.

According to these designs, a huge temple complex was going to be built here. Stone marks show that 1300 masons were working for the temple construction. The names of some of them are engraved on the stones.

There are finished and unfinished statues scattered around, to be used for the temple. These were left in the quarries where the sculptors were working, when the construction was stopped.

Behind the temple, there is a large earthen ramp which was used to carry the large stones to the higher parts of the temple. The ramp, built of sandstone slabs, is covered with soil and sand. It is almost 100 meters long, and slopes upwards to a height of 12 meters.

The dams on river Betwa

The Shiva temple is located close to the river Betwa. Ruins of some old dams have been discovered in this area. The dams were built in the eleventh century, when the Shiva temple was being constructed. Due to those dams an enormous lake had formed in this area. It seems that the dams were destroyed a few centuries later, when the area came under the Tughlaq dynasty.

I was wondering why did king Bhoj decide to build this new city, the huge temple and the dams in a place so far away from his capital in Dhar? The legends say that King Bhoj had sworn to block nine rivers to create a lake and this was the reason why he had come to the eastern part of Malwa region since here the curves of river Betwa were ideal for building the dams and creating the lake.

Jain temples of Bhojpur

Not very far from Shiva temple is an unfinished Jain temple with a 6 meter tall statue of Shantinath and two smaller statues. An inscription near the statues specifies their construction in 1157 Vikram Samvat (1100 CE).

Legends also say that in the last years of his life, King Bhoj had become Jain, while others say that even though he was a devotee of Shiva, he also respected Jains and Buddhists. I did not visit this temple.

Temple Ruins in Ashapuri

6 km away from Bhojpur, in an area called Bilota in the Ashapuri village, ruins of more than 20 temples have been found. Due to lack of time I did not visit this area. However, the descriptions of the ruins show that this must have an important sacred area for the people. These temples are also from the same time period of the reign of Parmar dynasty. I am not sure if these ruins were linked with the Shiva temple of Bhojpur.

Legend of Raja Bhoj and Gangu Teli

Though I was familiar with the name of king Bhoj from my childhood, I was not aware of the legend that had led to the proverb comparing him with the oil merchant Gangu. The legend says that king Bhoj had sacrificed the wife and child of Gangu for the construction of a fort.

Thus the fame of king Bhoj has been challenged by Dalit activists who see him as an oppressor king, who sacrificed the lives of poor commoners for his glory.

I was horrified when I had heard this story. I wonder how did he become so popular among the people if he was someone who sacrificed women and children.

Conclusions

The Bhojeshwar Shiva temple, though more than a thousand years old, is part of the living religious traditions of Malwa. People from far away places gather here for the Mahashivaratri festival. At the time of festival, the state government organises an annual cultural festival called the Bhojpur Festival.

It is a nice temple. However its special importance comes from being one of the remaining testimonials of a famous king and from the line engravings in the quarries explaining the architectural plans of the temple construction.

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Beautiful conical-hat like houses of Alberobello

Old houses of Alberobello with black conical roofs that look like houses-with-hats, are an amazing spectacle. They represent an ancient tradition that has origins in pre-historical times. This post is about the magical Alberobello.

Reaching Alberobello

Alberobello (literally "Beautiful tree") is a tiny town in Apulia region of south Italy. Nearest national line train station is at Bari, 57 km away. From Bari, you can get a local train which takes you to Alberobello station in about 1.5 to 2 hours.

A 10-15 minutes walk from the railway station to Corso Trento e Trieste  and then towards Via Indipendenza-Largo Martellotta will take you to the old parts of the city characterized by the Trulli, the houses with black conical roofs.

A road sign on Via Indipendenza (image below) points to the stairs going up to a Belvedere terrace from where you can have an overview of the Trulli area.

To see more Trulli houses, you can also visit the surrounding areas in the Itria valley such as Locorotondo and Cisternino. However, I think that the visual impact of these houses is seen best in Alberobello, where they are grouped together in one area. For example, the image below shows the Trulli houses in Cisterino.

Characteristics of Trulli houses

The Trulli are made of stones without using any mortar or binding cement in any part of the construction. This means that the builders need to select and cut the stones in a certain way and then fit them together so that they make a stable and water/wind-proof dwelling.

This kind of house constructions were started during the Bronze age around 1500 BCE. For example in the island of Sardinia there are prehistoric buildings called Nauraghe, made just with stones without any mud or mortar to bind them. The houses in Alberobello are around 500 years old.

History of Alberobello

Alberobello city came up in 16th century along the banks of Cana river. People were ordered to build their houses only with dry stones and without using any mortar. This was done to avoid paying taxes to the kingdom of Naples which ruled this area, as dry stone-houses were treated as temporary buildings.

Since this area was rich in limestone and Karst-stone, people started building trulli houses. The image below shows a couple of pictures from 1920, showing this area when it was densely inhabited.

In the 20th century, when people had more money, they started demolishing the trulli houses to build modern cement-houses. About 200 trulli houses were thus demolished. Fortunately, during early 1990s, a new mayor of Alberobello stopped the demolitions and developed it as a tourist attraction.

Trulli of Alberobello

Roads going up and down the gentle hills around Viale Margherita in Alberobello are lined with trulli houses. In many of them there are souvenir shops for the tourists where they sell traditional crafts of Apulia.

Many houses have the sign of cross or the zodiac signs painted on their roofs.

There are different models of trulli including single one room buildings as well as, huge interconnected structures with different rooms and roofs.

The way the roofs are designed also show many variations.

Many trulli houses are still inhabited. I met a person called Mr Sebastiano, who invited me inside his house to show it. He is retired and has grown up in the same house. As you can see in the image below, it is a simple but comfortable house from inside. It has a living room with a fireplace on one side and a tiny bedroom (separated by a curtain) a separate kitchen and a bathroom.

Even the Sant Antonio (St. Anthony) church in this area has roofs built like Trulli, though it is not a real trulli building.

Art of Alberobello

There are many souvenir shops selling local art work in Alberobello. I loved the art work in one such shop run by a lady called Maria Caporaso. Two examples of her art are presented below.

Conclusions

The traditional trulli houses of Alberobello with their black conical roofs make the old town look like a globlin-land from a children's book. I adored this city and its atmosphere.

The countryside around it is famous for its olive trees and oil. The sea is not very far and has amazing colours. There are many small characteristic towns nearby including the incredible city-in-white Ostuni. If you are planning an Italian holiday which is outside the famous big tourist cities, this is a great area for it.

The last bit of information is for the Bollywood lovers - a part of the song "Khuda Jaane" from the Bollywood film "Bachna Ae Haseeno" with Ranbir Kapoor and Deepika Padukone was shot here in Alberobello.

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The angel queen of Venice called Maria

Carnival of Venice is famous for its beautiful masks and costumes. The carnival celebrations last for about ten days starting with the procession of 12 most beautiful girls of Venice. This procession is known as the Festival of the Marias.

This post is about the Festival in which 12 beautiful Venetian girls  are dressed as princesses and one of them becomes the Queen of Venice and the angel in the "Flight of Angel" festival of the carnival.

A Brief History of the Festival of Marias
Around 9th century CE, the Republic of Venice had a tradition linked with the religious festival of “Purity of Maria” and was celebrated on 2nd February of each year. During this festival, 12 beautiful girls of Venice belonging to poor families were selected to be Marias. Each girl was provided beautiful clothes and jewellery by a rich Venetian family and helped to get married.

However, over centuries, the rich families were not very happy to give away their money. Even some poor families, when their girls were not selected as Marias, were also unhappy with this festival.

Thus, instead of selecting the poor girls, they started carrying wooden Marias with clothes and jewellery of the rich families. After the procession, the clothes and jewellery was returned to the owners.

However, Venetians did not like the idea of wooden Marias and they started throwing rotten vegetables at them during the processions. Doge, the ruler of Venice, tried with a law prohibiting the throwing of rotten vegetables but it did not have much impact and slowly, the festival procession was stopped.

This festival was revived in 1999 as a part of the Carnival celebrations. Now, it is organised on the first day of the Carnival, around 10 days before the Mardi Gras celebrations.

The selection process starts a long time before the carnival. Girls resident in the Venice province can take part in this process.

Procession of the Marias

The procession starts in the afternoon around 2.30 PM from San Pietro di Castello in Venice and culminates in San Marco square where the 12 Marias are officially presented to the people of Venice.

There are two groups of Marias in the procession – those of the previous year and those selected for the present year. They are accompanied by different groups of persons dressed in medieval costumes coming from Venice and neighbouring towns.

A big group of persons in the procession are those wearing medieval costumes of warriors and crusaders.

Another group is that of drummers dressed in medieval costumes.

Another big group is that of persons dressed as noble families of Venice with richly embroidered and colourful dresses.

Then there are clowns, dancers, acrobats.

The 12 Marias from the past year wear dark brown richly embroidered costumes. For part of the procession, they are carried on palanquins by a group of Venetian men.

They are followed by the Marias selected for the current year wearing rich brocades.

There are also the wooden Marias in the procession, though now they do not wear real costumes or jewellrey.

It is a beautiful procession and if you plan to visit the carnival of Venice, make sure to be there for the Festival of Marias.

After the Festival of Marias

On Monday, a day before Mardi Gras (last day of the carnival), among the 12 Marias, one girl is selected to be Ms Carnival or the Queen Maria for the next 12 months, a kind of Miss Venice.

One year later, the Queen Maria will become the Angel for the “Flight of Angel” festival of the Venice Carnival, during which a girl descends from the bell tower in the San Marco square.

Conclusions

Venice is a unique city, unlike any other city in the world. During carnival, Venice becomes magical. Most people think that carnival means colourful costumes and masks on the weekend leading to Mardi Gras. However, Festival of Marias is a wonderful inauguration of the carnival celebrations.

I love the Carnival Celebrations in Venice even if it is very crowded. The colurs, the joy and richness of costumes and masks, makes up for all the noise and confusion.

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Looking for science in Renaissance period art in Bologna

How did the science influence the art in the renaissance period? To answer this question, let me take you to an old church in the medieval part of Bologna (Italy). It has some beautiful paintings like the one in the image below which shows the details of the Bentivoglio family portrait.

Via Zamboni is a historical road of Bologna leading from the twin-towers in the city centre to the San Donato gate. Along this road is an old church, San Giacomo, with some paintings that illustrate the influence of scientific discoveries on the art in the 16th century Italy.

Verdi Square and San Giacomo Church

Via Zamboni also leads to the Jewish Ghetto of medieval Bologna. The road going to the ghetto is predictably called Via dell'Inferno (the Hell road) illustrating the feelings of the medieval Catholic church towards the Jews.

Verdi Square is the area of university students in Bologna, located on Via Zamboni and facing the Municipal Theatre from 18th century. It is known for its noisy night life, open air caffes and cultural events. The image below showing Verdi Square and San Giacomo church is unusual since it seems deserted. This was because it was clicked during a snow storm. Normally this place is full of students.

San Giacomo is an old church next to the Verdi square. Built in Romanesque style, its construction was started in 1267. Its outer walls still carry signs of old frescoes.

In 1463 century, the Bentivoglio family, who were the de facto rulers of Bologna and whose palace was just across from San Giacomo church, made their own personal family chapel in this church. Their family palace was destroyed by the angry Bologna people in 1507.

Around 1798 when Napoleon conquered Bologna, the Augustine friars living in San Giacomo were expelled. In the 19th century they came back but they could never get back their monastery where a music conservatory had been started. St. Cecilia chapel next door to San Giacomo in the old monastery is a small jewel with all its walls covered by colourful frescoes.

Science and Art in Renaissance Bologna

Today we look at arts and science as separate disciplines. However, in the renaissance period as people started looking at the world and at natural phenomenon in a rational way, there were no such distinctions. The same person could dabble in art as well be interested in astronomy or understanding of body functions. University students in Bologna studied both art and science subjects without distinction. The image below shows a group of university students of Bologna in a 16th century sculpture in San Giacomo church. Their tired or bored faces are not very different from those of modern students.

For example, a famous scientist, Ulisse Aldrovandi born in Bologna in 1522, set up an important botanical garden. He was also a professor of philosophy and later started the department of natural history. He is called the father of geology for his studies of earth formations, rocks and fossils. He coined the word "geology" in 1603. He also created a huge encyclopedia with illustrations of plants from different parts of the world. Thus, art and science were closely inter-linked in renaissance period.

The Changing Italian Art in 1500s 

Around 1500 CE was the period of the early renaissance and Italy had a large number of great artists who were discovering a new way of making art. The artists included Michaelangelo, Leonardo da Vinci, Raffaello, Brunelleschi and many others. They introduced the concept of "prospect" in the art based on the understandings of geometry and mathematics.

Till then, the art had mainly been flat and two dimensional. Paintings showed people and events, but they did not have depth and proportions. The new ideas of "prospect" in the art, looked at things like the source and the angle of light. They analysed shadows and looked at the hidden geometric forms in the nature. They also looked at the proportions and the distances and introduced the idea of depth in the paintings. Thus paintings became more realistic.

On the left wall of the Bentivoglio chapel in San Giacomo church, there are two paintings by Lorenzo Costa, on the themes of death and fame (details of the painting on death are shown in the image below). The different kinds of rocks, hills and mountains shown in these two paintings, are specific rocks and hills around Bologna, painted in such a precise way that the places can be identified even today. This was the influence of the discussions and discoveries related to geology in that period.

Thus artists started looking critically at the geography of the places, the structures of biological life and inanimate objects. This changed the way paintings were made.

The study of Geology was important not just for the artists, it also had other practical implications including the search for new metals and minerals useful for treating illnesses. It also had links with more esoteric ideas such as the alchemy.

Geology and Fossils

In Italy, people had found fossils of marine life and objects like the sea shells, while digging in the hills and mountains. They couldn't understand how these things had come to these places, so far away from the sea or rivers. The most accepted theory in Europe to explain such finds was through the ideas of universal floods during Noah's times as described in the Bible.

Leonardo da Vinci was the first person to leave written documents of his opinions on this subject. His argument was that the shells and fossils of marine animals could not have come to the mountains with the flood described in Bible, as that would have left such objects on the surfaces of the hills and not buried them inside the rocks. His hypothesis was that some time in the past, those same hills and mountains were at bottom of the oceans. Unfortunately, Leonardo preferred writing in "reverse handwriting" and thus his diaries were not properly read and understood till more than 200 hundred years later.

Another example of Science in Art from San Giacomo

San Giacomo has a painting by Bartolomeo Passerotti. At the bottom of this painting, there are three objects - a sparrow on the left and on the right, there are a shark tooth and a piece of rock (the image below shows the Passerotti's painting). Unless you look carefully, you will miss these objects.

The sparrow is considered as the signature-sign of Passerotti (literally "Passerotto" means "sparrow"). The special thing about this sparrow is that it was painted in such a detailed and realistic way that it's species can be identified. It was a local species of sparrow that was very common in this part of Italy till about 300 years ago. Today it has been replaced by the more common hybrid or European sparrow. This showed the attention to real-life details in the paintings in this period.

The shark tooth near the foot-stone and the pebble on the bottom right of the painting, were both discovered in a hill near Bologna and are from the Aldrovandi's collection of natural history. The painter Passerotti was a friend of Aldrovandi, and by placing that tooth and pebble in his painting, he acknowledged his friend's work about the theories of natural history and geology.

The marvelous Bentivoglio Chapel

Apart from the Lorenzo Costa painting mentioned above, the Bentivoglio family chapel in San Giacomo is full of beautiful paintings. On the right wall, the chapel has a beautiful Bentivoglio family portrait of Giovanni the second, with his wife Ginevra and their eleven children. The whole family is standing around a sitting Madonna with baby Jesus.

In the centre of the chapel, there is a beautiful altar-piece done by Francesco Raibolini.

San Donato church on Via Zamboni

Before concluding this post about influence of science in renaissance period Italy on art, let me tell you about another church on Via Zamboni.

This is the San Donato church. It is the said that old church in this place was burned down in 1210 CE. The present building was made in 1454 and was renovated in 1751 when the painter Francesco Orlandi painted its facade. It ceased to be an active church in 1805 and it now belongs to the Count Malvasia family.

The paintings done by Francesco Orlandi are in Trompe l'oeil (Deceive the eye) style. It is an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions. For example, look at the window just above the church door - it seems as if it is actually surrounded by a niche, though it is all painted.

Conclusions

Art and science were not always seen as two parallel domains which never met. As this visit to San Giacomo church shows, these two worlds influenced and talked to each other. Art and artists played an important role in studying and understanding the physical world. The image below shows one of the striking sculptures from San Giacomo church.

Most of the time when we visit museums and churches and look at paintings, we rarely stop to consider the specific elements and ask ourselves why did the painter put this particular element in this painting? As the visit to San Giacomo shows, this can sometimes provide with surprising answers.

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Art and Culture in Fort Kochi

This is the second part of the post on Fort Kochi. It focuses on art, culture and day-trips opportunities. You can also check the first part of this post which is more about local history and things to do in Fort Kochi.

Fort Kochi is like the Indian spice mixture, Masala, with different ethnic and religious groups. This part of India is known to offer refuge to persecuted persons from different parts of the world since ancient times. It offers numerous opportunities to discover verdant Kerala countryside as well as, to learn about the art and culture of this ancient land. The first image is from a visit to the Folklore museum near Fort Kochi.

For general information about Fort Kochi, seaside places to visit and important places of different religions in the area, you can also check the first part of this post.

MUSEUMS

Generally I love visiting museums. Unfortunately in India, the museums are dusty ill-kept places with little information about the exhibits and old fashioned rules like prohibition of photography. However, Fort Kochi was an exception to this trend. So let me start this post with the museums around Fort Kochi.

Ernakulam District Museum is near the Chinese fishing nets and the beach in Fort Kochi. When I visited it in April 2017, it was closed for renovation. However, I could still visit its gardens and admire the various sculptures exhibited there. It is located in a heritage building known as the Bastion Bunglow. The image below presents a sculpture by Joseph M. Verghese from the museum gardens.

There is another museum at the Dutch palace, above the Bhagwathi temple in Mattancherry. It was the palace of the Kochi kings built by the Dutch in the 17th century. However, photography is not allowed in this museum. Here, my favourite exhibits were two huge wall paintings showing the arrival of the Portuguese and their interactions with the local king, his warriors and the priests.

Another important local museum is the Folklore Museum at Thevara bridge connecting Kochi to Fort Kochi. You can take an auto to go there. You can also take a public bus going to Thevara. However the bus drops you 3 km away from the museum so you need to walk or to take an auto for the last part of the journey.

Folklore Museum is a private museum and has beautiful traditional handicrafts, art and sculptures. It also has a well-informed guides who can explain the significance of each exhibit. When I visited this museum I was in a hurry and could not spend time with the guide, but I really regretted it afterwards. It would have been a great opportunity to understand the significance of so many interesting cultural artifacts from Kerala and Tamil Nadu.

Fort Kochi jail on the Tower Road, next to the Tourist Police Station, can also be seen as a museum. The earliest documents about this building are from 1865, though it could have been older than that. Different Indian freedom fighters had passed through this jail including Muhammed Abdur Rehman, K J Harshal, A K Gopalan and E M S Namboodiripad.

ARTS AND DANCES

Around Fort Kochi there are a few art galleries. You can also admire a lot of street art like the one in the image below.

Every two years, Fort Kochi holds an international Kochi Art Biennale. The last biennale was held here from December 2016 to March 2017 and the next Biennale is planned for December 2018. During the Biennale, art exhibitions are organised in different old heritage buildings of Fort Kochi. I was fortunate to be able to visit some of the art installations and exhibitions of the Biennale this year.

Different places in Fort Kochi organise daily cultural shows to present the traditional dances, especially Kathakkali and Mohiniattam. In most of these places, one hour before the dance show, you can also see the dancers getting ready for the Kathakkali performance and how they put on their intricate make-up.

VISITING VYPIN

Fort Kochi has different ferry ports for visits to neighbouring areas. For example, a 10 minutes ride costing a few Rupees on the Tourist boat will take you to Vypin island just across from Fort Kochi. I took this ferry and visited its light house. With red and white stripes, the light house looked very beautiful in the evening sun. It is located close to a popular beach.

In Vypin, I also visited a small but beautiful Shiva Temple near the light house which had colourful paintings of the deities on its walls. A couple of statues on the pillars guarding the temple-gate seemed to be very old however, I could not find someone to tell me more about this temple. The image below has the Shiva painting from this temple.

VISITING ERNAKULAM

There is another ferry connecting Fort Kochi to the twin city of Ernakulam. This 20 minutes ride, including a stop-over in Willingdon island, will take you to different malls and shopping centres of Kochi and Ernakulam.

BACKWATER TOUR

You can also try a back-water tour in Fort Kochi. Different local companies organise half or full day trips for backwater canals trips. They take you in a vehicle to Vaikom, from where you take a boat to go around these canals which go through the villages. The cost for a full day trip varies from Rs 850 to Rs 1500 and includes a traditional Kerala lunch. It is an opportunity to observe the calm village life, people and nature. The image below has a kingfisher bird seen during a backwater tour.

In an earlier visit to Kochi a few years ago, I had been to the half-day tour. Thus, this time I opted for a full day tour. In both half-day and full tours, you visit the canals, see the local village life in Kerala and visit some local small scale industries and development projects. For example, this time they took us to visit a cooperative making coir ropes.

In the full day tour they made us experience two different kinds of boats. However, except for the traditional Kerala lunch served on a banana leaf, in terms of canals and local visits, there was hardly any difference between the two tours. Thus, if you don't have much time, take the half day tour as you are not going to miss anything significant.

RELIGIONS AND ETHNIC GROUPS IN FORT KOCHI

In conjunction with Kochi Art Biennale, Sahapedia has been involved in a mapping of different communities in Fort Kochi. The few examples of community-mapping I saw during my visit were very interesting. A mixture of persons from different religions and ethnic backgrounds live in Fort Kochi.

CONCLUSIONS

This second part of the post on Fort Kochi focuses on art, culture and day-trips opportunities. It is a magical place where art and culture are part of your daily living experience. I loved staying in Fort Kochi.

You can also check the first part of this post for general information, seaside places to visit and important places of different religions in Fort Kochi,

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