Joys of Kathak

Welcome to the magical world of Kathak, one of the classical dances of India. Kathak is the dance from the Hindi heartland of northern India. Generally speaking, most of the classical dances of India like Kathakkali, Bharatanatyam and Mohiniattam with elaborate choreographies and exquisite costumes, originated in Southern part of India. Probably it has something to do with the peace and prosperity in that part of India over a period of centuries, so that cultures could develop more elaborate forms of artistic expressions. On the other hand, historically northern parts of India, especially on the west, over periods of millenniums, had repeated invasions and wars.

The same is true for the two other classical dance forms of northern India, Manipuri from the north-east and Odissi from Orissa (Odisha). Both have elaborate costumes, makeup and gestures. This part of India could also develop traditions of artistic expressions because it was far away from the invading armies coming from the west.

Kathak is the dance of north and north-western part of India and has been heavily influenced by the different cultures that reached India from the west, especially the Mughals.

To be classified as a classical, apart from the antichity of its traditions, a dance must also have a codified set of rules that govern all its movements, gestures and costumes, as well as the music that accompanies it. I think that Kathak was devalued and vulgarised over the past century as it lost patronage of the kings and nawabs, and was seen as the dance of prostitutes. Even if it developed in the Mughal courts, it took many traditions of Hinduism from the Hindi heartland, especially the traditions linked with Krishna.

The distinctive feature of Kathak is the foot-work. Vigorous thumping of feet along the rhythm of music from tabla, that may seem very similar to the Spanish flammenco dance in some ways, is a key part of the dance. Expert dancers take that to the extremes with such quick footwork that only the more experienced can understand the nuances and complexities of the dance. Yet, even if you don't understand all the complexities, you can always enjoy its simple gestuality and its vigourous gestures and movements.

All the pictures below are from a kathak performance by guru Birju Maharaj's dance troupe held in New Delhi in October 2005. Birju Maharaj ji is one of the leading exponents of this dance. The dancers in his troupe included Sashwati Sen, who had become famous after her dance in Satyajit Ray's film Shatranhj ke Khiladi, that was choreographed by Pandit Birju Maharaj.

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Note: This post was originally written in 2005

Tourists in Bologna

I love this city, Bologna, where I live. Lot of persons from India pronounce it in an incorrect way, like in a story of Gulzaar I had read in the Hindi magazine Hans a couple of years ago. But actually, it is pronounced Bolonia because in Italian, the 'gn' together produce a liquid sound of 'ni'.

When friends and relatives come to visit us, I often take them around the city, explaining the history, architecture and the art. However, most of the time, I know that our guests are very easily bored. I guess that coming from India, for us "tourist place" is meant to be something imposing, huge thing otherwise, it leaves us indifferent. When I go out, the colours of buildings, the shapes of spaces, small details of understanding how people lived two hundred or five hundred years ago, fascinate me, but they bore most of our guests.

"Yeah...", they say, scratching their heads, trying not to hurt my feelings, trying to hide their boredom, showing more interest in front of electronic shops or Armani boutiques.

Where I can buy nice Italian shoes, they ask, not even looking up at the wonderful lattice carving from fourteenth century in the Piazza della Mercanzia. They complain about the cobbles in the medieval streets, ignoring the harmonious beauty of the church's façade.

"What is there to look inside a church?", they seem to ask me silently as I take them around inside a church, unable to see anything worthy of their attention in the paintings or the architecture.

I would like to go to Pisa or Venice they say. Of course, Pisa and Venice are more touristy, they have things to show that are more imposing, huge, monumental. And, I also like going there. But I also love Bologna, and its more delicate, less in-your-face beauty, and it is full of small things laced with history hidden at every corner.

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Like the terracotta statues in the church on Via Clavature right in front of the main city square, Piazza Maggiore. They are in the "Santa Maria della Vita" church. I had walked around that church at least hundred times, never knowing that theose sculptures existed, till suddenly yesterday I had gone there. Actually, I had gone inside the church to take a picture of the statue of St. Teresa d'Avila, a saint whose prayers I like very much. Her poetry reminds me of the bhakti songs of Mira, simple and poignant.

A woman cleaning a candle stand had seen me, standing there, perhaps looking a bit uncertain. Actually I was wondering if I could use a flash without disturbing the persons praying there.

She had pointed towards the alter, "There, behind the stairs are the statues", she had told me. Which statues, I had wondered but then curious, I had gone in the direction she had indicated. There, behind the stairs in an alcove, hidden in the shadows was a group of most wonderful terracotta statues I had ever seen.

"Crying for Jesus" is the name of this group of statues made by Nicola dell'Arca in 1463. They were kept hidden for a long time since people felt that some statues were too vulgar as they showed shapes of breasts with clothes clinging to the bodies in an "improper" way! The two Marys in the right corner with their mouths open in a never ending scream, their bodies contorted in desperation, are the ones I like most. They remind me of the more famous Scream by Edvard Munch that was stolen from Oslo two years ago. To be honest, when I had seen that painting, I had not been particularly impressed by it. If you are in Bologna, go to the Santa Maria della Vita church and take a look at the two Marys, and then tell me if you don't think they are wonderful!

The two crying Marys also explain a common saying in Bologna. When they say, "She is like one of the Marias", they mean to say that she is very ugly. Actually, I think that the two Marias are beautiful, but then beauty is subjective!

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Bologna by night is even more beautiful than by day. Perhaps, that is not very accurate. There are parts of Piazza Maggiore, that I absolutely love in the light from setting sun, but in the night the city acquires shadows that soften the rough edges, hiding forbidden pleasures in the dark corners.

Like the view of Piazza Maggiore from Via Clavature. I love the small pieces of sky peeping in from beneath the arches. Bologna is full of archways. On a rainy day, very convenient. Or like the small old street with restaurants next to the medieval art museum.

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Yesterday there was this couple singing under one of the archways. They must have been British or Irish. The girl had a wonderful voice, touching the high notes effortlessly, while the wonderful acoustics from the archway echoed her voice, making it seem even better. They received lot of coins from the passersby and their bag was full.

After the musical couple, it was the turn of the juggler in the main square. With a big handlebar moustache, he seemed to be from another time. And, he was wonderfully clumsy with the flying dumbells. I don't know if it was intentional but when he missed to catch one in time, everyone roared with laughter. Then he took out a funny bicycle.

As soon he saw me clicking his pictures, he posed for me a few times and then, showing me his tongue, went on in his clumsy way on the bicycle, falling down soon after, provoking another roar of approval from the crowd.

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It is election time in Italy. Voting will be on 9 April. Mr. Berlusconi, the present prime minister is everywhere, with new hair transplant, rosy cheeks and fake smile chosen by his spin doctors as the most authentic ones to vow the voters. He uses the Government machinery for making publicity about all the good things his Government has done.

In the last one week, three letters have arrived at our home from him and other ministers, reminding us of the good things they have done. Your life has improved, he tells us.

Sure, we are stupid and can't make it out ourselves, that we much better off.

"Do you want more taxes? No thanks. Do you want more illegal immigrants? No thanks." These are the main messages of his campaign. And, in the mean time he merrily makes new laws to safeguard and strengthen his personal empire worth in millions.

"We are already rich, so elect us, we will steal less!" that is a common message that people give in different countries and voters are easily taken in. Politicians are thieves is a common perception so one hopes that the rich ones will be smaller thieves!

Anyway, I don't like Mr. Berlusconi. But he has huge fan following. People seem to lap his words as the truth and the only truth. I hope he won't win. I had also hoped that Bush won't win. And, Blair too. But, it seems voters any where, don't share my concerns. Perhaps I bring good luck to people, I don't like?

Mr. Romano Prodi, is the main candidate opposing Berlusconi. The professor, as he is commonly called, is from Bologna, is ex-president of European Commission. His campaign style is more people friendly but he is serious and boring. To listen to him speak, I tend to sleep off.

I like to listen to some other Italian politicians like Bertinotti (head of far left party) and Fini (head of far right party), even if I don't like their policies one bit. But they speak very well. Yes, I know, it is confusing, the people I like, they put me off to sleep and those, I don't like, I like listening to them!

So who do you think I am going to vote for?

Here are some images of Bologna:

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Note: This post was originally written in 2006

Nepal Diary

I am here for a women's orgasnisation working with women from "low" castes in rural areas of Nepal. I was worried about coming to Nepal with all the news about maoists' attacks and the imprisonment of all the political leaders by the king.

In fact tourists have all but disappeared. Thammel, the old part of Kathmandu, full of narrow alleys bursting with tourist shops frquented by europeans and americans, seems a little desperate. I was told that guest houses and small hotels have been forced to close because of lack of tourists.

Maoists have declared a complete block of Kathmandu from 13 March and some big action is being threatened by 4 April, so things may get even worse.

This means that it is easy to find a cheap room in a good hotel.

People speak about the BBC interview of Prachannda, the head of maoists and his assurance for maoists' willingness to renounce the path of violence and to be part of the political system. Yet, everyday there are news of new fights, bombs, and people dying.

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I have been told that from some angles, I look like Prachannda. That really makes me afraid. I am suppose to travel in far away rural areas, some of which are close to maoists strongholds and have been theatres of their fighting with police and military. What if they decide that I am Prachannda and decide to shoot me?

In the some of the rural areas that I am going to visit, poverty and oppression are deep-seated. Most of the maoist boys come from these homes I am told.

With some Nepalese friends, I discuss the revolution of maoists. I agree with their desire of human dignity, social justice and equity. But I don't think that violence or revolutions change things. Because, human beings are human beings and they all want comfort, money, good things, power, etc. A few committed and idealists don't run the revolution, it is ordinary persons in villages, small towns and communities, the frontguards of the revolutionaries, who will have to make a new system, and they won't be so different. In the end it will mean replacing the oppressors of the past with new oppressors.

I understand their impatience with slowness of change and yet, I don't think that there is any alternative to dialogue, empowerment and slow change from within.

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Lovely green fields with women in colourful clothes makes for pretty pictures. The women mostly wrap the saries over the lower half, keeping the upper halfs covered only with blouses. To Indian eyes, it makes them look more defiant, less shackled by the veils of modesty.

I was in a meeting with a women's group in Chaimalle. The women were from Danuvar community, struggling for survival.

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The bridge is hanging over the waters of Bhagmati river, about 35 km from Kathmandu. It is made of iron plates with gaps between them, and as you walk over it it moves and shifts like a sleeping snake, waking up and moving under your feet. Looking through the gaps at the boulders below and the rushing water, gives me vertigo.

In Kathmandu, the river is a filthy drain. Behind Pashupatinath, as people give the last bath to the dead bodies of their near and dear ones, before placing them on the funeral pyres, it seems that they can't see the thick filth in the holy waters, while they stand folding their hands in the sacred prayers.

It is like Jamuna in Delhi. Not the Jamuna of my childhood, when we played in the sand behind I.P. college. I wonder if Jamuna is still so dirty like Bhagmati river in Kathmandu or they have been able to clean it!

As we are away from Kathmandu, the frothing waters of Bhagmati crashing on the boulders, raising up a spray, seem clean and the whole scene looks like a paradise. As I cross the river, I realise to my horror, the shining white froth on the water is like thick soap, probably coming out of some factories or drains.

Some persons stand in the middle of the river. Are they fishing, I ask. No, there is no fish in this river, not any more, according to the two women accompanying us. Those people are mining sand, they will sell it.

Do their legs get sores and rashes, standing in the middle of the soapy-chemical foam of the river for hours, I ask. The women shake their heads, not understanding my question.

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Why do they carry things this way, holding the strap on their heads, I wonder. We are in Okhaldhunga district in the mountains.

Men, women, children, all of them carry things in this way. Small bags, big baskets full of green vegetables and fodder, bundles of wood, sheets of iron, logs, everything is carried with straps on their heads. People walk bent forward, the straps straining on their foreheads.

It has been years since I trekked in the mountains. I feel fat and undignified, moving like an elephant while all others move quickly and nimbly. The stones push through my Italian shoes and hurt my feet, while they walk in rubber flip-flops careflessly. They chatter happily and I gasp like an asthmatic.

I look up the mountain with despair. The climbing never seems to end. Far away I can see the ribbon of the path, hugging the mountain, going down towards the river bed. We have walked all that. Now this path going up.

The village women, they have made this path, Sarmila tells me. It is a narrow path on which stones have been placed. It is not a paved path, the stones have just been thrown there, one above another. I can understand that in rainy season, walking on these paths must not be easy and to have stones under your feet that stop you from slipping down, must be helpful. If you fall down, obviously you have greater chances of breaking your legs over them, I remind myself.

Each stone must weigh half a kg, so how much time did it take those women to line this path with all these stones? I imagine myself, going down the path, down to the river-bed where we had started, pick up a few stones on my back and then climb up to this place. Even the thought of it is too tiring, I give up imagining.

Has anyone ever had heart attacks while climbing these mountains, I want to ask, but I am afraid that asking such questions will bring bad luck. So I keep my mouth shut. Rather, I am too busy gasping to ask stupid questions.

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We are staying with an old woman in her "hotel" at Biplate village in Okhaldhunga district. Her hotel has two rooms. A big room where she has a kitchen and at night it becomes the women's dormitory. The next room is men's dormitory with closely packed cots.

For breakfast, we got roasted potatoes with chilli sauce. The toilet was outside the house, down the hill. After dinner I had taken my usual diuretic for the blood pressure so I needed to pee. Holding a small torch, I went out. It was pitch black and the idea of going down the hill to search for the toilet made me shudder. I finally decided to cross the road and pee over the deep valley below. Above, the sky was full of stars. I felt like a naughty child, peeing in the open like that.

In the morning, there was a procession of donkeys going up on the mountain behind us. There fifteen or twenty donkeys with bells around their necks in each group. They were followed by a man or sometimes by a boy. I was told that it is a 3-4 days' journey, going to the Salu, some place in high mountains in Himalaya.
A man who had slept in our hotel, came out  carryng a huge bundle of boxes and started walking on the same path. For four days of walking to deliver those boxes he will get 450 nepalese rupees. For food and sleeping on the way he will spend about 400 rupees and after four days of back-breaking work, he will earn 50 rupees. I could not believe it, when they explained it to me. One Euro is about 81 rupees.

Then came this boy following his buffaloes or were they yaks?

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We were back in Kathmandu. It was the day of the meeting with sex workers. I was curious to see the sex workers, when I went to their meeting. Where are the sex workers, I looked around. I didn't see them. I saw some young women, sitting together. Some of them had their children with them, completely unlike the image of sex workers I had in my head from all the Hindi films.

They talked about the difficulties of convincing the clients to use condoms. They talked about violence. They talked about discrimination, of being blamed for spreading AIDS. They talked about selling themsleves for a plate of momos, when their children were hungry. They talked about dignity. They talked about coming out and raising their voices.

Do you want to say something, they asked me. I am used to talking but for once, I could not find the words. I mumbled something, feeling inadequate.

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They sat on the ground, sitting patiently for hours. I squirmed and shifted every 5 minutes. Moves my legs this way and that way, trying to find some psoition where I felt comfortable. I wished that there was a chair.

How can you eat this way, I asked myself, trying to reach the thali on the ground.

They talked about domestic violence, alcoholism, poverty, hunger, saving money, second wives, going ahead even if men of their communities do not agree.

"Her husband cut the big toe in her right foot with a knife", Sarmila pointed out the woman who was speaking. He was drunk and angry. That woman was talking about the importance of her women's group, importance of her chicken raising, importance of not giving in to the threats of the men from the village.

Happy 8th March, even if I am late.

Here are some images from my Nepal trip:

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This post was originally written in 2006

Notes from London

Once again in London! What more can be there to tell about it?

I know the feeling. Every thing that could possibly have been said, has already been said!

Yet, I did have some new experiences. Reality is supposed to be subjective, so even if everyone else has already written about London, my reality of it will be different and it will be different from the last time I was there 4 weeks ago, since in 4 weeks, I have changed. So bear with me, even if I will understand that you might decide to skip this one and to spend your time better!

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Going to British museum in London reminds me of eating a banana split ice cream at Nirula's in Connaught Place in Delhi. In the end, it was difficult to finish that banana split and the sweetness of it gave me nausea. Every time I finished eating one, I would say "For one month, I am not going to touch any ice-cream".

Going to the British museum is like that. So much to see that in the end, it all gets too much. Entry to the museum is free and there is no prohibition on taking pictures. I especially love the Assyrian section.

But even the new dome covering the central space is so beautiful. And, the christmas lights in the shops in the museum were so beautiful. In the end, my head was bursting with things I had seen and my arm had cramps from the constant clicking that I was doing. I don't think that I will be back there any time too soon.

There was a wonderful new exhibition in the museum about the death rites and death linked mythology from around the world. There were masks in this exhibition from Andaman and Nicobar islands (India), some what similar to the Mau Mau figurines I had seen among the Toraja tribe in South Sulwesi (Indonesia).

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On Saturday afternoon, the meeting finished earlier than the plan. "I want to walk along the bank of Thames", I thought and off I was to the Hammersmith bridge. I had been to a pub around there for a dinner once and it was lovely to sit along the river, sip some beer and chat with friends in the summer. Probably that was not the right kind of memory for deciding about the walking trip in December, but that thought came to me much later!

The Thames path, goes along the river and then at some places, where private buildings block the way, it goes in between houses, waiting for the next point where it can rejoin the river. At one such point, I found myself in Bishop's park with boys/men playing football and American soccer. I like the funny clothes they wear for soccer, with puffed up shoulders and sleeves. I also like the ritual of everyone putting together their heads as the ball is launched. I don't understand the rules of the game but that does not stop me from admiring it!

Then I reached the All Saints church near the river in Fulham. It had lot of old tombs with some interesting tomb stones. Like, "Here lies Susan Parkinson, loving wife of xxx and mother of xxx. xxx, xxx, left for her heavenly abode on 17 August 1759". I like cemetries.

Anyway, I walked and walked and walked. It was lovely. In the end, when my legs were almost giving up, I thought it was prudent to go back.

"I will try to find a short cut for going back to the hotel", I told myself. And, so I walked and walked and walked.

"I won't ask anyone for directions", I had told myself. I often make such rules for myself. However, in the end I had to ask someone for directions, since I seemed to going around in circles. My "short cut" was taking me further away from my hotel, I was told and, it would be better to take a bus or a taxi.

When finally I reached my room, I felt like an old man, in terminal stage of some advanced disease, who seemed to walk like a drunk sailor on a ship in a stormy night.


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By Sunday evening, I had apparently forgotten about my decision to avoid museums for some time, and I was back at the Trafalgar square to look at National Portrait gallery. Like British museum, it is also free but unlike B.M., here you can't click pictures of old masters like Van Gogh, as I discovered when I tried to do so!

Outside, the sky behind the opera house was darkest shade of grey-black, producing a lovely light over Trafalgar square. The statute of a disabled pregnant woman by Mark Quinn in the square is provocative. With countries and societies often insisting on forced sterlisations for the disabled persons and promoting abortions if you think that your child could be disabled, to put such a statue in the main square makes you question some fundamental beliefs, I hope!

The newspapers on Monday were about the big blast in a petrol depot, some 30 miles from London, that had produced a 75 km wide black mushroom cloud. I wonder if that black cloud visible in Trafalgar square was because of it?

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Saw this funny ad about condoms in an underground station, with digital ducks wearing condoms on their head-plumes.

Reminded me of an ad I had once seen in Salvador de Bahia in Brazil about noise pollution and loud music in cars. "Show your virility in the bedroom, not on the streets. People who can't do it in the bedroom, tend to make more noise on the street", that ad said.

So here are some images from this eventful London trip!

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This post was originally written in 2006

A day in Florence

As I reached Florence, it was raining and it was cold. I shivered outside the Santa Maria Novella railway station. I had been trapped by my friend Roberto from the "School of health and sustainable development" in Florence. He was organising this big international meeting and one of his speakers had ditched him at the last moment. So I was co-opted.

It had been a long time since I had been in Florence. Perhaps the last time was in 2001, I am not so sure. It had been even longer since I had gone there as a tourist. As I looked around, hurried florentians were rushing off to work, holding on to their umbrellas. I had come an hour earlier, so I could afford to walk slowly, look around and smile at those who showed their irritation 'cause they were getting late for work or some appointment.

It is funny, how you can live next to the most beautiful place in the world and yet, how you stop seeing the beauty because you are too busy running. I guess, that happens to me as well in Bologna!

I love the old buildings on the street leading to the city centre from the railway station. I saw an ancient looking church on the way. The board outside said that it was first built around the end of ninth century. I decided to go inside. It was beautiful with old frescos on the walls that were peeling off. And, it was cold and dark. A young man in his impeccable business suit and briefcase, made the sign of cross hurriedly and rushed out. I like places that are still being used for the normal day to day life, even while the tourist stand around and gape.

The paintings and statues on the wall, gained more depth and life in the dim light. There was a beautiful painting of Joseph with baby Jesus in his hands, looking at the child with fatherly love, while Mary seemed like a self-satisfied mom, looking adoringly at her husband and the baby. Behind them in the painting, there was some high ranking priest speaking in a church with another younger priest kneeling on the ground. I am sure that painting was commissioned by that elderly priest, wishing to show himself off with the holy family to the congregation.

But what caught my attention was a group of statues with crucified Jesus in the middle. The saint like figure on the right, seemed to crush the head of a protrate man with his foot, resembling the Durga-Mahishasur statues.

After this brief stop-over, I proceeded towards the Duomo, the cathedral of Florence. It is one of the most beautiful squares in the world, with its pink, burgundy, cream and dark grey wedding-cake like church, bell tower and the round battistero.

While walking towards the Cathedral, my attention was caught by the plastic chairs under a tent outside a restaurant. The chairs at the outside edge had all been turned inside to save them from the rain. It thought it would make for a nice view of the cathedral, though the final result does not look very artistic!

While I admired the church, a group of tourists arrived, got down from the bus and immediately started clicking. All right, I know, with my own frequent camera clicking, I am no position to comment on the camera clicking of other tourists, but still it did look funny.

They must be Japanese, I thought. But as I came closer and heard them talking, I realised that they were Chinese. It must be a nightmare for these Europeans I guess, seeing all those Chinese, who are shown in the media as illegal immigrants, or as persons exploiting human labour to make cheap things and doing "dishonest" practices to dump their exports, to realise that now their bread and butter depnds upon these "lowly" tourists! Perhaps a day would come when Indian tourists will also descend here like a storm of birds, haggling over the prices with the souvenir shops. Perhaps they already are!

Chuckling to myself about the injustices of life, I walked towards the Piazza della Signoria, or the square of the Lords, with its magnificant old palace and the statues.

The famous statue of David by Michaelangelo, outside the gate of the old palace is a copy, the original is inside the museum. I am surprised that the church and all those self-righteous leaders have not cried to ban or cover those statues. Actually they must have tried. Two smaller statues next to the door, have the genitals covered by fig leaves, though they seem to have an opposite effect, in the sense, from a distance, they look like pubic hair.

Next to the old palace, the loggia has some of the statues for display, including two by Giambologna, the sculptor who did the Neptune statue for Bologna.

I think that this is a sign of civilization and of abundance, that city has decided to put some of good statues outside, so that general public can also admire them without going inside the museums and without buying any tickets.

In fact in Italy, Florence has the reputation of being a civilized and cultured city like Lucknow in India. When Italy was unified, it adopted the language of Florence as the "standard Italian", a bit like Avadhi-Khari boli were adopted as Hindi. My tourist time was almost over, so I rushed to have a quick look at the old bridge over the river Arno.

I almost ran to Piazza Santissima Annunziata to my meeting as I was getting late. But I was not satisfied with my tourist visit of Firenze and I wanted more. At lunch time, I decided to forego the official lunch and spend the hour walking around. The meeting was in Innocenti centre, an old orphanage and also the seat of Unicef in Italy. There is a statue of a boy sitting on the paperboat outside the Innocenti library, that is very nice.

Right outside the Innocenti centre, there are two fountains with science-fiction kind of Martian figures puking water on the back of flying turtles. Amrita Shergill had once lived around here, I had read once. I walked back to the Cathedral to see if I could go inside and have a look. In the morning, it was still closed. Inside, it was surprisingly very empty and quite unadorned. The sight of women lighting candles was beautiful.

Even if the cathedral is unadorned, it has a beautiful dome (the famous Brunelleschi dome, a marvel in the medieval world, when it was built) with wonderful paintings, though you need to have a mirror in your hand to look at them since looking up directly can strain your neck!

After the cathedral, I walked to the gallery outside the Uffizi, supposedly one of the most beautiful renaissance art museums in the world. There was no time to go inside but I could admire from the outside the statues of the great historical personalities of Florence over the past centuries, starting with Macchiavelli and Leonardo da Vinci.

Not just the big churches, or monuments, even simple doorways of some houses, probably belonging to some noble family, can give beautiful glimpses of paintings and statues.

It was time to go back to the meeting so I walked back to centro Innocenti. In the evening as the meeting finished, it was already dark. Before going back to the railway station, I had a quick look at Santa croce church with the statue of Dante, another famous son of Florence, who used to live around there!

It had been nice day, thanks to the time I had taken off to go around for my tourist visit. I had run around a lot, I had missed my lunch, but in the end it was more satisfying then just going to a meeting!

Here are some pictures from the day:

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This article was originally written in 2006